yamila - Kintsugi Esfera: La Reconstrucción del Dragón Dorado

About the work:
The piece presented is part of a limited edition of 5 units worldwide, created digitally and hand-signed by the artist. Each print is unique within its series, ensuring its exclusivity and authenticity. On the back, all relevant details of the work, numbering, and signature are included.
Total dimensions: 60 x 80 cm
High-quality professional canvas 100% cotton, with maximum resistance to handling and external agents, from the Eco Canvas Roma Glossy brand, satin finish. We guarantee a durable product with visual quality.
Technique: Giclée printing, recognized for its precision and lasting quality.

Certificate of authenticity
If the buyer wishes, the artist may provide a certificate of authenticity. This must be explicitly requested at the time of purchase.

About the artist:
Yamila Velázquez (Las Tunas, Cuba, 1993) is a contemporary artist who uses digital intelligence tools. She currently lives and works in Alicante, Spain. Owner and partner of a company dedicated to the sale, representation, and development of artists and artworks, Velázquez combines her business vision with a deep artistic sensitivity.
This young Cuban talent has established himself in the field of digital art, using contemporary media to explore themes related to nature, landscape, and the intimate relationship between women and their environment. His works subtly and visually powerfully address topics such as beauty, love, sensuality, and feminine delicacy, always set within immersive, romantic, and refined atmospheres.
With a vibrant and expressive aesthetic, Yamila Velázquez manages to blend classical influences with a modern language, resulting in versatile, fresh, and deeply evocative works. The pictorial texture of her images, the masterful use of color, and the emotionally balanced composition position her work as a current artistic proposal of high aesthetic value.

Shipping and presentation
The artwork will be carefully packaged by a professional and shipped in a rigid cardboard tube, internally protected with bubble wrap to ensure its integrity during transit. Shipments are made through reliable courier companies such as UPS, FedEx, or Correos España, depending on the destination and the most convenient option in each case.
The estimated delivery time is 7 to 10 days, although it may vary depending on the destination country.

In 'Kintsugi Sphere', the artist performs a majestic deconstruction of the mythology of Dragon Ball, depicting Goku in a meditative pose, accompanied by Shenlong, both treated as fractured marble sculptures. The Kintsugi philosophy is masterfully applied: the cracks on Goku's skin and clothing are not just aesthetic repairs but symbolize the countless fractures and sacrifices necessary to achieve resilience and enlightenment.
The dragon, a symbol of memory and ancestral power, is a golden extension of Goku's fissures, implying that the power of desire and reconstruction are intrinsically linked to his inner struggles. The orange sphere that Goku holds, with its incandescent glow, acts as the beating heart of the canvas, contrasting with the coldness of marble. The gold sealing the cracks in both characters highlights the beauty of imperfection and the truth that true power is earned through breaking and honest rebuilding.

My series 'Kintsugi Fandom' uses the philosophy of repair with gold to reexamine narratives of transformation, desire, and overcoming. In 'Kintsugi Sphere', the figures of Goku and Shenlong become a powerful symbol of self-reconstruction through willpower.
Kintsugi figures represent the 'wounds' of destiny and battle. The gold, by joining the fractured pieces, is not just repair but proof that the being is more valuable for having gone through rupture. The dragon, embodying desire, emphasizes that the aspiration for perfection and identity is achieved by integrating our flaws. This work celebrates resilience and the memory of each trial, proposing that the beauty of imperfection is the true ki (energy) that fuels overcoming.