Hope - Fencing Master - 1710





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Description from the seller
THE MAGIC OF THE SWORD: BETWEEN ART AND WAR
This rare specimen from Sir William Hope’s The Compleat Fencing-Master represents a fundamental milestone in the evolution of English fencing in the early 18th century. The work is enriched by splendid folded plates, testimony to an era when fencing was not only military discipline but also a form of art, elegance, and philosophy of gesture. Particularly valuable is the presence of finely hand-watercolored illustrations, which confer an aura of uniqueness and visual suggestion to the volume, transforming it from a technical manual into a true work of art.
MARKET VALUE
Instances of Hope’s early fencing works are very rare on the antique market. Complete copies with intact plates reach values between €5,500 and €7,000, with higher peaks for copies with illustrious provenance or hand-watercolored illustrations, as in the case of this exemplar.
PHYSICAL DESCRIPTION AND CONDITION
Full leather binding, rebound in a later period with the original spine preserved and restored, few signs of wear, small restorations on L4 and N1 that partially touch the text. The volume is accompanied by 12 large engraved folded plates, here presented in extraordinary state of preservation, some finely hand-watercolored. Pp. [4]; 18nn. 197; 13nn. [4]; 12 full-page plates.
FULL TITLE AND AUTHOR
The Compleat Fencing-Master: In which is fully described the whole Guards, Parades, and Lessons belonging to the Small-Sword; as also the best Rules for playing against either Artists or Ignorants, with Blunts or Sharps. Together with Directions how to behave in Single Combat on the Ground. Also the Opinion of the most eminent Authors, ancient and modern, concerning the Use of Arms.
London, Printed for W. Taylor, 1710.
Hope (Sir William).
CONTEXT AND SIGNIFICANCE
This work represents one of the most important syntheses of the British school of fencing, heir to French and Italian traditions, yet already characterized by its own stylistic autonomy. Sir William Hope, a Scottish officer, transmits in the volume directly gained experience from both military field and academies. The illustrations, exceptionally watercolored here, clearly depict the fundamental positions and strikes of the small-sword, but they also take on symbolic value, as they visually translate the chivalric code of composure and the art of the duel. The work, initially published as The Scots Fencing-Master in 1687, went through later editions (1691, 1692, 1697) before reaching this 1710 edition, not recorded in the USTC.
BIOGRAPHY OF THE AUTHOR
Sir William Hope (c. 1660 – 1724) was a Scottish officer, fencing master, and writer, considered among the leading promoters of modern fencing in England. His works stand out for clarity of exposition and a systematic approach, combining practical experience with a solid theoretical framework. His editorial activity helped spread fencing as a discipline not only military but also social and civil.
PRINTING HISTORY AND CIRCULATION
The first edition, under the title The Scots Fencing-Master, appeared in Edinburgh in 1687. It was followed by editions in 1691, 1692, and 1697, which consolidated the work’s fortune and its transition to the more international title The Compleat Fencing-Master. This 1710 edition, here described as the third but actually the fifth, is not recorded in the major catalogs (not cited in the USTC), a fact that increases its rarity and bibliographic value. Circulation remained limited to a readership of military officers, nobles, and gentlemen interested in the code of the duel.
BIBLIOGRAPHY AND REFERENCES
– Thimm, F. A Complete Bibliography of Fencing and Duelling, London, 1896.
– Vigeant, C. Bibliographie de l’escrime, Paris, 1882.
– Anglo, S. The Martial Arts of Renaissance Europe, New Haven, 2000.
– Cohen, H. Swordsmen: The Martial Ethos in the Three Kingdoms, Oxford, 2010.
Seller's Story
THE MAGIC OF THE SWORD: BETWEEN ART AND WAR
This rare specimen from Sir William Hope’s The Compleat Fencing-Master represents a fundamental milestone in the evolution of English fencing in the early 18th century. The work is enriched by splendid folded plates, testimony to an era when fencing was not only military discipline but also a form of art, elegance, and philosophy of gesture. Particularly valuable is the presence of finely hand-watercolored illustrations, which confer an aura of uniqueness and visual suggestion to the volume, transforming it from a technical manual into a true work of art.
MARKET VALUE
Instances of Hope’s early fencing works are very rare on the antique market. Complete copies with intact plates reach values between €5,500 and €7,000, with higher peaks for copies with illustrious provenance or hand-watercolored illustrations, as in the case of this exemplar.
PHYSICAL DESCRIPTION AND CONDITION
Full leather binding, rebound in a later period with the original spine preserved and restored, few signs of wear, small restorations on L4 and N1 that partially touch the text. The volume is accompanied by 12 large engraved folded plates, here presented in extraordinary state of preservation, some finely hand-watercolored. Pp. [4]; 18nn. 197; 13nn. [4]; 12 full-page plates.
FULL TITLE AND AUTHOR
The Compleat Fencing-Master: In which is fully described the whole Guards, Parades, and Lessons belonging to the Small-Sword; as also the best Rules for playing against either Artists or Ignorants, with Blunts or Sharps. Together with Directions how to behave in Single Combat on the Ground. Also the Opinion of the most eminent Authors, ancient and modern, concerning the Use of Arms.
London, Printed for W. Taylor, 1710.
Hope (Sir William).
CONTEXT AND SIGNIFICANCE
This work represents one of the most important syntheses of the British school of fencing, heir to French and Italian traditions, yet already characterized by its own stylistic autonomy. Sir William Hope, a Scottish officer, transmits in the volume directly gained experience from both military field and academies. The illustrations, exceptionally watercolored here, clearly depict the fundamental positions and strikes of the small-sword, but they also take on symbolic value, as they visually translate the chivalric code of composure and the art of the duel. The work, initially published as The Scots Fencing-Master in 1687, went through later editions (1691, 1692, 1697) before reaching this 1710 edition, not recorded in the USTC.
BIOGRAPHY OF THE AUTHOR
Sir William Hope (c. 1660 – 1724) was a Scottish officer, fencing master, and writer, considered among the leading promoters of modern fencing in England. His works stand out for clarity of exposition and a systematic approach, combining practical experience with a solid theoretical framework. His editorial activity helped spread fencing as a discipline not only military but also social and civil.
PRINTING HISTORY AND CIRCULATION
The first edition, under the title The Scots Fencing-Master, appeared in Edinburgh in 1687. It was followed by editions in 1691, 1692, and 1697, which consolidated the work’s fortune and its transition to the more international title The Compleat Fencing-Master. This 1710 edition, here described as the third but actually the fifth, is not recorded in the major catalogs (not cited in the USTC), a fact that increases its rarity and bibliographic value. Circulation remained limited to a readership of military officers, nobles, and gentlemen interested in the code of the duel.
BIBLIOGRAPHY AND REFERENCES
– Thimm, F. A Complete Bibliography of Fencing and Duelling, London, 1896.
– Vigeant, C. Bibliographie de l’escrime, Paris, 1882.
– Anglo, S. The Martial Arts of Renaissance Europe, New Haven, 2000.
– Cohen, H. Swordsmen: The Martial Ethos in the Three Kingdoms, Oxford, 2010.
