Pablo Picasso (after) - Jacqueline Sentada / 1954 / licensed print -
Kezdőlicit
€ 1
Adja hozzá kedvenceihez, hogy értersítést kapjon az árverés kezdetekor!
Szakértő
Juan Antonio Rodríguez által kiválasztva
Nyolc év tapasztalat értékbecslőként a barcelonai Balclis-nél, plakát szakértő.
Becslés € 150 - € 200
Catawiki Vevővédelem
A befizetést biztonságban megőrizzük, amíg a termék kézbesítése meg nem történik. Részletek megtekintése
Trustpilot 4.4 | 142947 vélemény
A Trustpilot-on kiváló értékelésű.
Leírás az eladótól
Offset Lithograph Pablo Picasso / Jacqueline Sentada / Paris. 8 octubre 1954.
Copyright @ VEGAP 2008 / Succession Picasso, Paris
Published by @ Museo Picasso Málaga.
Original poster Pablo Picasso / Jacqueline Sentada / Paris. 8 octubre 1954.
About the artist:
Pablo Ruiz Picasso, the archetype of “the artist,” genius, lively, womanizer... creator of styles, a legend in his own lifetime (which he helped to forge) and, without a doubt, one of the greatest artists in history.
He left his mark on each of his many periods, from blue, pink, and black and white to the cubism he invented, then surrealism, abstraction... and because of this immeasurable talent and his enormous output, we are looking at the most famous artist in the history of art.
Picasso remains relevant because he was the central figure of all 20th-century art, an experimental artist but one linked to the past and with a body of work that continually admits new interpretations. He was perhaps also the most influential artist. Contemporary art is what it is thanks to (or because of) him.
We cannot speak of a conventional biography. He stamped his life on his canvases, and between him and his friends, the cultural elite of the 20th century, they created their own life, their own legend. Biographical details seem irrelevant in the face of the grandeur of his work, although it is riddled with myths, from the puff of smoke that gave life to a newborn artist to the theft of the Mona Lisa in 1911.
We cannot speak of a specific style. His stylistic freedom allowed him to move from one style to another without transition. His genius was the main material of his art: in just seconds he could create a masterpiece. He represented the most physical branch of contemporary art, the need to paint, to create in a material form.
He was also a celebrity: fame and financial success, but also artistic recognition. And this translated into an endless list of lovers, wives, models... His connection between sex and art is evident.
It is estimated that Picasso produced some 13,500 paintings and designs, 100,000 prints or engravings, 34,000 book illustrations, and 300 sculptures or ceramics, as well as having the largest number of museums named after him (“Picasso Museums”).
About the artwork:
When we think of Pablo Picasso, we automatically think of Cubism, and within Cubism, his best-known works are his portraits – perfect examples of this avant-garde movement in which it seems as though each eye is looking in a different direction, the nose is bent, and it is unclear where the shoulders come from or where they are going… This is known as ‘simultaneous perspective’.
What you need to know to understand Picasso’s work is that it is based on a simple yet no less complex principle: taking a three-dimensional object, such as the human body, and attempting to capture it on a two-dimensional surface, such as the canvas of his paintings. Picasso wants to incorporate several different perspectives into this work, and so he has to ‘break up’ the face.
With *Jacqueline Seated*, Picasso shows us the features he considered most interesting in his new lover: the eyes, depicted both from the front and in profile, and the nose forming an almost perfect triangle. The way he depicts her, seated and serene, stands in stark contrast to the scenes known to have unfolded in his home; indeed, abuse was a constant feature of Picasso’s relationships. Picasso had recently met Dora Maar and Françoise Guillot, from whom we have accounts of the hell that living with Pablo could be.
The three coloured stripes that form the background are a nod to his friend Matisse. As if his low opinion of women weren’t enough, the artists refused to show their works to the man from Málaga. They knew they were taking a gamble that Picasso would end up being greatly inspired by them – or, to put it plainly, that he would copy them. One learns from both the sublime and the despicable.
