墨西哥米斯特卡 玉 項鍊。西元 1200-1400 年。 46 公分長。西班牙出口許可證。
秘魯納斯卡 紡織品 完整的斗篷連身裙。 C。西元 200 - 600 年。 74 公分高。具有西班牙進口許可證。
編號 84325049
Textile Poncho dress
CULTURE: Nazca, Peru
PERIOD: c. 200 - 600 AD
MATERIAL: Textile.
DIMENSIONS: Height 74 cm. 46 cm length.
PROVENANCE: Private collection, Paris France. 1970. With spanish import / export license.
CONDITION: Good condition. Complet
DESCRIPTION:
The Nazca culture developed in the valleys and coast of southern Peru, including Pisco, Ica, Cañete, Acarí and, especially, the Nazca Valley itself. This coastal desert region is carved by narrow fertile valleys.
Artistically, the Nazca are most famous for their geoglyphs, enormous drawings traced out on the bare ground of the pampa north of the settlement of Cawachi. They outline anthropomorphic, zoomorphic and phytomorphic shapes, as well as straight lines sev0eral kilometres long, all of them amazingly precise. The actual significance of the Nazca figures is not known, but most of them are so large they are best appreciated from the air. According to the main hypothesis, the place served as an astronomical observatory; another holds that it was a major ceremonial centre.
Their pottery is renowned for the quality of their vases with their fine, complexly painted imagery, and especially for the polychrome colouring of the motifs, some of which are done in six or seven different colours. The most typical type of Nazca ceramic vessel was the bridge-handled vase with two spouts. These were often painted with domestic images such as flowers, fruit, birds, animals and insects, though some bear mythological figures or individuals with both human and animal attributes.
The Nazca buried their dead in funerary bundles composed of several layers of wrapping and clothing, inside of which they deposited pottery vessels and other objects as grave goods. Higher ranking individuals had more complex bundles, which in some cases were made up of dozens of layers of textile. Severed human heads have been found among the grave goods in many graves, indicating the importance of human sacrifice in this society. This practice was apparently associated with fertility rites.
BIBLIOGRAPHY:
- TOWNSEND, R. Indian Art of the Americas at the Art Institute of Chicago. Yale University Press, New Haven and London. 2016.
Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The seller will take care that any necessary permits, like an export license will be arranged, he will inform the buyer about the status of it if this takes more than a few days.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
賣家的故事
古代藝術畫廊 - 位於巴塞羅那的考古學，擁有超過 15 年的經驗。擅長古典藝術、埃及藝術、亞洲藝術和前哥倫佈時期藝術。它保證其所有作品的真實性。它參加了西班牙最重要的藝術博覽會，例如 Feriarte，以及國外的博覽會，BRAFA、Parcours des Mondes、Cultures Brussels。
所有作品均附有西班牙文化部頒發的出口許可證。
我們可以通過 DHL Express 或 Direct Art Transport 快速發貨。
由Google翻譯翻譯Textile Poncho dress
CULTURE: Nazca, Peru
PERIOD: c. 200 - 600 AD
MATERIAL: Textile.
DIMENSIONS: Height 74 cm. 46 cm length.
PROVENANCE: Private collection, Paris France. 1970. With spanish import / export license.
CONDITION: Good condition. Complet
DESCRIPTION:
The Nazca culture developed in the valleys and coast of southern Peru, including Pisco, Ica, Cañete, Acarí and, especially, the Nazca Valley itself. This coastal desert region is carved by narrow fertile valleys.
Artistically, the Nazca are most famous for their geoglyphs, enormous drawings traced out on the bare ground of the pampa north of the settlement of Cawachi. They outline anthropomorphic, zoomorphic and phytomorphic shapes, as well as straight lines sev0eral kilometres long, all of them amazingly precise. The actual significance of the Nazca figures is not known, but most of them are so large they are best appreciated from the air. According to the main hypothesis, the place served as an astronomical observatory; another holds that it was a major ceremonial centre.
Their pottery is renowned for the quality of their vases with their fine, complexly painted imagery, and especially for the polychrome colouring of the motifs, some of which are done in six or seven different colours. The most typical type of Nazca ceramic vessel was the bridge-handled vase with two spouts. These were often painted with domestic images such as flowers, fruit, birds, animals and insects, though some bear mythological figures or individuals with both human and animal attributes.
The Nazca buried their dead in funerary bundles composed of several layers of wrapping and clothing, inside of which they deposited pottery vessels and other objects as grave goods. Higher ranking individuals had more complex bundles, which in some cases were made up of dozens of layers of textile. Severed human heads have been found among the grave goods in many graves, indicating the importance of human sacrifice in this society. This practice was apparently associated with fertility rites.
BIBLIOGRAPHY:
- TOWNSEND, R. Indian Art of the Americas at the Art Institute of Chicago. Yale University Press, New Haven and London. 2016.
Notes:
The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
The seller will take care that any necessary permits, like an export license will be arranged, he will inform the buyer about the status of it if this takes more than a few days.
The piece includes authenticity certificate.
The piece includes Spanish Export License.
賣家的故事
古代藝術畫廊 - 位於巴塞羅那的考古學，擁有超過 15 年的經驗。擅長古典藝術、埃及藝術、亞洲藝術和前哥倫佈時期藝術。它保證其所有作品的真實性。它參加了西班牙最重要的藝術博覽會，例如 Feriarte，以及國外的博覽會，BRAFA、Parcours des Mondes、Cultures Brussels。
所有作品均附有西班牙文化部頒發的出口許可證。
我們可以通過 DHL Express 或 Direct Art Transport 快速發貨。
由Google翻譯翻譯文化
秘魯納斯卡
Name of object
完整的斗篷連身裙。 C。西元 200 - 600 年。 74 公分高。具有西班牙進口許可證。
世紀/時間框架
c. 200 - 600 AD
種源
私人收藏
原產國
不明
材質
紡織品
狀態
好
