Marco Corridoni (XX) - FIXED Fontana - no. 12 / 100





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Marco Corridoni 的 FIXED Fontana - no. 12 /100 為原創手簽混合媒材作品,尺寸 40 × 30 cm,位於義大利,創作於 2025 年,直接由藝術家出售,品相極佳。
賣家描述
FIXED Fontana - 第12/100 (2026)
idro-painting on canvas, leather, metal
30x40cm
UNIQUE and ORIGINAL WORK
Special edition of the series "Fixed Fontana" with a palette of colors unseen in the artist's production.
This is the twelfth work of the last 100 that will be produced by the artist.
The artist draws on Lucio Fontana's spatial concepts to rewrite the history of art, by manipulating his artistic vocabulary, suspended between quotation and desecration.
The cuts are sewn back together, symbolically, to shorten space rather than "open" it.
Expectations are subverted, almost as a protest against a way of making and selling art that has little or nothing to do with originality and the essence of art itself.
The canvases are prepared in Fontana's manner and the cuts, strictly made by hand by the artist, mimic those of the most famous works.
Each cut is fixed with a black canvas on the back, just as documented by Lucio Fontana: this gives stability to the work and a sublime aesthetic effect.
Work signed on the back
Photographic certificate included
FIXED Fontana - 第12/100 (2026)
idro-painting on canvas, leather, metal
30x40cm
UNIQUE and ORIGINAL WORK
Special edition of the series "Fixed Fontana" with a palette of colors unseen in the artist's production.
This is the twelfth work of the last 100 that will be produced by the artist.
The artist draws on Lucio Fontana's spatial concepts to rewrite the history of art, by manipulating his artistic vocabulary, suspended between quotation and desecration.
The cuts are sewn back together, symbolically, to shorten space rather than "open" it.
Expectations are subverted, almost as a protest against a way of making and selling art that has little or nothing to do with originality and the essence of art itself.
The canvases are prepared in Fontana's manner and the cuts, strictly made by hand by the artist, mimic those of the most famous works.
Each cut is fixed with a black canvas on the back, just as documented by Lucio Fontana: this gives stability to the work and a sublime aesthetic effect.
Work signed on the back
Photographic certificate included

