Muinainen Kiina Keraaminen Sichuan. Hovivaimo. 57,5 cm H. Han-dynastia, noin 206 eKr. - 220 jKr.
Nro. 84871211
![Muinainen Kiina Keraaminen Sichuan. Hovivaimo. 57,5 cm H. Han-dynastia, noin 206 eKr. - 220 jKr. #1.1](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2023/1/27/7/d/4/7d473c29-2bca-421f-9d94-0b857f08cebd.jpg)
![Muinainen Kiina Keraaminen Sichuan. Hovivaimo. 57,5 cm H. Han-dynastia, noin 206 eKr. - 220 jKr. #1.2](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2023/1/27/3/e/4/3e46ad03-f684-4f6d-b67b-82be8fb29356.jpg)
![Muinainen Kiina Keraaminen Sichuan. Hovivaimo. 57,5 cm H. Han-dynastia, noin 206 eKr. - 220 jKr. #2.1](https://assets.catawiki.com/image/cw_ldp_l/plain/assets/catawiki/assets/2023/1/27/a/5/e/a5eacf78-11dd-4b0e-9f6f-dc0afe105560.jpg)
Sichuan. Court concubine.
57.5 cm H.
Ancient Chinese
Han Dynasty, Circa 206 BC - 220 AD
Pottery
PROVENANCE: Private collection, Paris, France, 1970.
CONDITION: Intact.
The art of the Han dynasty (206 BCE - 220 CE) of ancient China is characterised by a new desire to represent everyday life and the stories from history and mythology familiar to all. The arts were fuelled both by a political stability with its consequent economic prosperity and the development and highly successful combination of brushes, ink, and paper. Calligraphy, painting, lacquerware production, and jade carving were just some of the areas Han artists pushed forward the boundaries of what was possible to make technically and what was desired aesthetically by the ever-increasing number of art connoisseurs.
Large figure sculptures are rare from the Han period, but there are some statues representing generals and officials which were stood outside their tombs. Smaller-scale works include cast bronze sculptures of horses which are common in 2nd-century CE Han tombs. These are usually depicted in full gallop with only one hoof resting on the base so that they almost appear to be flying.
Painted earthenware figurines of single standing women, men, and servants are common. Cast bronze was used to make small figurines and ornate incense burners. These were often inlaid with gold and silver or gilded. One superb piece is a gilded bronze oil-lamp in the form of a kneeling servant girl, which dates to the late 2nd century BCE.
Jade was especially esteemed for its rarity, durability, purity, and certain mystical qualities. The material was carved into all manner of animals, people, and mythical creatures. Han Jade carvers now used circular cutting drills and iron tools, but pieces often have a lower quality finish than previously, which suggests they were starting to be made quicker and on a larger scale of production. Another feature of Han jade sculpture is the use of flaws and impurities in the jade to make them part of the sculpture. From the 1st century BCE, a pure white jade became available from central Asia following the expansion of the Han empire.
One unique but stunning art form was the creation of jade 'suits' to cover the body of the deceased in royal tombs. The 'suits' cover the contours of the body and are made from up to two thousand individually carved rectangular pieces of jade stitched together using gold or silver wire. Two outstanding examples come from the late 2nd century BCE tomb of Prince Liu Sheng and Princess Dou Wan at Mancheng. Reserved only for royalty, they nevertheless became so costly to produce that later rulers banned their use.
Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
#theaterasia
Myyjän tarina
Sichuan. Court concubine.
57.5 cm H.
Ancient Chinese
Han Dynasty, Circa 206 BC - 220 AD
Pottery
PROVENANCE: Private collection, Paris, France, 1970.
CONDITION: Intact.
The art of the Han dynasty (206 BCE - 220 CE) of ancient China is characterised by a new desire to represent everyday life and the stories from history and mythology familiar to all. The arts were fuelled both by a political stability with its consequent economic prosperity and the development and highly successful combination of brushes, ink, and paper. Calligraphy, painting, lacquerware production, and jade carving were just some of the areas Han artists pushed forward the boundaries of what was possible to make technically and what was desired aesthetically by the ever-increasing number of art connoisseurs.
Large figure sculptures are rare from the Han period, but there are some statues representing generals and officials which were stood outside their tombs. Smaller-scale works include cast bronze sculptures of horses which are common in 2nd-century CE Han tombs. These are usually depicted in full gallop with only one hoof resting on the base so that they almost appear to be flying.
Painted earthenware figurines of single standing women, men, and servants are common. Cast bronze was used to make small figurines and ornate incense burners. These were often inlaid with gold and silver or gilded. One superb piece is a gilded bronze oil-lamp in the form of a kneeling servant girl, which dates to the late 2nd century BCE.
