Sichuan. Court concubine.

57.5 cm H.

Ancient Chinese

Han Dynasty, Circa 206 BC - 220 AD

Pottery

PROVENANCE: Private collection, Paris, France, 1970.

CONDITION: Intact.

The art of the Han dynasty (206 BCE - 220 CE) of ancient China is characterised by a new desire to represent everyday life and the stories from history and mythology familiar to all. The arts were fuelled both by a political stability with its consequent economic prosperity and the development and highly successful combination of brushes, ink, and paper. Calligraphy, painting, lacquerware production, and jade carving were just some of the areas Han artists pushed forward the boundaries of what was possible to make technically and what was desired aesthetically by the ever-increasing number of art connoisseurs.

Large figure sculptures are rare from the Han period, but there are some statues representing generals and officials which were stood outside their tombs. Smaller-scale works include cast bronze sculptures of horses which are common in 2nd-century CE Han tombs. These are usually depicted in full gallop with only one hoof resting on the base so that they almost appear to be flying.

Painted earthenware figurines of single standing women, men, and servants are common. Cast bronze was used to make small figurines and ornate incense burners. These were often inlaid with gold and silver or gilded. One superb piece is a gilded bronze oil-lamp in the form of a kneeling servant girl, which dates to the late 2nd century BCE.

Jade was especially esteemed for its rarity, durability, purity, and certain mystical qualities. The material was carved into all manner of animals, people, and mythical creatures. Han Jade carvers now used circular cutting drills and iron tools, but pieces often have a lower quality finish than previously, which suggests they were starting to be made quicker and on a larger scale of production. Another feature of Han jade sculpture is the use of flaws and impurities in the jade to make them part of the sculpture. From the 1st century BCE, a pure white jade became available from central Asia following the expansion of the Han empire.

One unique but stunning art form was the creation of jade 'suits' to cover the body of the deceased in royal tombs. The 'suits' cover the contours of the body and are made from up to two thousand individually carved rectangular pieces of jade stitched together using gold or silver wire. Two outstanding examples come from the late 2nd century BCE tomb of Prince Liu Sheng and Princess Dou Wan at Mancheng. Reserved only for royalty, they nevertheless became so costly to produce that later rulers banned their use.

Notes:

The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
#theaterasia

Povestea Vânzătorului

Galeria de Artă Antică - Arheologie cu sediul în Barcelona, cu peste cincisprezece ani de experiență. Specializată în artă clasică, artă egipteană, artă asiatică și artă precolumbiană. Acesta garantează autenticitatea tuturor pieselor sale. Participă la cele mai importante târguri de artă din Spania, precum Feriarte, precum și la târguri din străinătate, BRAFA, Parcours des Mondes, Cultures Brussels. Toate piesele sunt trimise cu un permis de export eliberat de Ministerul Culturii din Spania. Livrăm rapid prin DHL Express sau Direct Art Transport.
Tradus cu Google

Sichuan. Court concubine.

57.5 cm H.

Ancient Chinese

Han Dynasty, Circa 206 BC - 220 AD

Pottery

PROVENANCE: Private collection, Paris, France, 1970.

CONDITION: Intact.

The art of the Han dynasty (206 BCE - 220 CE) of ancient China is characterised by a new desire to represent everyday life and the stories from history and mythology familiar to all. The arts were fuelled both by a political stability with its consequent economic prosperity and the development and highly successful combination of brushes, ink, and paper. Calligraphy, painting, lacquerware production, and jade carving were just some of the areas Han artists pushed forward the boundaries of what was possible to make technically and what was desired aesthetically by the ever-increasing number of art connoisseurs.

Large figure sculptures are rare from the Han period, but there are some statues representing generals and officials which were stood outside their tombs. Smaller-scale works include cast bronze sculptures of horses which are common in 2nd-century CE Han tombs. These are usually depicted in full gallop with only one hoof resting on the base so that they almost appear to be flying.

Painted earthenware figurines of single standing women, men, and servants are common. Cast bronze was used to make small figurines and ornate incense burners. These were often inlaid with gold and silver or gilded. One superb piece is a gilded bronze oil-lamp in the form of a kneeling servant girl, which dates to the late 2nd century BCE.

Jade was especially esteemed for its rarity, durability, purity, and certain mystical qualities. The material was carved into all manner of animals, people, and mythical creatures. Han Jade carvers now used circular cutting drills and iron tools, but pieces often have a lower quality finish than previously, which suggests they were starting to be made quicker and on a larger scale of production. Another feature of Han jade sculpture is the use of flaws and impurities in the jade to make them part of the sculpture. From the 1st century BCE, a pure white jade became available from central Asia following the expansion of the Han empire.

One unique but stunning art form was the creation of jade 'suits' to cover the body of the deceased in royal tombs. The 'suits' cover the contours of the body and are made from up to two thousand individually carved rectangular pieces of jade stitched together using gold or silver wire. Two outstanding examples come from the late 2nd century BCE tomb of Prince Liu Sheng and Princess Dou Wan at Mancheng. Reserved only for royalty, they nevertheless became so costly to produce that later rulers banned their use.

Notes:

The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
#theaterasia

Povestea Vânzătorului

Galeria de Artă Antică - Arheologie cu sediul în Barcelona, cu peste cincisprezece ani de experiență. Specializată în artă clasică, artă egipteană, artă asiatică și artă precolumbiană. Acesta garantează autenticitatea tuturor pieselor sale. Participă la cele mai importante târguri de artă din Spania, precum Feriarte, precum și la târguri din străinătate, BRAFA, Parcours des Mondes, Cultures Brussels. Toate piesele sunt trimise cu un permis de export eliberat de Ministerul Culturii din Spania. Livrăm rapid prin DHL Express sau Direct Art Transport.
Tradus cu Google
Cultură
China Antică
Name of object
Sichuan. concubină de curte. 57,5 cm H. Dinastia Han, circa 206 î.Hr. - 220 d.Hr.
Secol/ Interval de timp
Han Dynasty, Circa 206 BC - 220 AD
Proveniență
Colecție privată
Țară
Necunoscut
Material
Ceramică
Stare
Bună

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Declinarea responsabilității

Vânzătorul garantează și poate dovedi că obiectul a fost obținut în mod legal. Vânzătorul a fost informat de către Catawiki că trebuie să furnizeze documentația cerută de legile și reglementările din țara de reședință. Vânzătorul garantează și are dreptul de a vinde/exporta acest obiect. Vânzătorul va furniza cumpărătorului toate informațiile disponibile cu privire la proveniența obiectului. Vânzătorul se asigură că toate autorizațiile necesare sunt/vor fi puse la punct. Vânzătorul va informa imediat cumpărătorul cu privire la eventualele întârzieri în obținerea unor astfel de autorizații.

Vânzătorul garantează și poate dovedi că obiectul a fost obținut în mod legal. Vânzătorul a fost informat de către Catawiki că trebuie să furnizeze documentația cerută de legile și reglementările din țara de reședință. Vânzătorul garantează și are dreptul de a vinde/exporta acest obiect. Vânzătorul va furniza cumpărătorului toate informațiile disponibile cu privire la proveniența obiectului. Vânzătorul se asigură că toate autorizațiile necesare sunt/vor fi puse la punct. Vânzătorul va informa imediat cumpărătorul cu privire la eventualele întârzieri în obținerea unor astfel de autorizații.