ALBA-MADA - IMMACOLATA VOGUIANA
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Contemporary unique artwork by ALBA-MADA titled IMMACOLATA VOGUIANA, a mixed-media on canvas (35 × 43 cm, 2 cm deep) created in 2026, signed by hand, from Italy, in tela, featuring a raw wood frame painted gold and in excellent condition.
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Description from the seller
Artist: ALBA-MADA
Title: IMMACOLATA VOGUIANA
Unique conceptual-material work
35 × 43 cm
Mixed media on canvas with attached textile element and raw wood frame painted gold.
Contemporary work that crosses the boundary between fashion, identity, desire, and the transformation of the everyday object into an artistic symbol. A leopard-print underwear, original, is applied directly onto the white canvas, becoming a visual and conceptual presence, suspended between irony, sensuality, and reflection on the contemporary imaginary.
The small “Vogue” logo, purposely left to show through, acts as a cultural trace and collective memory of the fashion and media language of our time. The work plays on the contrast between sacred and consumable, between luxury and poor material, transforming an intimate fragment into a sort of contemporary relic.
The raw wooden frame painted gold further accentuates this dualism: the living, imperfect material of the wood meets the golden surface, evoking an aesthetic that oscillates between icon, contemporary altar, and elegant provocation.
The piece dialogues with the language of Pop Art, conceptual art, and contemporary material installations, maintaining a strong aesthetic presence that is minimal and immediately recognizable. The contrast between the white canvas, the animal print, and the gold creates a refined, ironic, and powerful visual impact.
One of a kind.
Signed.
Ideal for collectors of contemporary art, fashion art, interior design, and galleries interested in the contamination between art, fashion, and symbol.
Careful shipping with recycled cardboard used and a reduction of plastic use, in respect of the environment.
ALBA-MADA works on transforming intimate objects into contemporary icons, moving between conceptual minimalism, poetic provocation, and emotional memory.
A daily, private fragment is removed from its original function to become symbolic presence, emotional relic, trace of the absent body. The work situates itself in the dialogue of contemporary conceptual art and neo ready-made, where the common object loses its practical meaning to assume a new aesthetic and psychological tension.
The transparent lightness of the black fabric adorned with tiny hearts creates a strong contrast with the live white wooden frame, hand-worked with a textured surface that recalls the organic veins of leather and nature. The white becomes here an ambiguous symbol of purity, silence, and suspension, entering into a visual tension with the black central element and with the almost childlike details of the small pink hearts and bows, deliberately delicate and imperfect, like emotional fragments left unchecked.
This balance between irony, apparent innocence, desire, and provocation generates an essential yet strongly evocative image, where formal minimalism coexists with a subtle emotional and psychological charge.
The piece plays with the concept of absence and presence: what normally belongs to private intimacy is exposed as a contemporary symbol, suspended between vulnerability, affectionate memory, and pop-conceptual language.
Minimalist aesthetics, strong visual impact, and immediately recognizable identity make this work especially interesting for collectors of contemporary art, pop-conceptual art, and contemporary conceptual assemblages.
Unique work signed ALBA-MADA.
Careful shipping with protective materials and the use of recycled cardboard in respect of the environment.
ALBA-MADA is a contemporary artist who works between material assemblage, conceptual minimalism, and neo-pop language.
Her research focuses on transforming everyday and intimate objects into symbolic presence, exploring the boundary between affective memory, irony, and contemporary vulnerability.
Through real materials, essential surfaces, and clear visual contrasts, ALBA-MADA’s works investigate the relationship between the absent body, identity, and emocional traces left by objects.
Her visual language unites delicacy and provocation, building images suspended between minimalist aesthetics, poetic ready-made, and emotional tension.
Her works are unique pieces handmade.
Seller's Story
My painting is born from the desire to explore the human being in contemporary time, between identity, symbols, and inner transformations. I do not simply paint what I see, but what I perceive behind the image: emotions, fragility, tensions, and contradictions that belong to our era.
My work develops through a layered and slow oil technique, where every detail has a meaning and every element contributes to the narrative of the piece. The figures I paint do not represent merely individuals, but universal conditions: vulnerability, strength, loneliness, and the longing for connection.
For me painting is an act of research and authenticity, a way to restore depth in a world dominated by speed and superficial image. Through color, light, and composition I seek to create works capable of maintaining a living relationship with those who observe them over time.
My works are present in international private collections and are mainly created in oil on canvas, with a constant production and an artistic research in continual evolution.
"ZEITGEISTTEPERAMENTLOS [SPIRITO - DEL - TEMPO - SENZA - SPIRITO]
Riflesso di un attento "studium" travestito da distratto "punctum" - raccolta di ritratti senza identità - costellazione claustrofobica di tribù urbane - moltitudini solitarie - selfie ugualmente di sé massificati per te distratto - istantanee di un passato presente - colori forti per spiriti fragili - profonda superficialità - spirito - del - tempo - senza - spirito."
