Lipsius - Opera - 1613





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Description from the seller
TACTUS AND STOICISM: THE COMPLETE WORKS OF JUSTUS LIPSIUS IN MAJESTIC LEAVES
Extraordinary and monumental sixteenth-century gathering of the complete works of Justus Lipsius, one of the most influential figures in European culture between the Renaissance and early modern period. This imposing Lyonese edition of 1613, printed by the celebrated Horace Cardon, brings together in two grand folio volumes the vast intellectual workshop of the Flemish philologist: moral treatises, epistles, commentaries on Tacitus and Seneca, reflections on political discipline, philological studies, and texts destined to shape the very idea of a European raison d’Etat. The visual impression of the work is that of a true monumental architecture of Baroque knowledge: gigantic allegorical frontispieces, engraved portraits, double-column pages, and solemn contemporary bindings in full vellum transform these volumes into authentic objects of intellectual representation. More than a simple collection of texts, a philosophical and political monument of the European Seventeenth Century, intended for the libraries of princes, magistrates, ecclesiastics, and great scholars.
MARKET VALUE
The great complete collections of Lipsius’s works printed in the early Seventeenth Century occupy a stable and prestigious position in the international antiquarian market. Complete multi-volume copies, preserved in the rare contemporary full vellum bindings and accompanied by allegorical titles and engraved portraits, generally fetch values between €2,500 and €6,500, with higher results for copies especially fresh, with historic provenance, or with iconographic apparatus fully preserved. The Lyonese editions by Horace Cardon are considered among the most elegant and monumental in the entire Lipsian tradition.
PHYSICAL DESCRIPTION AND CONDITION
2 folio volumes of exceptional material impressiveness. Magnificent contemporary full rigid vellum bindings with ribbed spines, manuscript titles on the labels, and the typical architecture of great sixteenth-century erudite libraries. A specimen of strong visual impact, preserved in its austere original dress. Some normal abrasions, small defects to the casings, and slight marginal wear consistent with the nature and age of the work. Monumental typographic frontispieces with large printer’s marks. Extraordinary architectural allegorical frontispiece, cut, composed of twisted columns, classical figures, monumental views, and richly ornamented devices of fully Baroque taste. Engraved portrait of Justus Lipsius within an elaborate allegorical frame. Text laid out in two columns in roman and italic type. Some browning and scattered foxing. Overall a specimen of great bibliographic appeal and notable decorative grandeur. In old books with a multi-century history, some imperfections may be present, not always noted in the description. Collation: pp. (2); 12mo; 84; 8vo; 882; (2). (2); 12mo; 900; (2).
FULL TITLE AND AUTHOR
Opera. Tomus I-II.
Lugduni, apud Horatium Cardon, 1613.
Justus Lipsius.
CONTEXT AND SIGNIFICANCE
This work represents one of the most imposing editorial monuments of early Neostoicism in Europe and of the political culture of the early modern age. Justus Lipsius thus built a philosophical and moral system intended to mark Europe in the seventeenth century by attempting to reconcile ancient Stoic ethics with the religious, political, and military crisis of his time. In the midst of religious wars, dynastic upheavals, and confessional fragmentation in Europe, Lipsius elaborated an ideal of inner discipline, political prudence, control of passions, and state stability that influenced princes, diplomats, magistrates, Jesuits, and rulers.
His studies on Tacitus transformed the Roman historian into a tool for understanding the mechanisms of modern power, while Seneca became the model of a morality applicable to public life and to managing political crises. The Epistolae collected in the volumes also document the vast European network of the author: a cosmopolitan universe of humanists, theologians, nobles, and scholars that made the Spanish Netherlands one of the great cultural centers of Baroque Europe.
The iconographic apparatus of the edition amplifies further the symbolic grandeur of the work. The monumental antiporta is conceived as a triumphal arch of wisdom: an allegorical theater where classical architecture, moral emblems, monumental views, and erudite symbols celebrate knowledge as the foundation of power and civilization. The entire editorial construction reflects the encyclopedic and universal ambition typical of European Baroque culture.