Jade was especially esteemed for its rarity, durability, purity, and certain mystical qualities. The material was carved into all manner of animals, people, and mythical creatures. Han Jade carvers now used circular cutting drills and iron tools, but pieces often have a lower quality finish than previously, which suggests they were starting to be made quicker and on a larger scale of production. Another feature of Han jade sculpture is the use of flaws and impurities in the jade to make them part of the sculpture. From the 1st century BCE, a pure white jade became available from central Asia following the expansion of the Han empire.
One unique but stunning art form was the creation of jade 'suits' to cover the body of the deceased in royal tombs. The 'suits' cover the contours of the body and are made from up to two thousand individually carved rectangular pieces of jade stitched together using gold or silver wire. Two outstanding examples come from the late 2nd century BCE tomb of Prince Liu Sheng and Princess Dou Wan at Mancheng. Reserved only for royalty, they nevertheless became so costly to produce that later rulers banned their use.
Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
#theaterasia
Myyjän tarina
- 755
- 7
- 0
goede foto's, goede omschrijving, goed verpakt en snel verzonden.
Katso käännösmolto bello tutto ok
Katso käännösPezzo come da descrizione, davvero notevole. Venditore molto consigliato in quanto gentile e disponibile. spedizione molto veloce. Ottimo!
Katso käännösVenditore davvero ottimo e gentile. Merce come da descrizione, spedizione veloce. Ottimo l'avere certificato di autenticità.
Katso käännösUn 100 como empresa un 100 como envío . Empresa muy especial con mucha exquisitez en todos los productos y en personal . Muchas gracias
Katso käännösAll well! Thanks.
Katso käännösVery nice and fine cut little jewel! Well packed too! Thanks!
Katso käännösnice piece and very fast shipping!
Katso käännösEs una maravilla de moneda, donde se le nota los pasos de los años y me encanta. Servido muy rápido y bien empaquetado. Con su certificación. Qué más se puede pedir?
Katso käännösSnelle en correcte levering, alleen was de verpakking voor het schilderij niet stevig genoeg.
Katso käännösHerzlichen Dank!
Katso käännösAll OK and with very fast shipping.
Katso käännösPrachtig schilderij. Zo blij mee. Zeer nette verkoper en zeer snelle levering.
Katso käännösperfect ! very fast and high quality delivery !
Katso käännösAll well! Thanks.
Katso käännösVendeur très professionnel, top +++×
Katso käännösPhotos trop contrastées pour bien percevoir les défauts, mais ces défauts étaient visibles pour autant. Le "Bon état" est trompeur. Sinon, envoi rapide et correctement emballé. Frais de port exagérés.
Katso käännösGreat communication, delivery and product. Came with a well made certificate of authenticity and good packaging. Overall very happy with the purchase! Delivery is a bit expensive, but I recommend it
Katso käännösMagnifique témoin du passé, envoyé avec tous les justificatifs, impeccable. Encore une fois très satisfait, un grand merci
Katso käännösThank you for the Special offer and the fast shipping of this excellent piece of art!
Katso käännösvery good description of the object, very good price for this rare item,. Fast sending (has been at my place 2 days after buying!). Definitely would buy again.
Katso käännösSehr schön
Katso käännösAs described, perfect logistic
Katso käännösgreat seller, everything came as should with certificate of authenticity
Katso käännös- 755
- 7
- 0
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Myyjä vakuuttaa ja voi todistaa, että esine on hankittu laillisesti. Catawiki on informoinut myyjää asiakirjoista, jotka hänen täytyy hankkia maansa lakien ja säännösten velvoittamana. Myyjä vakuuttaa olevansa oikeutettu esineen myymiseen/maasta vientiin. Myyjä antaa ostajalle kaikki esineen saatavilla olevat provenienssitiedot. Myyjä vakuuttaa omaavansa/hankkivansa kaikki tarvittavat luvat. Myyjä ilmoittaa ostajalle pikimmiten mahdollisista lupien viivästyksistä.
Myyjä vakuuttaa ja voi todistaa, että esine on hankittu laillisesti. Catawiki on informoinut myyjää asiakirjoista, jotka hänen täytyy hankkia maansa lakien ja säännösten velvoittamana. Myyjä vakuuttaa olevansa oikeutettu esineen myymiseen/maasta vientiin. Myyjä antaa ostajalle kaikki esineen saatavilla olevat provenienssitiedot. Myyjä vakuuttaa omaavansa/hankkivansa kaikki tarvittavat luvat. Myyjä ilmoittaa ostajalle pikimmiten mahdollisista lupien viivästyksistä.