Tata Ronkholz - Trinkhallen ('Kiosks', SOLD-OUT, MINT CONDITION, SHRINK-WRAPPED) - 2025

HIGHLY IMPRESSIVE, SUPER QUICKLY SOLD-OUT BOOK about the breath-taking photo series 'Trinkhallen' by German photographer Tata Ronkholz (1940-1997) - in BRANDNEW CONDITION.

'The Kiosk is the last hope when you're out of coffee and cigarettes, or if you want to quickly buy a whodunnit. Of course there are also lollies and chocolate, chocolate marshmallows and waffles - all those little things that remind you of childhood, a little bit of charity bazaar and fun fair.'
(Heinrich Böll, Nobel Prize Winner, in 1972)

From 1978 to 1985, Tata Ronkholz studied photography under Bernd Becher at the Staatliche Kunstakademie Düsseldorf. There, alongside Volker Döhne, Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff and Thomas Struth, she was one of the first students in the Becher class, which later became legendary as the Becher School.
When she died in 1997, in the age of only 57, her work was saved and has since been regarded as ground-breaking in the development of New Objectivity documentary photography.

New, mint, unread; still originally shrink-wrapped in publisher's plastic foil.
COLLECTOR'S COPY.

THIS IS THE LAST EXCLUSIVE PHOTOBOOK AUCTION by 5Uhr30.com in 2025 -
with more than 100 great lots from my personal collection and from recent acquisitions.

'On almost 200 pages, the volume brings together drinking halls and kiosks, the most extensive group in the work of Becher student Ronkholz. A pleasure. More than a hundred drinking halls on the Rhine and Ruhr, the majority in Düsseldorf and Cologne, which Ronkholz photographed between 1977 and 1983, are perfectly printed in duotone across the entire page. The drinking halls are usually photographed front and centre, clear and unpathe- tic, almost always in black and white, with all lines parallel and straight. In her photographs, the sky is neutral and no people disturb the focus on the object.'
(from the publisher)

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Bernhard 'Bernd' Becher (1931-2007), and Hilla Becher, born Wobeser (1934-2015), were German conceptual artists and photographers working as a collaborative duo. They are best known for their extensive series of photographic images, or typologies, of industrial buildings and structures, often organised in grids. As the founders of what has come to be known as the 'Becher school' or the Düsseldorf School of Photography, they influenced generations of documentary photographers and artists in Germany and abroad. They were awarded the Erasmus Prize and the Hasselblad Award.

The Düsseldorf School of Photography refers to a group of photographers who studied at the Kunstakademie Düsseldorf in the mid 1970s under the influential photographers Bernd and Hilla Becher.
Known for their rigorous devotion to the 1920s German tradition of Neue Sachlichkeit (New Objectivity), the Bechers’ photographs were clear, black and white pictures of industrial archetypes (pitheads, water towers, coal bunkers).
Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff and Thomas Struth modified the approach of their teachers by applying new technical possibilities and a personal and contemporary vision, while retaining the documentary method their tutors propounded.

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Ecki Heuser & team are wishing ALL THE BEST TO YOU AND YOURS for 2026.

Walther König Verlag, Cologne. 2025. First edition, first printing.

Hardcover with dustjacket. 300 x 240 mm. 192 pages. Photos: Tata Ronkholz. Edited by Thomas Zander Gallery and van Ham Art Estate. Contributor: Andreas Rossmann. Text in English.

Important, quickly sold-out German photobook by Tata Ronkholz - in perfect condition.

'Tata Ronkholz initially studied at the Werkkunstschule Krefeld and then worked as a freelance furniture designer. From 1978 to 1985, she studied photography under Bernd Becher at the Staatliche Kunstakademie Düsseldorf. There, alongside Volker Döhne, Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff and Thomas Struth, she was one of the first students in the Becher class, which later became legendary as the Becher School. She stopped working as a freelance documentary photographer in 1985 and worked as a photographer in a Cologne photo agency until 1995. When she died in 1997, her work was saved and has since been regarded as ground-breaking in the development of New Objectivity documentary photography. The subjects she chose for her strict constructivist photography were brittle. In addition to the gates of industrial sites, which she photographed mainly in winter, her pictures focussed on drinking establishments, kiosks and shop windows.
Together with Thomas Struth, she began a collaborative work on the Rhine harbour in Düsseldorf, which was later purchased by the Düsseldorf City Museum. The drinking halls of the Rhineland and Ruhr became her most extensive group of works, in which she was particularly interested in the aspect that these motifs were both everyday and threatened by transience. Since 2018, Tata Ronkholz's estate has been in the care of VAN HAM Art Estate and has been scientifically supported by a committee including Gabriele Conrath-Scholl, Head of the Photographic Collection / SK Stiftung Kultur, Stefan Gronert, Deputy Scientific Director of the Sprengel Museum in Hanover, Barbara Hofmann-Johnson from the Museum für Fotografie Braunschweig and others.'
(from the publisher of the Tata Ronkholz' monograph, which also came out in 2025, on the occasion of her first major exhibtion at 'SK Stiftung Kultur' in Cologne)