BIOGRAPHY OF THE AUTHOR
Justus Lipsius was born in 1547 in Overijse, in the Dutch (Spanish) Netherlands, and died in Leuven in 1606. A philologist, historian, Latinist, and philosopher, he was one of the most authoritative figures of late-Renaissance European humanism. He taught in Jena, Leiden, and Leuven, gaining immense fame thanks to his editions of Tacitus and Seneca and to the formulation of what is called Christian Neostoicism. His works on constancy, prudence, and political discipline circulated throughout Europe, profoundly influencing the theory of raison d’Etat and the formation of modern political culture.
PRINTING HISTORY AND CIRCULATION
This grand Lyonese edition of 1613 was printed by Horace Cardon, one of the most important French publishers of the early Seventeenth Century, known for refined humanistic, theological, and legal high-format productions. Lipsius’s Opera omnia enjoyed vast diffusion in aristocratic, university, and religious libraries across Europe, becoming fundamental instruments of political and erudite formation in the seventeenth century. Complete copies preserved in the original parchment bindings are today particularly sought after, both for the historical significance of the author and for the extraordinary typographic grandeur of Cardon’s Lyonese editions.
BIBLIOGRAPHY AND REFERENCES
ICCU / OPAC SBN, surveys of the Lyonese editions of Lipsius’s Opera.
USTC – Universal Short Title Catalogue, Cardon editions, 1613.
WorldCat, institutional copies of Lipsius’s Opera omnia.
STCN – Short Title Catalogue Netherlands.
Gerlo, Bibliographie de Juste Lipse.
Voet, The Plantin Press and the Humanist Tradition.
Moss, Printed Commonplace-Books and the Structuring of Renaissance Thought.
Burke, The Fortunes of the Courtier.
Enenkel & Heesakkers, Lipsius in Leiden.
Treccani, entry “Lipsio, Giusto”.
Nieuw Nederlandsch Biografisch Woordenboek, entry “Justus Lipsius”.
Seller's Story
TACTUS AND STOICISM: THE COMPLETE WORKS OF JUSTUS LIPSIUS IN MAJESTIC LEAVES
Extraordinary and monumental sixteenth-century gathering of the complete works of Justus Lipsius, one of the most influential figures in European culture between the Renaissance and early modern period. This imposing Lyonese edition of 1613, printed by the celebrated Horace Cardon, brings together in two grand folio volumes the vast intellectual workshop of the Flemish philologist: moral treatises, epistles, commentaries on Tacitus and Seneca, reflections on political discipline, philological studies, and texts destined to shape the very idea of a European raison d’Etat. The visual impression of the work is that of a true monumental architecture of Baroque knowledge: gigantic allegorical frontispieces, engraved portraits, double-column pages, and solemn contemporary bindings in full vellum transform these volumes into authentic objects of intellectual representation. More than a simple collection of texts, a philosophical and political monument of the European Seventeenth Century, intended for the libraries of princes, magistrates, ecclesiastics, and great scholars.
MARKET VALUE
The great complete collections of Lipsius’s works printed in the early Seventeenth Century occupy a stable and prestigious position in the international antiquarian market. Complete multi-volume copies, preserved in the rare contemporary full vellum bindings and accompanied by allegorical titles and engraved portraits, generally fetch values between €2,500 and €6,500, with higher results for copies especially fresh, with historic provenance, or with iconographic apparatus fully preserved. The Lyonese editions by Horace Cardon are considered among the most elegant and monumental in the entire Lipsian tradition.
