Early 20th century Tea set

Rare ivory okimono that portrays the focused attitude and graceful gesture of the ikebana master as he gazes at his latest floral artwork. Ikebana is an ancient Japanese art of arranging flowers and plants in a harmonious and balanced way, and okimono captures the essence of this

JAPAN - EDO period circa 1850. Rectangular lacquer box, with gold decoration on a black background. Writing box called “Fumibako” Decorations of fans surrounded by clouds. Interior sprinkled with gold called “Nashiji” unmarked silver rimmed edges. Lacquer in very good condition.

A great, large six-panel byôbu 屏風 (folding screen) with a painting on shiny golden silk showcasing a ferocious tiger 虎 (tora) in a bamboo grove 竹 (take) near a waterfall. The tiger stands on a hill, roaring fiercely, in the distance. Signed and sealed in the lower left corner

DESCRIPTION. Fine Kuro-tomesode kimono. Kuro-tomesode kimono is formal kimono. Decorated with family crests for descendants prosperity. A kuro (dark) kimono is formal kimono, worn during weddings. Tomesode kimonos are more expensive, formal kimonos. Good condition. Length:

The seven-piece ceramic tableware with a beautiful design, together with a very beautiful and designed box, from the 20th century. Everything is in good condition and can be seen in the pictures. Weight: 1800 grams. DHL post with insurance.

Name of the kokeshi: Fūfu kokeshi夫婦こけし(couple kokeshi) A pair of creative couple kokeshi made by Satou Suigai佐藤翠崕, 翠崕 was sealed on the bottom of the two kokeshi. artist: Satou Suigai佐藤翠崕 Born in Gunma Prefecture in 1919. His real name is Sadahachi. He studied Japanese

This is a large jujube-shaped tea caddy called Natsume with Obi Shiogama Maki-e by Eibumi Izutsu, a Kaga maki-e lacquer ware artist. This is a very beautifully lacquered 棗　Natsume with many coats of urushi lacquer. Shiogama maki-e is beautifully and exquisitely applied by using

In this collaboration set, executed by 10 great masters of Kyo-yaki, you can see the beauty of the color, ingenious composition, elegant shades, soft painting expression,... This will be beautiful display in your home. Kondo Yuzo (1902-1985) Yonezawa Soho (1907-1968) Kawai

Antique Kyousoku脇息(elbow rest stand) designed with maki-e bamboo leaves patterns. Kyousoku脇息 is a comfort device placed at the side to lean against. In the Kiki, it was called Oshimazuki, and in the Nara period it was called Kyoshoku. The old form was passed down to Shoso-in as

refined bronze sculpture in the style of Miyao Eisuke depicting three children climbing on top of each other playing musical instruments, on the front a large clock simulates the drum. Meiji period. It is in good overall condition with minimal scratches on the glass. The watch

Japanese bronze okimono from the Meiji period of 2 puppies on a lacquerware plateau. Beautifully detailed and patinated. Signed Ryomin Kobayashi on the underside of the sitting puppy. With wooden signed tomobako collector's box. Dimensions of sitting puppy: width 4 cm, depth 8

Rare mask Netsuke of a smiling Kappa. Unsigned. Japan. Wood. Edo period (1600-1868). [NOTICE] Pictures of the item are part of the description. Therefore kindly check them carefully. Your questions regarding the conditions will be answered gladly. This Netsuke has been worn

The item CANNOT be sold outside EU. Ancient and rare netsuke depicting standing senin. Beautiful naturally amber patina. good general condition and with minimal grain and chipping compatible with the era, presents modification to himotoshi. a Japanese object from the Edo era. It

Description: •Mask Name: Noh Mask (能面) of Okina 翁 （Also named as Hakushiki-jō 白式尉） •Material: Wood; Horse hair. •Age: Produced in Showa Era (昭和時代) •Country of origin: Japan. •Condition: Used, very good condition (Please understand it is an aged noh mask. There are some stains /

Furoshiki(風呂敷) is a square-shaped cloth used to wrap, carry, and store things. It has a long history in Japan and became popular among the general public during the Edo period. Furoshiki come in various sizes to wrap various objects, both large and small. This furoshiki has

A captivating lacquer suzuri’bako 硯箱 (writing box) of rounded rectangular form depicting a pair of shishi 獅子 (temple lions) and the lucky god Hotei 布袋 on a rôiro’urushi 蝋色漆 (black lacquer) ground. Hotei is the god of contentment and happiness, guardian of children, patron of

Tanomura Chokunyu was japanese style painter of the late Edo - Meiji period. He was born in Oita Prefecture during Bunka era. Chokunyu was adopted by Tanomura Chikuden at the age of eight. A child prodigy in painting, Tanomura Chokunyu originally modeled himself after the style

【Size】 Overall: vertical 199× width 54.8cm＊width does not include roller ends. (the work: vertical 117.5× width 41.4cm) 【Condition】 ・There are burns, stains, wrinkles, rubbing and repair of wrinkles on the Japanese paper on the back of the cover. ・There are some burns, stains on

【Size】 Overall: vertical 208.5 × width 50 cm＊width does not include roller ends. (the work: vertical 134.3 × width 35.3cm) 【Condition】 ・There are wrinkles, burns, stains on the Japanese paper on the back of the cover. ・There are some burns, stains on the image. ・There are some

Bronzed cast iron okimono 置物 in the shape of a hawk 鷹 (taka). Wings spread wide, intimidating perched on top of coarse rock with splashing waves at the base. The sculpture is made up of four parts. The wings are held into place by a pair of pins hidden under the wing. Period:

Large ivory okimono, carved from a single block, depicting a farmer with a long-tailed rooster and a child on his shoulder holding a container and offering food to the rooster. The sculpture is finely engraved, evident in the details of the rooster's feathers and kimono. The

Measurements: 9,3 x 7,8 x 15,4 cm. Weight: 1,5 kg. Very good condition, there could be signs of age and wear from normal use, marks, stains, scratches, please, see pictures for actual condition. Registered shipping with tracking number, well packed for safe and fast delivering!

Document holder box in black, gold and silver lacquer decorated in takamaki-e and hiramaki-e depicting three superimposed fans between thick nashiji lacquer to simulate clouds. Each fan is decorated with different flowers, irises, bamboo and plum blossoms. The nashiji lacquer,

Kobayashi Kokei (1883-1957) was a Japanese style painter. He was born in Takada, Niigata Prefecture. His father was a former retainer of the Sakakibara Takada clan.Kobayashi studied under Koha Aoki from the age of 12, and then moved to Tokyo in 1899 and entered Kajita Hanko's