Chinois ancien Terre cuite Cavalier étranger. 32 cm de la dynastie H. Tang, 618 - 907 après J.-C. Licence d’importation
Nº 85411083
Foreign rider.
Chinese, Tang dynasty, 618 - 907 A.D
MATERIAL: Pottery and pigment
DIMENSIONS: 32 cm height
CONDITION: Good condition.
PROVENANCE: Private collection, Landshut, Germany, 1950.
Round sculpture made of terracotta and decorated with engobes in black and cream tones. It represents a foreign rider whose position evidences the movement and tension of the moment, with his right arm raised. He wears a suit with a jacket with collars and a pointed cap. His face evidences a violent and threatening attitude.
The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless.
The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover.
During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies”. These wonderfully expressionistic sculptures represent the idealised beauty of Tang Dynasty China, while also demonstrating sculptural mastery in exaggerating characteristics for effect, and for sheer elegance of execution.
It is likely that the original purpose of the figure was that of a mingqi, terracotta figures designed to be included in a burial in order to accompany the deceased in the afterlife for protection, service and companionship.
They included daily utensils, musical instruments, weapons, armor, and intimate objects such as the deceased's cap, can and bamboo mat. Mingqi also could include figurines, spiritual representations rather than real people, of soldiers, servants, musicians, polo riders, houses, and horses. Extensive use of mingqi during certain periods may either have been an attempt to preserve the image of ritual propriety by cutting costs, or it may have a new idea separating the realm of the dead from that of the living.
Though these were particularly popular during the Tang dynasty (618-906 AD), mingqi from a broad range of historical periods have been found, with this piece acting as a particularly early example of the practice.
Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union). NOT TAXES.
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6.001 to 60.000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
THE MINISTRY OF CULTURE FROM SPAIN ASKS ALL SELLERS FOR INVOICES OR OTHER DOCUMENTATION ABLE TO PROVE THE LEGALITY OF EACH ITEM BEFORE PROVIDING AN IMPORT OR EXPORT LICENSE.
À propos du vendeur
Foreign rider.
Chinese, Tang dynasty, 618 - 907 A.D
MATERIAL: Pottery and pigment
DIMENSIONS: 32 cm height
CONDITION: Good condition.
PROVENANCE: Private collection, Landshut, Germany, 1950.
Round sculpture made of terracotta and decorated with engobes in black and cream tones. It represents a foreign rider whose position evidences the movement and tension of the moment, with his right arm raised. He wears a suit with a jacket with collars and a pointed cap. His face evidences a violent and threatening attitude.
The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless.
The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover.
During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies”. These wonderfully expressionistic sculptures represent the idealised beauty of Tang Dynasty China, while also demonstrating sculptural mastery in exaggerating characteristics for effect, and for sheer elegance of execution.
It is likely that the original purpose of the figure was that of a mingqi, terracotta figures designed to be included in a burial in order to accompany the deceased in the afterlife for protection, service and companionship.
They included daily utensils, musical instruments, weapons, armor, and intimate objects such as the deceased's cap, can and bamboo mat. Mingqi also could include figurines, spiritual representations rather than real people, of soldiers, servants, musicians, polo riders, houses, and horses. Extensive use of mingqi during certain periods may either have been an attempt to preserve the image of ritual propriety by cutting costs, or it may have a new idea separating the realm of the dead from that of the living.
Though these were particularly popular during the Tang dynasty (618-906 AD), mingqi from a broad range of historical periods have been found, with this piece acting as a particularly early example of the practice.
Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
- The piece includes authenticity certificate.
- The piece includes Spanish Export License (Passport for European Union). NOT TAXES.
- According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it:
- Up to 6,000 euros: 5%.
- From 6.001 to 60.000 euros: 10%.
This export permit application process can take between 1-2 months maximum.
THE MINISTRY OF CULTURE FROM SPAIN ASKS ALL SELLERS FOR INVOICES OR OTHER DOCUMENTATION ABLE TO PROVE THE LEGALITY OF EACH ITEM BEFORE PROVIDING AN IMPORT OR EXPORT LICENSE.
À propos du vendeur
- 755
- 7
- 0
goede foto's, goede omschrijving, goed verpakt en snel verzonden.
Voir la traductionmolto bello tutto ok
Voir la traductionPezzo come da descrizione, davvero notevole. Venditore molto consigliato in quanto gentile e disponibile. spedizione molto veloce. Ottimo!
Voir la traductionVenditore davvero ottimo e gentile. Merce come da descrizione, spedizione veloce. Ottimo l'avere certificato di autenticità.
Voir la traductionUn 100 como empresa un 100 como envío . Empresa muy especial con mucha exquisitez en todos los productos y en personal . Muchas gracias
Voir la traductionAll well! Thanks.
Voir la traductionVery nice and fine cut little jewel! Well packed too! Thanks!
Voir la traductionnice piece and very fast shipping!
Voir la traductionEs una maravilla de moneda, donde se le nota los pasos de los años y me encanta. Servido muy rápido y bien empaquetado. Con su certificación. Qué más se puede pedir?
Voir la traductionSnelle en correcte levering, alleen was de verpakking voor het schilderij niet stevig genoeg.
Voir la traductionHerzlichen Dank!
Voir la traductionAll OK and with very fast shipping.
Voir la traductionPrachtig schilderij. Zo blij mee. Zeer nette verkoper en zeer snelle levering.
Voir la traductionperfect ! very fast and high quality delivery !
Voir la traductionAll well! Thanks.
Voir la traductionVendeur très professionnel, top +++×
Voir la traductionPhotos trop contrastées pour bien percevoir les défauts, mais ces défauts étaient visibles pour autant. Le "Bon état" est trompeur. Sinon, envoi rapide et correctement emballé. Frais de port exagérés.
Voir la traductionGreat communication, delivery and product. Came with a well made certificate of authenticity and good packaging. Overall very happy with the purchase! Delivery is a bit expensive, but I recommend it
Voir la traductionMagnifique témoin du passé, envoyé avec tous les justificatifs, impeccable. Encore une fois très satisfait, un grand merci
Voir la traductionThank you for the Special offer and the fast shipping of this excellent piece of art!
Voir la traductionvery good description of the object, very good price for this rare item,. Fast sending (has been at my place 2 days after buying!). Definitely would buy again.
Voir la traductionSehr schön
Voir la traductionAs described, perfect logistic
Voir la traductiongreat seller, everything came as should with certificate of authenticity
Voir la traduction- 755
- 7
- 0
Mentions légales
Le vendeur garantit que l'objet a été obtenu légalement et est en mesure de le prouver. Le vendeur a été informé par Catawiki qu'il devait fournir les documents requis par les dispositions législatives et réglementaires de son pays de résidence. Le vendeur garantit qu’il est autorisé à vendre/exporter cet objet. Le vendeur fournira à l'acheteur toutes les informations connues sur la provenance de l'objet. Le vendeur veillera à ce que tous les permis nécessaires soient (déjà) obtenus. Le vendeur informera immédiatement l'acheteur en cas de retard dans l'obtention de ces permis.
Le vendeur garantit que l'objet a été obtenu légalement et est en mesure de le prouver. Le vendeur a été informé par Catawiki qu'il devait fournir les documents requis par les dispositions législatives et réglementaires de son pays de résidence. Le vendeur garantit qu’il est autorisé à vendre/exporter cet objet. Le vendeur fournira à l'acheteur toutes les informations connues sur la provenance de l'objet. Le vendeur veillera à ce que tous les permis nécessaires soient (déjà) obtenus. Le vendeur informera immédiatement l'acheteur en cas de retard dans l'obtention de ces permis.