Songye Ancestor Statue - Songye - DR Congo






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STATUE D'ANCÊTRE SONGYE, a 50 cm tall wooden statue from the Songye people of the Democratic Republic of the Congo, sold with a stand and authentic/original.
Description from the seller
Origin. Democratic Republic of the Congo
Tribe name. Songye
Material. Wood, nails, iron
Dimension. 50 cm
Shipping method. Colissimo within 24-48h; unpack.
This piece is a remarkable example of Songye sculpture, a cultural group living mainly in the southeast of the Democratic Republic of the Congo.
It is more precisely a statue of power, often called Nkishi (plural: Mankishi)
The Nkishi is not merely a decorative artwork; it is a spiritual receptacle. It is designed by a sculptor but “activated” by a ritual specialist (the Nganga). Its primary function is to protect the community or an individual against illness, witchcraft, or enemies, and to promote fertility.
The Head and the Face: The head is often disproportionate as it is the seat of intelligence and power. The almond-shaped eyes and the open mouth (sometimes showing teeth) are typical of the Songye style.
The Metallic Elements: You will notice many brass nails and studs on the face. These elements are not only aesthetic: metal is believed to attract lightning or redirect negative influences toward the aggressor. They also symbolize strength and status.
The Protruding Abdomen: The belly is a crucial part. Often a cavity (named bishimba) is carved in it to hold magical and medicinal substances (organic matter, sacred earth, herbs). This blend gives the statue its power.
The Posture: The standing position, hands resting on the abdomen on either side of the navel, is the classic posture of the Mankishi. It emphasizes the importance of lineage and protecting the vital center.
Wood: Carved from a dense, dark wood.
Patina: The surface has a rich, oily patina, the result of successive applications of ritual oils or handling over time.
Headdress: The top of the head appears to be adorned with discs or circular elements (perhaps cowries or metal plates), reinforcing the protective and prestigious aspect.
The heavy presence of nails suggests it could be a statue intended for communal protection or for an important family head, as the accumulation of precious metals and intricate details often reflects the importance of the commission.
Origin. Democratic Republic of the Congo
Tribe name. Songye
Material. Wood, nails, iron
Dimension. 50 cm
Shipping method. Colissimo within 24-48h; unpack.
This piece is a remarkable example of Songye sculpture, a cultural group living mainly in the southeast of the Democratic Republic of the Congo.
It is more precisely a statue of power, often called Nkishi (plural: Mankishi)
The Nkishi is not merely a decorative artwork; it is a spiritual receptacle. It is designed by a sculptor but “activated” by a ritual specialist (the Nganga). Its primary function is to protect the community or an individual against illness, witchcraft, or enemies, and to promote fertility.
The Head and the Face: The head is often disproportionate as it is the seat of intelligence and power. The almond-shaped eyes and the open mouth (sometimes showing teeth) are typical of the Songye style.
The Metallic Elements: You will notice many brass nails and studs on the face. These elements are not only aesthetic: metal is believed to attract lightning or redirect negative influences toward the aggressor. They also symbolize strength and status.
The Protruding Abdomen: The belly is a crucial part. Often a cavity (named bishimba) is carved in it to hold magical and medicinal substances (organic matter, sacred earth, herbs). This blend gives the statue its power.
The Posture: The standing position, hands resting on the abdomen on either side of the navel, is the classic posture of the Mankishi. It emphasizes the importance of lineage and protecting the vital center.
Wood: Carved from a dense, dark wood.
Patina: The surface has a rich, oily patina, the result of successive applications of ritual oils or handling over time.
Headdress: The top of the head appears to be adorned with discs or circular elements (perhaps cowries or metal plates), reinforcing the protective and prestigious aspect.
The heavy presence of nails suggests it could be a statue intended for communal protection or for an important family head, as the accumulation of precious metals and intricate details often reflects the importance of the commission.