Size: 33 x 48 cm.
All posters have been selected by art lovers for art lovers.
Collector's item.
This item is shipped certified with a tracking number and carefully protected.
Offset Lithograph Pablo Picasso / Jacqueline Sentada / Paris. 8 octubre 1954.
Copyright @ VEGAP 2008 / Succession Picasso, Paris
Published by @ Museo Picasso Málaga.
Original poster Pablo Picasso / Jacqueline Sentada / Paris. 8 octubre 1954.
About the artist:
Pablo Ruiz Picasso, the archetype of “the artist,” genius, lively, womanizer... creator of styles, a legend in his own lifetime (which he helped to forge) and, without a doubt, one of the greatest artists in history.
He left his mark on each of his many periods, from blue, pink, and black and white to the cubism he invented, then surrealism, abstraction... and because of this immeasurable talent and his enormous output, we are looking at the most famous artist in the history of art.
Picasso remains relevant because he was the central figure of all 20th-century art, an experimental artist but one linked to the past and with a body of work that continually admits new interpretations. He was perhaps also the most influential artist. Contemporary art is what it is thanks to (or because of) him.
We cannot speak of a conventional biography. He stamped his life on his canvases, and between him and his friends, the cultural elite of the 20th century, they created their own life, their own legend. Biographical details seem irrelevant in the face of the grandeur of his work, although it is riddled with myths, from the puff of smoke that gave life to a newborn artist to the theft of the Mona Lisa in 1911.
We cannot speak of a specific style. His stylistic freedom allowed him to move from one style to another without transition. His genius was the main material of his art: in just seconds he could create a masterpiece. He represented the most physical branch of contemporary art, the need to paint, to create in a material form.
He was also a celebrity: fame and financial success, but also artistic recognition. And this translated into an endless list of lovers, wives, models... His connection between sex and art is evident.
It is estimated that Picasso produced some 13,500 paintings and designs, 100,000 prints or engravings, 34,000 book illustrations, and 300 sculptures or ceramics, as well as having the largest number of museums named after him (“Picasso Museums”).
About the artwork:
When we think of Pablo Picasso, we automatically think of Cubism, and within Cubism, his best-known works are his portraits – perfect examples of this avant-garde movement in which it seems as though each eye is looking in a different direction, the nose is bent, and it is unclear where the shoulders come from or where they are going… This is known as ‘simultaneous perspective’.
What you need to know to understand Picasso’s work is that it is based on a simple yet no less complex principle: taking a three-dimensional object, such as the human body, and attempting to capture it on a two-dimensional surface, such as the canvas of his paintings. Picasso wants to incorporate several different perspectives into this work, and so he has to ‘break up’ the face.
With *Jacqueline Seated*, Picasso shows us the features he considered most interesting in his new lover: the eyes, depicted both from the front and in profile, and the nose forming an almost perfect triangle. The way he depicts her, seated and serene, stands in stark contrast to the scenes known to have unfolded in his home; indeed, abuse was a constant feature of Picasso’s relationships. Picasso had recently met Dora Maar and Françoise Guillot, from whom we have accounts of the hell that living with Pablo could be.
The three coloured stripes that form the background are a nod to his friend Matisse. As if his low opinion of women weren’t enough, the artists refused to show their works to the man from Málaga. They knew they were taking a gamble that Picasso would end up being greatly inspired by them – or, to put it plainly, that he would copy them. One learns from both the sublime and the despicable.
Size: 33 x 48 cm.
All posters have been selected by art lovers for art lovers.
Collector's item.
This item is shipped certified with a tracking number and carefully protected.
Részletek
Korszak
2000 után
Designer/artist
Pablo Picasso (after)
Plakát címe
Jacqueline Sentada / 1954 / licensed print -
Állapot
B (elfogadható - feltűnő hibák)
Number of objects
1
Height
48 cm
Width
33 cm
Híres személy által aláírt
Nem
Eladó
