Tasso - Goffredo... Gerusalemme Liberata - 1760





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Description from the seller
FIERCE CLASHES BETWEEN CHRISTIANS AND MUSLIMS: LADY AND KNIGHTS, LOVE AND DEATH
This Venetian edition of La Gerusalemme Liberata, printed by Antonio Groppo in the heart of the eighteenth century, transforms the poem into a total work of art: a book that combines typographic luxury, figurative theatricality, and narrative rigor. The 20 engraved plates by Novelli and Castello, conceived as true dramatic canvases, amplify the epic rhythm of the text and translate its culminating moments into a sequence of clear and solemn images. The red and black of the frontispiece, the ornate initials, and the internal decorative care place the work at the heart of the best Venetian production of the period, while the French inscriptions on the binding attest to its international circulation and the cultural prestige that Tasso continued to exert in the eighteenth century.
MARKET VALUE
The illustrated Venetian editions of La Gerusalemme Liberata, in particular those published by Antonio Groppo between 1760 and 1761, present a stable and selective market. Complete copies of the two volumes, with all the plates by Pietro Antonio Novelli and Bernardo Castello intact and well preserved, generally fetch values between €2,500 and €3,000; volumes bound in high-quality contemporary leather, especially with historical or prize inscriptions as in the present case, can reach €4,000 or slightly more, depending on the condition of the hinges and the freshness of the engravings.
PHYSICAL DESCRIPTION AND CONDITION
Frontispiece engraved in the first volume; vignette engravings at the frontispieces; the frontispiece of the first volume printed in red and black. Rich decorative apparatus: initials, headpieces, tailpieces. Copper-engraved portrait of Torquato Tasso. Overall 20 copper-engraved plates signed by Pietro Antonio Novelli and Bernardo Castello. Paper with some foxing, browning. Ex libris removed. Contemporary vellum binding in marbled leather, with gilded borders on the covers and gilded inscriptions: on the front cover "Au nom du peuple français – prix d’emulation", on the back "Accorde par l'Adm.r Gen.l l'année X – distribué par le préfet de l'Eridan". Pp. (4); 12nn; 360; (2). (4); 36nn; 364; (4).
FULL TITLE AND AUTHOR
Il Goffredo, ovvero Gerusalemme Liberata.
Venezia, Antonio Groppo, 1760–1761.
Torquato Tasso.
CONTEXT AND SIGNIFICANCE
This edition is considered one of the most refined of the eighteenth century for the Tassian poem. It places La Gerusalemme Liberata in a fully eighteenth-century aesthetic context, where typographic beauty and figurative theatricality become an integral part of the reading experience. The illustrations by Novelli and Castello translate the poem into a sequence of complex narrative tableaux: an intertwining of classical architectures, heroic pathos, and late Baroque invention that dialogues with the Italian iconographic tradition and prepares the ground for the great nineteenth-century editions of the classics. Groppo conceives a book that is not only a reading instrument but also an object of representation, destined for a cultivated, refined audience attentive to artistic bibliography.
BIOGRAPHY OF THE AUTHOR
Torquato Tasso (1544–1595), born in Sorrento and active at Italian Renaissance courts, is one of the greatest poets of the Western tradition. La Gerusalemme Liberata, published in 1581, is a Christian heroic poem that combines crusader matter, psychological introspection, and moral tension, anticipating Baroque sensibilities and Romanticism. His literary and editorial prestige has generated, over the centuries, a very rich tradition of illustrated editions.
PRINTING HISTORY AND CIRCULATION
Antonio Groppo’s print run sits within the lively Venetian editorial tradition of the eighteenth century, characterized by great attention to the iconographic apparatus and typography quality. This edition, organized in two volumes, represents a culminating point among the illustrated editions of the poem: the importance of the cycle of engraved plates and the care for decorative elements have ensured stable circulation among Italian and French collectors, as also testified by the prize inscription in French on the binding.
BIBLIOGRAPHY AND REFERENCES
A. Mai, Bibliografia Tassiana, 270
Gamba, Serie dei Testi di Lingua, 948
Repertori delle edizioni illustrate del Settecento veneziano; catalogs dedicated to the works of Pietro Antonio Novelli and Bernardo Castello; historical bibliography on the editorial reception of La Gerusalemme Liberata.
