Taishō period (1912-1926) Cups

JAPAN - EDO period circa 1850. Rectangular lacquer box, with gold decoration on a black background. Writing box called “Fumibako” Decorations of fans surrounded by clouds. Interior sprinkled with gold called “Nashiji” unmarked silver rimmed edges. Lacquer in very good condition.

An embodiment of timeless elegance and Japanese tradition, the Tomesode, especially in its classic black form, is a symbol of sophistication and style, making it an irresistible choice for those who seek the essence of Japan's rich cultural heritage. The Black Tomesode exudes a

Model in good condition 28x21cm 5kg

This work shows a weaver and a noble woman, lifelike, beautiful posture, expression and hair are detailed, pleasing to the eye. Slightly aged oxidation spots. Middle size：105-42.5cm. over size: 189-55cm. We adopt a safe and secure mode of transportation, and have attached

Japanese kutani porcelain bowl. Interior with brocade border and decoration of three warriors on a trail. Exterior with bamboo and volcano decoration. Late Meiji period (late XIX century) Three-character signature on base. Height 3.9" (10 cm). Diameter 11.8 (30 cm)".

Netsuke sashi, a type of netsuke designed to be threaded through the obi cord (the sash worn with the kimono), used to secure personal items such as bags or containers to the kimono itself. This specific netsuke is carved with care and detail, creating the visual illusion of

DESCRIPTION. Fine designed Hōmon-gi kimono - Japan. Hōmon-gi kimono is made for going out as formal situation. The main feature of Hōmon-gi is a variety of patterns in Kimonos. Good condition. Length: 160 cm Width, including sleeves: 130 cm NOTICE. The lot will be carefully

DESCRIPTION. Fine designed Furisode kimono - Japan - Showa/Heisei period Furisode kimono is formal kimono, mainly be worn at coming for age ceremony and wedding. Almost good condition. Length: 161.5 cm Width, including sleeves: 131 cm NOITICE. The lot will be carefully

Tripod incense burner with two handles in patinated bronze, in the center a superb phoenix and a decoration of birds in flight among flowering trees, the handles in the shape of a dragon fish (a fish is missing a mustache) the openwork lid leaves pass the smoke of incense, the

Size. Overall: vertical 196.5× width 42.8cm＊width does not include roller ends. (the work: vertical 130.5× width 29.6cm) Condition. ・There are burns, stains, wrinkles, peeling off on the Japanese paper on the back of the cover. ・There are some burns, wrinkles on the image.

Size: 190cm*30.5cm. Material: Paper. Technique: Hand-painted. Roller ends: risin. About the author. Kobayashi Taiken. 20th abbot of Koumei-in, the pagoda of Ryuhozan Daitoku-ji Temple, the head temple of the Daitoku-ji School of the Rinzai Sect of Zen Buddhism. Born in Mukden in

• Santiago Gisbert Prado, born in Alicante in. 1856 and member of the Board of Directors of the Chamber of Commerce of Alicante, was probably one of the most prosperous Japanese art dealers in Spain. Gisbert started his business with the Orient. in 1891 when he had just

Hiroshige's timeless masterpiece "The 53 Stations of the Tokaido" (Geisodo version) There were 53 post stations along the Tokaido route from present-day Tokyo to Kyoto. This is called the 53 Stations of the Tokaido. Among the world-famous master Hiroshige's works, the one that

Rare ivory netsuke depicting a South Sea fisherman with long curly hair, leaning on a giant fretworked sphere and busy moving it with an expression of effort on his face. His arms in the push position and bare torso suggest the intensity of his effort as he tries to move the

Satsuma ceramic plate particularly refined thanks to its lobed and golden rim and elegant decoration. At the center of the plate, the naturalistic scene represents one of the most iconic images of Japanese tradition: chrysanthemums and cherry blossom branches. Chrysanthemums,

A refined Fubako 文箱/文筥 (letter box) in excellent quality and condition. The outer surface of this Fubako shows a fine maki-e gold lacquer lid decoration for a vivid ivy vine and flowers. This pattern was created with great precision and detail, capturing the beauty of flowers in

RARE Old Large hexagonal Kashibachi on heel, in Blue & White & Gold porcelain from Nabeshima, Japan. This is a tea ceremony candy bowl. The decor of our bowl - inside and out - is both rich and very balanced, the Blue & White magnified by the fine gold highlights. Inside, the

Superb waterfall stone (Taki ishi) from the Kibune river (kibunegawa) Kyoto prefecture, its movement is dynamic and you can hear the water flowing, the proportions of the stone are ideal with a very good volume, the Murazaki color (purple ) is characteristic of the stones of this

large and refined netsuke manju in finely decorated deer horn depicting a seated dignitary with a warrior. signed. it is in good general condition with wear and natural veins compatible with age and use

A Shinto Wakizashi. Japan, 18th/19th century. Total length: 58 cm Nagasa [length]: 38,4 cm. Sori [curvature]: 1,2 cm. Motohaba [bottom width]: 2,3 cm. Sakihaba (width at the tip); 1,7 cm. Motokasane [bottom thickness]: 5,4 mm. Sugata [configuration]: Shinogi-zukuri, iori-mune

The item CANNOT be sold outside EU. Ancient and rare netsuke depicting standing senin. Beautiful naturally amber patina. good general condition and with minimal grain and chipping compatible with the era, presents modification to himotoshi. a Japanese object from the Edo era. It

The item CANNOT be sold outside EU. Ancient and rare netsuke depicting sennin standing with bowl. Beautiful naturally amber patina. Excellent general conditions and with minimal wear and grain compatible with the era. a Japanese object from the Edo era. It was manufactured

Heavy solid wooden Go-game (囲碁) table 碁盤 (goban) complete with go-stones 碁石 (go-ishi), in a very good condition. Because the broad top of the gaming table is made of solid wood, it has a beautiful continuous grain. Raised by faceted baluster feet. The boxes of the stones are

Refined Satsuma tea bowl with rich decoration in gold and polychrome enamels. Inside the tea bowl, a lively and engaging scenario opens up, depicting a scene of daily life during a day of celebration, outside a temple. Numerous characters are represented with precision and