Silkscreen/Serigraph - Signed - 230
|Title of artwork:||Untitled|
|Image size:||19.5×28.5 cm|
|Total dimensions:||19.5×28.5×0.01 cm|
|Sold with frame:||No|
Yves Laloy; From La Lune en Rodage III
Medium: Silkscreen Print
19.5 x 28.5 cm
Editor: Edition Panderma, Basel
Year: published 1977
Edition: This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered)
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel
Condition / Restauration:
good condition, two very fine bends on the paper, easily to restore
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
Yves Laloy’s paintings defy categorization. André Breton was the first to call his work surrealist, a label that Laloy felt overly limiting. Yet, Laloy embraced another relationship also put forward by Breton: one that invoked an analogous aesthetic relationship between his paintings and Navajo sand paintings, ephemeral images created by Navajo spiritual leaders exclusively as part of the Nightway ceremony. Breton reasoned that, “while a composition of Kandinsky responds to symphonic ambitions, a painting [made] of Navajo sand is primarily concerned with cosmogonic preoccupations and tends to influence the course of the universe in a propitiatory way.” For Breton, Laloy’s paintings enabled the ability to “see” beyond the visible. Paintings like Montez (Uma), on view here, are examples of the artist’s preoccupation with Indigenous art and spiritual practices in the Americas. They also are indicative of a time when many artists and writers in Western Europe were actively appropriating the aesthetics of objects from the Americas and Africa—often without an understanding of these works beyond their visual qualities as a means of accommodating a felt lack in their own societies—the perceived loss of the magic, ritual, and the sacred. Much like Marilou Schultz’s weavings, the patterning in these paintings also invokes the aesthetics of early digital technology. (from: http://www.documenta14.de/en/artists/21977/yves-laloy)
Kunstkontor Basel GmbH pro top
Catawiki member since March 14, 2018, received 276 reviews in total (175 in last 12 months)
|Feedback score:||100% (175 reviews)|
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Ausserordentlich sinnvolle und robuste Verpackung! Die mehr als 50 Jahre alten Serigrafien farblich so differenziert, dass es eine Freude ist, ihnen zu begegnen.
Please note: some elements on this page have been translated automatically.Unkomplizierter Handel, Werke erreichten mich mit grösster Sorgfalt verpackt und bestens vor Transportschäden geschützt. Proaktive Kommunikation durch den Verkäufer über Versandverzögerung. Top-Seller
Please note: some elements on this page have been translated automatically.Das Werk erreichte mich in einwandfreiem Zustand, äusserst sorgfältig und stabil verpackt. Sehr gute Information über Versandstatus durch den Verkäufer, regelmässige Statusupdates. Gerne wieder!!
Please note: some elements on this page have been translated automatically.De kunstwerken werden met zeer veel zorg, respect en kunde ingepakt en verstuurd. De verkoper behandelde de verzendingskosten op een efficiënte manier en zorgde terwijl voor een goede communicatie.
Please note: some elements on this page have been translated automatically.L'ordine originale è stato perso dal corriere ma il venditore si è prodigato per inviare un'altra opera ugualmente bella ottimamente imballata e con lettera di accompagnamento scritta a mano. Grazie!
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