Translated by Google TranslateArtist: ALBA-MADA
Title: IMMACOLATA VOGUIANA
Unique conceptual-material work
35 × 43 cm
Mixed media on canvas with attached textile element and raw wood frame painted gold.
Contemporary work that crosses the boundary between fashion, identity, desire, and the transformation of the everyday object into an artistic symbol. A leopard-print underwear, original, is applied directly onto the white canvas, becoming a visual and conceptual presence, suspended between irony, sensuality, and reflection on the contemporary imaginary.
The small “Vogue” logo, purposely left to show through, acts as a cultural trace and collective memory of the fashion and media language of our time. The work plays on the contrast between sacred and consumable, between luxury and poor material, transforming an intimate fragment into a sort of contemporary relic.
The raw wooden frame painted gold further accentuates this dualism: the living, imperfect material of the wood meets the golden surface, evoking an aesthetic that oscillates between icon, contemporary altar, and elegant provocation.
The piece dialogues with the language of Pop Art, conceptual art, and contemporary material installations, maintaining a strong aesthetic presence that is minimal and immediately recognizable. The contrast between the white canvas, the animal print, and the gold creates a refined, ironic, and powerful visual impact.
One of a kind.
Signed.
Ideal for collectors of contemporary art, fashion art, interior design, and galleries interested in the contamination between art, fashion, and symbol.
Careful shipping with recycled cardboard used and a reduction of plastic use, in respect of the environment.
ALBA-MADA works on transforming intimate objects into contemporary icons, moving between conceptual minimalism, poetic provocation, and emotional memory.
A daily, private fragment is removed from its original function to become symbolic presence, emotional relic, trace of the absent body. The work situates itself in the dialogue of contemporary conceptual art and neo ready-made, where the common object loses its practical meaning to assume a new aesthetic and psychological tension.
The transparent lightness of the black fabric adorned with tiny hearts creates a strong contrast with the live white wooden frame, hand-worked with a textured surface that recalls the organic veins of leather and nature. The white becomes here an ambiguous symbol of purity, silence, and suspension, entering into a visual tension with the black central element and with the almost childlike details of the small pink hearts and bows, deliberately delicate and imperfect, like emotional fragments left unchecked.
This balance between irony, apparent innocence, desire, and provocation generates an essential yet strongly evocative image, where formal minimalism coexists with a subtle emotional and psychological charge.
The piece plays with the concept of absence and presence: what normally belongs to private intimacy is exposed as a contemporary symbol, suspended between vulnerability, affectionate memory, and pop-conceptual language.
Minimalist aesthetics, strong visual impact, and immediately recognizable identity make this work especially interesting for collectors of contemporary art, pop-conceptual art, and contemporary conceptual assemblages.
Unique work signed ALBA-MADA.
Careful shipping with protective materials and the use of recycled cardboard in respect of the environment.
ALBA-MADA is a contemporary artist who works between material assemblage, conceptual minimalism, and neo-pop language.
Her research focuses on transforming everyday and intimate objects into symbolic presence, exploring the boundary between affective memory, irony, and contemporary vulnerability.
Through real materials, essential surfaces, and clear visual contrasts, ALBA-MADA’s works investigate the relationship between the absent body, identity, and emocional traces left by objects.
Her visual language unites delicacy and provocation, building images suspended between minimalist aesthetics, poetic ready-made, and emotional tension.
Her works are unique pieces handmade.
Seller's Story
My painting is born from the desire to explore the human being in contemporary time, between identity, symbols, and inner transformations. I do not simply paint what I see, but what I perceive behind the image: emotions, fragility, tensions, and contradictions that belong to our era.
My work develops through a layered and slow oil technique, where every detail has a meaning and every element contributes to the narrative of the piece. The figures I paint do not represent merely individuals, but universal conditions: vulnerability, strength, loneliness, and the longing for connection.
For me painting is an act of research and authenticity, a way to restore depth in a world dominated by speed and superficial image. Through color, light, and composition I seek to create works capable of maintaining a living relationship with those who observe them over time.
My works are present in international private collections and are mainly created in oil on canvas, with a constant production and an artistic research in continual evolution.
"ZEITGEISTTEPERAMENTLOS [SPIRITO - DEL - TEMPO - SENZA - SPIRITO]
Riflesso di un attento "studium" travestito da distratto "punctum" - raccolta di ritratti senza identità - costellazione claustrofobica di tribù urbane - moltitudini solitarie - selfie ugualmente di sé massificati per te distratto - istantanee di un passato presente - colori forti per spiriti fragili - profonda superficialità - spirito - del - tempo - senza - spirito."
Translated by Google TranslateDetails
Era
After 2000
Manufacturer/brand
ALBA-MADA
Sold by
Direct from the designer
Country of origin
Italy
Style
Contemporary
Material
Canvas
Artist
ALBA-MADA
Title of artwork
IMMACOLATA VOGUIANA
Signature
Hand signed
Edition
Unique
Year
2026
Condition
Excellent condition
Height
43 cm
Width
35 cm
Depth
2 cm
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