Noh mask - Wood






Has over 25 years' experience in Asian art and owned an art gallery.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 127342 reviews
Rated Excellent on Trustpilot.
Single wooden Noh mask, Ko-omote, by Ishizu Gyokushū from Nara, Japan, dating to the 1970s–1980s, in excellent condition with an antique-inspired design.
Description from the seller
Item Description
This refined Noh mask titled “Ko-omote” (小面) is a traditional wooden mask by Ishizu Gyokushū (石津玉秀), a second-generation Noh mask artisan from Nara, Japan. Born in 1939 (Showa 14) in Nara City, Ishizu inherited the artistic name from his adoptive father, the first-generation master, under whom he trained from an early age. After the passing of the first generation (reportedly around 1973, Showa 48 – unconfirmed), he succeeded to the name as the second generation, continuing the family lineage of mask carving in Nara.
According to the accompanying biography, Ishizu devoted himself not only to the production of Noh masks but also to the research and creation of ancient gigaku and bugaku masks associated with historic temples such as Hōryū-ji and Tōdai-ji. His work represents a continuation of Nara’s long-standing tradition of sacred and theatrical mask craftsmanship. Biographical notes mention involvement in regional cultural and craft associations in Nara.
His artistic style is rooted in classical Nara aesthetics. The present Ko-omote expresses the quiet dignity and refined beauty characteristic of young female roles in Noh theater. The softly rounded cheeks, delicately arched brows, narrow eyes, and gently tinted lips create a serene yet introspective expression. As with high-quality Noh masks, the expression subtly changes depending on the viewing angle and light, revealing emotional nuance through minimal carving.
The mask is carved from wood and finished with traditional gofun (white shell pigment), red and black mineral pigments, and fine detailing. The carving is precise yet restrained, favoring inner grace over overt dramatization. The reverse side bears the artisan’s inscription or label (e.g., “御面 小面 玉秀”), and the piece is accompanied by its original signed storage box (tomobako) and biography sheet.
Condition: Preserved item. The front surface remains in very good condition with no noticeable stains or damage. Minor age-related discoloration may be visible on the label or paper components. Please refer to the photographs for details. As a long-term stored piece, we kindly request your understanding before bidding.
Size
Height: approx. — cm
Width: approx. — cm
Depth: approx. — cm
Weight
Approx. — g
Artist Profile
Ishizu Gyokushū (石津玉秀)
Born in 1939 in Nara City, Japan. Second-generation Noh mask artisan trained under the first-generation master (adoptive father). Engaged in the creation and study of Noh, gigaku, and bugaku masks, particularly in connection with the historic cultural traditions of Nara, including Hōryū-ji and Tōdai-ji temple arts. His works are characterized by refined carving, restrained elegance, and faithful adherence to classical Nara mask-making techniques.
Shipping Information
This item will be carefully packed and shipped via Japan Post EMS (Express Mail Service) with full tracking and insurance.
Delivery is generally expected to take approximately one week, depending on the destination. Please note that delivery times may vary depending on the country or region and customs procedures.
Import duties, taxes, and VAT (if applicable) are the responsibility of the buyer.
Item Description
This refined Noh mask titled “Ko-omote” (小面) is a traditional wooden mask by Ishizu Gyokushū (石津玉秀), a second-generation Noh mask artisan from Nara, Japan. Born in 1939 (Showa 14) in Nara City, Ishizu inherited the artistic name from his adoptive father, the first-generation master, under whom he trained from an early age. After the passing of the first generation (reportedly around 1973, Showa 48 – unconfirmed), he succeeded to the name as the second generation, continuing the family lineage of mask carving in Nara.
According to the accompanying biography, Ishizu devoted himself not only to the production of Noh masks but also to the research and creation of ancient gigaku and bugaku masks associated with historic temples such as Hōryū-ji and Tōdai-ji. His work represents a continuation of Nara’s long-standing tradition of sacred and theatrical mask craftsmanship. Biographical notes mention involvement in regional cultural and craft associations in Nara.
His artistic style is rooted in classical Nara aesthetics. The present Ko-omote expresses the quiet dignity and refined beauty characteristic of young female roles in Noh theater. The softly rounded cheeks, delicately arched brows, narrow eyes, and gently tinted lips create a serene yet introspective expression. As with high-quality Noh masks, the expression subtly changes depending on the viewing angle and light, revealing emotional nuance through minimal carving.
The mask is carved from wood and finished with traditional gofun (white shell pigment), red and black mineral pigments, and fine detailing. The carving is precise yet restrained, favoring inner grace over overt dramatization. The reverse side bears the artisan’s inscription or label (e.g., “御面 小面 玉秀”), and the piece is accompanied by its original signed storage box (tomobako) and biography sheet.
Condition: Preserved item. The front surface remains in very good condition with no noticeable stains or damage. Minor age-related discoloration may be visible on the label or paper components. Please refer to the photographs for details. As a long-term stored piece, we kindly request your understanding before bidding.
Size
Height: approx. — cm
Width: approx. — cm
Depth: approx. — cm
Weight
Approx. — g
Artist Profile
Ishizu Gyokushū (石津玉秀)
Born in 1939 in Nara City, Japan. Second-generation Noh mask artisan trained under the first-generation master (adoptive father). Engaged in the creation and study of Noh, gigaku, and bugaku masks, particularly in connection with the historic cultural traditions of Nara, including Hōryū-ji and Tōdai-ji temple arts. His works are characterized by refined carving, restrained elegance, and faithful adherence to classical Nara mask-making techniques.
Shipping Information
This item will be carefully packed and shipped via Japan Post EMS (Express Mail Service) with full tracking and insurance.
Delivery is generally expected to take approximately one week, depending on the destination. Please note that delivery times may vary depending on the country or region and customs procedures.
Import duties, taxes, and VAT (if applicable) are the responsibility of the buyer.