PHYSICAL DESCRIPTION AND CONDITION
2 folio volumes of exceptional material impressiveness. Magnificent contemporary full rigid vellum bindings with ribbed spines, manuscript titles on the labels, and the typical architecture of great sixteenth-century erudite libraries. A specimen of strong visual impact, preserved in its austere original dress. Some normal abrasions, small defects to the casings, and slight marginal wear consistent with the nature and age of the work. Monumental typographic frontispieces with large printer’s marks. Extraordinary architectural allegorical frontispiece, cut, composed of twisted columns, classical figures, monumental views, and richly ornamented devices of fully Baroque taste. Engraved portrait of Justus Lipsius within an elaborate allegorical frame. Text laid out in two columns in roman and italic type. Some browning and scattered foxing. Overall a specimen of great bibliographic appeal and notable decorative grandeur. In old books with a multi-century history, some imperfections may be present, not always noted in the description. Collation: pp. (2); 12mo; 84; 8vo; 882; (2). (2); 12mo; 900; (2).
FULL TITLE AND AUTHOR
Opera. Tomus I-II.
Lugduni, apud Horatium Cardon, 1613.
Justus Lipsius.
CONTEXT AND SIGNIFICANCE
This work represents one of the most imposing editorial monuments of early Neostoicism in Europe and of the political culture of the early modern age. Justus Lipsius thus built a philosophical and moral system intended to mark Europe in the seventeenth century by attempting to reconcile ancient Stoic ethics with the religious, political, and military crisis of his time. In the midst of religious wars, dynastic upheavals, and confessional fragmentation in Europe, Lipsius elaborated an ideal of inner discipline, political prudence, control of passions, and state stability that influenced princes, diplomats, magistrates, Jesuits, and rulers.
His studies on Tacitus transformed the Roman historian into a tool for understanding the mechanisms of modern power, while Seneca became the model of a morality applicable to public life and to managing political crises. The Epistolae collected in the volumes also document the vast European network of the author: a cosmopolitan universe of humanists, theologians, nobles, and scholars that made the Spanish Netherlands one of the great cultural centers of Baroque Europe.
The iconographic apparatus of the edition amplifies further the symbolic grandeur of the work. The monumental antiporta is conceived as a triumphal arch of wisdom: an allegorical theater where classical architecture, moral emblems, monumental views, and erudite symbols celebrate knowledge as the foundation of power and civilization. The entire editorial construction reflects the encyclopedic and universal ambition typical of European Baroque culture.
BIOGRAPHY OF THE AUTHOR
Justus Lipsius was born in 1547 in Overijse, in the Dutch (Spanish) Netherlands, and died in Leuven in 1606. A philologist, historian, Latinist, and philosopher, he was one of the most authoritative figures of late-Renaissance European humanism. He taught in Jena, Leiden, and Leuven, gaining immense fame thanks to his editions of Tacitus and Seneca and to the formulation of what is called Christian Neostoicism. His works on constancy, prudence, and political discipline circulated throughout Europe, profoundly influencing the theory of raison d’Etat and the formation of modern political culture.
PRINTING HISTORY AND CIRCULATION
This grand Lyonese edition of 1613 was printed by Horace Cardon, one of the most important French publishers of the early Seventeenth Century, known for refined humanistic, theological, and legal high-format productions. Lipsius’s Opera omnia enjoyed vast diffusion in aristocratic, university, and religious libraries across Europe, becoming fundamental instruments of political and erudite formation in the seventeenth century. Complete copies preserved in the original parchment bindings are today particularly sought after, both for the historical significance of the author and for the extraordinary typographic grandeur of Cardon’s Lyonese editions.
BIBLIOGRAPHY AND REFERENCES
ICCU / OPAC SBN, surveys of the Lyonese editions of Lipsius’s Opera.
USTC – Universal Short Title Catalogue, Cardon editions, 1613.
WorldCat, institutional copies of Lipsius’s Opera omnia.
STCN – Short Title Catalogue Netherlands.
Gerlo, Bibliographie de Juste Lipse.
Voet, The Plantin Press and the Humanist Tradition.
Moss, Printed Commonplace-Books and the Structuring of Renaissance Thought.
Burke, The Fortunes of the Courtier.
Enenkel & Heesakkers, Lipsius in Leiden.
Treccani, entry “Lipsio, Giusto”.
Nieuw Nederlandsch Biografisch Woordenboek, entry “Justus Lipsius”.
