Goto Shinzō 後藤深造 - From the series "Stories of Present Day Warriors" 当世武勇伝 - 1868 - Utagawa Isshusai Kunikazu (ac. ca. 1848-1868) - Japon - Fin de la période Edo
Nº 81690871
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Two sheets from the triptych 'The 47 Ronin at Ryōgoku Bridge' 忠臣蔵 義士四十七人両国橋引取之図 - 1847-52 - Utagawa Kuniyoshi (1797-1861) - Japon - Fin de la période Edo
Original woodblock print triptych - Paper - Utagawa Kuniyoshi (1797-1861) - 'Chūshingura gishi Yonjuu shichinin Ryogokubashi torihiki no zu'忠臣蔵 義士四十七人両国橋引取之図(orty-seven loyal retainers crossing Ryogoku Bridge after accomplishing their revenge)- Japan - ca 1847-52
The signature is ‘ Ichiyuusai Kuniyoshi-ga ‘ 一勇斎国芳筆
Reasonable condition, some spots, wormholes, toning, losses
The son of silk dyer, little is known about Ukiyo-e artist Utagawa Kuniyoshi’s early years, though he is said to have shown remarkable talent from a young age. At age 14 he was accepted to study woodblock printing under Utagawa Toyokuni I and would become one of his most successful students. In direct contrast to Hiroshige and Hokusai’s peaceful views of a scenic Japan published in the 1830s and ‘40s, the following decades saw a rise in popular taste for the fierce, fearsome and fantastical in ukiyo-e, which Kuniyoshi embraced. In 1814, he left Toyokuni’s studio to pursue a career as an independent artist. Initially, he had little success, selling tatami mats in order to support himself. His fortunes changed in 1827 with his dramatic series 108 Heroes of the Suikoden, and from that point on, he became known for portrayals of famous samurai and legendary heroes. Kuniyoshi also worked in in other print genres, producing landscapes and bijin-ga (pictures of beautiful women).
Nº 81690871
Vendu
Two sheets from the triptych 'The 47 Ronin at Ryōgoku Bridge' 忠臣蔵 義士四十七人両国橋引取之図 - 1847-52 - Utagawa Kuniyoshi (1797-1861) - Japon - Fin de la période Edo
Original woodblock print triptych - Paper - Utagawa Kuniyoshi (1797-1861) - 'Chūshingura gishi Yonjuu shichinin Ryogokubashi torihiki no zu'忠臣蔵 義士四十七人両国橋引取之図(orty-seven loyal retainers crossing Ryogoku Bridge after accomplishing their revenge)- Japan - ca 1847-52
The signature is ‘ Ichiyuusai Kuniyoshi-ga ‘ 一勇斎国芳筆
Reasonable condition, some spots, wormholes, toning, losses
The son of silk dyer, little is known about Ukiyo-e artist Utagawa Kuniyoshi’s early years, though he is said to have shown remarkable talent from a young age. At age 14 he was accepted to study woodblock printing under Utagawa Toyokuni I and would become one of his most successful students. In direct contrast to Hiroshige and Hokusai’s peaceful views of a scenic Japan published in the 1830s and ‘40s, the following decades saw a rise in popular taste for the fierce, fearsome and fantastical in ukiyo-e, which Kuniyoshi embraced. In 1814, he left Toyokuni’s studio to pursue a career as an independent artist. Initially, he had little success, selling tatami mats in order to support himself. His fortunes changed in 1827 with his dramatic series 108 Heroes of the Suikoden, and from that point on, he became known for portrayals of famous samurai and legendary heroes. Kuniyoshi also worked in in other print genres, producing landscapes and bijin-ga (pictures of beautiful women).
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