Sanlé Sory (1943–2023) - Le baiser






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
Stamped and signed.
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also produced sleeve illustrations for records.
He opened his Volta Photo studio in 1962, as his country gained independence. He bought a Rolleiflex 6×6, and began by taking identity photographs and photographs of road accidents for the local police.
Rapidly, he achieved fame in Bobo-Dioulasso, which was then the cultural and economic capital of the old Upper Volta, and where young Africans “hungry for modernity” came to “have their portrait taken.”
Completed between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a unique social and cultural effervescence.”
Exhibitions
2015: Folk art africain ?, Fonds régional d’art contemporain de Bordeaux.
2015: À la rencontre de la photographie africaine, médiathèque de Mérignac.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity (Galerie Art-Z, Paris), signed by the photographer.
Seller's Story
Stamped and signed.
Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrived in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also produced sleeve illustrations for records.
He opened his Volta Photo studio in 1962, as his country gained independence. He bought a Rolleiflex 6×6, and began by taking identity photographs and photographs of road accidents for the local police.
Rapidly, he achieved fame in Bobo-Dioulasso, which was then the cultural and economic capital of the old Upper Volta, and where young Africans “hungry for modernity” came to “have their portrait taken.”
Completed between 1960 and 1985, his photographic work “testifies to the happiness of a regained freedom and to a unique social and cultural effervescence.”
Exhibitions
2015: Folk art africain ?, Fonds régional d’art contemporain de Bordeaux.
2015: À la rencontre de la photographie africaine, médiathèque de Mérignac.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity (Galerie Art-Z, Paris), signed by the photographer.
