Bonvin exhibited three paintings in the Salon of 1849, where he was awarded a third-class medal. He exhibited in the Salon of 1850 with Courbet, and won recognition as a leading realist, painting truthfully the lives of the poor which he knew at first hand. His paintings were well received by critics and by the public. Although his work had elements in common with Courbet's, his modestly scaled paintings were not seen as revolutionary. He was awarded the Légion d'honneur in 1870. His subjects were still life and the everyday activities of common people, painted in a style that is reminiscent of Pieter de Hooch and Jean-Baptiste-Siméon Chardin. It is the latter who is especially recalled by Bonvin's delicate luminosity. In 1881 he underwent an operation which did not restore him to health, and he became blind. A retrospective exhibition of his work was held in 1886. He died at Saint-Germain-en-Laye in 1887. In 1978 Editions Geoffroy-Dechaume published Les Maitres du XIX Siecle: Bonvin, Professor Gabriel Weisberg's critical analysis on the life and work of the artist.