Raúl Di Ciano - Otro ángel que cae






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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Raúl Di Ciano presents 'Otro ángel que cae', a 2016 original wooden sculpture in beige and brown, hand-signed, made of beech wood, 25 cm wide by 31 cm high and 4.5 cm deep, weighing 500 g, produced in Spain in a contemporary recycled style.
Description from the seller
Not every fall signals an end. Some are the most humane way to return to the earth. In this work, the angel abandons the idea of perfection to confront the weight of matter, memory, wound, and experience. In its descent there is no defeat, but transformation. Each fracture opens a possibility, and in the midst of the fall, light finds another way to exist.
Raúl Di Ciano (Buenos Aires, 1962), based in Tenerife since 2002, develops an artistic practice that moves between painting and sculpture, with a pronounced interest in materiality and processes of transformation. His work is built from recovered elements, where gesture and matter dialogue to generate a visual language of an organic and symbolic character. In this intersection between the residual and the poetic, his pieces address memory, the passage of time, and the resignification of the everyday. He has presented his work in exhibitions in Argentina, Brazil, and Spain, joining private and institutional collections.
Not every fall signals an end. Some are the most humane way to return to the earth. In this work, the angel abandons the idea of perfection to confront the weight of matter, memory, wound, and experience. In its descent there is no defeat, but transformation. Each fracture opens a possibility, and in the midst of the fall, light finds another way to exist.
Raúl Di Ciano (Buenos Aires, 1962), based in Tenerife since 2002, develops an artistic practice that moves between painting and sculpture, with a pronounced interest in materiality and processes of transformation. His work is built from recovered elements, where gesture and matter dialogue to generate a visual language of an organic and symbolic character. In this intersection between the residual and the poetic, his pieces address memory, the passage of time, and the resignification of the everyday. He has presented his work in exhibitions in Argentina, Brazil, and Spain, joining private and institutional collections.