Seller's Story
FIERCE CLASHES BETWEEN CHRISTIANS AND MUSLIMS: LADY AND KNIGHTS, LOVE AND DEATH
This Venetian edition of La Gerusalemme Liberata, printed by Antonio Groppo in the heart of the eighteenth century, transforms the poem into a total work of art: a book that combines typographic luxury, figurative theatricality, and narrative rigor. The 20 engraved plates by Novelli and Castello, conceived as true dramatic canvases, amplify the epic rhythm of the text and translate its culminating moments into a sequence of clear and solemn images. The red and black of the frontispiece, the ornate initials, and the internal decorative care place the work at the heart of the best Venetian production of the period, while the French inscriptions on the binding attest to its international circulation and the cultural prestige that Tasso continued to exert in the eighteenth century.
MARKET VALUE
The illustrated Venetian editions of La Gerusalemme Liberata, in particular those published by Antonio Groppo between 1760 and 1761, present a stable and selective market. Complete copies of the two volumes, with all the plates by Pietro Antonio Novelli and Bernardo Castello intact and well preserved, generally fetch values between €2,500 and €3,000; volumes bound in high-quality contemporary leather, especially with historical or prize inscriptions as in the present case, can reach €4,000 or slightly more, depending on the condition of the hinges and the freshness of the engravings.
PHYSICAL DESCRIPTION AND CONDITION
Frontispiece engraved in the first volume; vignette engravings at the frontispieces; the frontispiece of the first volume printed in red and black. Rich decorative apparatus: initials, headpieces, tailpieces. Copper-engraved portrait of Torquato Tasso. Overall 20 copper-engraved plates signed by Pietro Antonio Novelli and Bernardo Castello. Paper with some foxing, browning. Ex libris removed. Contemporary vellum binding in marbled leather, with gilded borders on the covers and gilded inscriptions: on the front cover "Au nom du peuple français – prix d’emulation", on the back "Accorde par l'Adm.r Gen.l l'année X – distribué par le préfet de l'Eridan". Pp. (4); 12nn; 360; (2). (4); 36nn; 364; (4).
FULL TITLE AND AUTHOR
Il Goffredo, ovvero Gerusalemme Liberata.
Venezia, Antonio Groppo, 1760–1761.
Torquato Tasso.
CONTEXT AND SIGNIFICANCE
This edition is considered one of the most refined of the eighteenth century for the Tassian poem. It places La Gerusalemme Liberata in a fully eighteenth-century aesthetic context, where typographic beauty and figurative theatricality become an integral part of the reading experience. The illustrations by Novelli and Castello translate the poem into a sequence of complex narrative tableaux: an intertwining of classical architectures, heroic pathos, and late Baroque invention that dialogues with the Italian iconographic tradition and prepares the ground for the great nineteenth-century editions of the classics. Groppo conceives a book that is not only a reading instrument but also an object of representation, destined for a cultivated, refined audience attentive to artistic bibliography.
BIOGRAPHY OF THE AUTHOR
Torquato Tasso (1544–1595), born in Sorrento and active at Italian Renaissance courts, is one of the greatest poets of the Western tradition. La Gerusalemme Liberata, published in 1581, is a Christian heroic poem that combines crusader matter, psychological introspection, and moral tension, anticipating Baroque sensibilities and Romanticism. His literary and editorial prestige has generated, over the centuries, a very rich tradition of illustrated editions.
PRINTING HISTORY AND CIRCULATION
Antonio Groppo’s print run sits within the lively Venetian editorial tradition of the eighteenth century, characterized by great attention to the iconographic apparatus and typography quality. This edition, organized in two volumes, represents a culminating point among the illustrated editions of the poem: the importance of the cycle of engraved plates and the care for decorative elements have ensured stable circulation among Italian and French collectors, as also testified by the prize inscription in French on the binding.
BIBLIOGRAPHY AND REFERENCES
A. Mai, Bibliografia Tassiana, 270
Gamba, Serie dei Testi di Lingua, 948
Repertori delle edizioni illustrate del Settecento veneziano; catalogs dedicated to the works of Pietro Antonio Novelli and Bernardo Castello; historical bibliography on the editorial reception of La Gerusalemme Liberata.
