Nr. 99573018

Art Nouveau Buntglasfenster (2) - 1910-1920 - Amsterdam
Nr. 99573018

Art Nouveau Buntglasfenster (2) - 1910-1920 - Amsterdam
Jugendstil / Art Nouveau Stained-Glass Panels in Copper Inlay, ca. 1910
In Excellent Condition – No Reserve
A dramatic pair of early 20th-century stained-glass panels executed in the luxurious technique of copper inlay. Around 1910 this method was considerably more exclusive than traditional lead came, reserved for high-end decorative commissions in refined urban interiors.
These two matching panels form a sweeping Art Nouveau composition: flowing organic curves, stylised foliate motifs, hand-painted floral sections, and elegant curved segments of clear blank faceted glass. The colours are radiant and atmospheric: amber yellow, turquoise, opaline cream, deep rose pink and richly textured blue. Each piece displays unmistakable hand-crafted workmanship.
Placed together with a small spacing, the pair creates an approx. 80-cm wide tableau that instantly evokes the Belle Époque.
Imagine these mounted above a doorway, behind a window, or integrated into a contemporary interior as a statement artwork. The solid copper inlay gives a warm golden outline, and the faceted clear glass throws beautiful reflections across the room. A unique commission-made set, not found elsewhere.
Specifications
• Period: ca. 1910
• Technique: stained glass in copper inlay (a more luxurious method than lead at the time)
• Origin: Amsterdam city centre
• Composition: 2 matching panels
• Weight: approx. 2.5 kg combined
• Dimensions per panel: approx. 30 × 39 cm (h × w)
• Total display width (with approx. 2 cm spacing): approx. 80 cm
• Materials: hand-cut coloured glass, blank faceted glass, copper inlay construction
• Condition: in vintage, unrestored condition with minimal signs of age that add to its authentic charm. Please review the many photos for an accurate impression.
Historical context
During the Belle Époque and Jugendstil / Art Nouveau period, stained glass became a hallmark of elegant European architecture. Copper inlay, far more labour-intensive and costly than lead, was used only for high-quality commissions where refined detail and fluid asymmetrical lines were desired. The stylised motifs and hand-painted roses in these panels reflect the movement’s fascination with craftsmanship, nature, and ornamentation.
Shipping
The panels will be securely packed with full edge protection and shipped insured.
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