Victor Vasarely (1906-1997) - CHEYT-MC-4, 1971

Victor Vasarely. CHEYT-MC-4, 1971.

Victor Vasarely, widely considered the father of Op Art, was one of the most influential figures in 20th-century abstract art. His exploration of visual perception, color and geometry transformed the relationship between spectator and image, creating compositions capable of producing movement, depth and vibrancy through precise mathematical structures.

"Copyright 1975 Editions du Griffon, Neuchâtel/Switzerland" on the back.

Dry stamp of the Vasarely Foundation.

Photolithography on glossy paper.

Total dimensions: 27 x 27 cm.

Good condition.

In CHEYT-MC-4 (1971), Vasarely develops an optical structure based on a hexagonal grid that progressively curves to generate the illusion of a sphere emerging at the center of the composition. Unlike his cubic constructions, the geometry here becomes more organic, creating a smooth transition between surface and volume that suggests a radial expansion of space.

The central red nucleus functions as the point of maximum visual intensity, while the gradation toward blue and turquoise tones in the periphery reinforces the sense of depth and immersion. This chromatic organization not only models the form but also induces a dynamic perception in which the sphere seems to pulse or hover, actively engaging the viewer's retina.

The work belongs to a mature phase in which Vasarely refines his visual vocabulary, integrating complex geometric systems with a rigorous chromatic logic. Here, the image operates as a field of perceptual energy rather than a static representation, anticipating subsequent developments in digital art, algorithmic visualization and parametric design.