古代古巴比倫語 赤鐵礦 汽缸密封件
伊比利亞 青銅色 埃克斯沃托。西元前4-3世紀。 6 公分高。
編號 84074709
Exvoto
Iberian, 4th - 3rd century BC
Bronze
6 cm height, 8.5 cm with the stand.
PROVENANCE: Private collection of gallery owner Claude Bernard (1929-2022), Paris. Founder of the Claude Bernard gallery in Paris, he has represented as a dealer from Alberto Giacometti to David Hockney, passing through Balthus, Francis Bacon, Lucian Freud and Zoran Music, during the last sixty-five years he has represented the greatest artists of the 20th and 21st centuries.
DOCUMENTS: Including export license from the Ministry of Culture in Spain.
CONDITION: Good condition.
DESCRIPTION:
The Iberians expressed their religiosity through votive offerings in the form of small figures made of stone, bronze or terracotta, elements of "popular art" that were initially considered as representations of gods. As for the metallic votive offerings, they are solid pieces made using the “lost wax” technique, with a size not exceeding 18 cm in height, with some exceptions. They are generally stylized images of male and female offerers in an attitude of prayer, with some exaggerated feature (hands, eyes, sexual organs) and carrying an offering (a roll, fruits, etc.). In the same way, horsemen, horses and body parts are also known, as well as miniatures of attacked knives. Its chronology starts, in general, from the middle of the third century BC.
These pieces were deposited in honor of deities, in exchange for protection, well-being, health and prosperity, being found in Iberian sanctuaries in the south and southeast of the peninsula, highlighting nuclei such as the Despeñaperros environment in Jaén (Collado de los Jardines, Castellar de Santisteban) or La Luz (Verdolay, Murcia), as well as in other parts of Andalusia and Levante. These centers of worship are always located on elevations of the land or in caves, close to important communication routes and water courses, at a certain distance from the population centers, being sometimes authentic community centers of worship of territorial control.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
賣家的故事
古代藝術畫廊 - 位於巴塞羅那的考古學，擁有超過 15 年的經驗。擅長古典藝術、埃及藝術、亞洲藝術和前哥倫佈時期藝術。它保證其所有作品的真實性。它參加了西班牙最重要的藝術博覽會，例如 Feriarte，以及國外的博覽會，BRAFA、Parcours des Mondes、Cultures Brussels。
所有作品均附有西班牙文化部頒發的出口許可證。
我們可以通過 DHL Express 或 Direct Art Transport 快速發貨。
由Google翻譯翻譯Exvoto
Iberian, 4th - 3rd century BC
Bronze
6 cm height, 8.5 cm with the stand.
PROVENANCE: Private collection of gallery owner Claude Bernard (1929-2022), Paris. Founder of the Claude Bernard gallery in Paris, he has represented as a dealer from Alberto Giacometti to David Hockney, passing through Balthus, Francis Bacon, Lucian Freud and Zoran Music, during the last sixty-five years he has represented the greatest artists of the 20th and 21st centuries.
DOCUMENTS: Including export license from the Ministry of Culture in Spain.
CONDITION: Good condition.
DESCRIPTION:
The Iberians expressed their religiosity through votive offerings in the form of small figures made of stone, bronze or terracotta, elements of "popular art" that were initially considered as representations of gods. As for the metallic votive offerings, they are solid pieces made using the “lost wax” technique, with a size not exceeding 18 cm in height, with some exceptions. They are generally stylized images of male and female offerers in an attitude of prayer, with some exaggerated feature (hands, eyes, sexual organs) and carrying an offering (a roll, fruits, etc.). In the same way, horsemen, horses and body parts are also known, as well as miniatures of attacked knives. Its chronology starts, in general, from the middle of the third century BC.
These pieces were deposited in honor of deities, in exchange for protection, well-being, health and prosperity, being found in Iberian sanctuaries in the south and southeast of the peninsula, highlighting nuclei such as the Despeñaperros environment in Jaén (Collado de los Jardines, Castellar de Santisteban) or La Luz (Verdolay, Murcia), as well as in other parts of Andalusia and Levante. These centers of worship are always located on elevations of the land or in caves, close to important communication routes and water courses, at a certain distance from the population centers, being sometimes authentic community centers of worship of territorial control.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
賣家的故事
古代藝術畫廊 - 位於巴塞羅那的考古學，擁有超過 15 年的經驗。擅長古典藝術、埃及藝術、亞洲藝術和前哥倫佈時期藝術。它保證其所有作品的真實性。它參加了西班牙最重要的藝術博覽會，例如 Feriarte，以及國外的博覽會，BRAFA、Parcours des Mondes、Cultures Brussels。
所有作品均附有西班牙文化部頒發的出口許可證。
我們可以通過 DHL Express 或 Direct Art Transport 快速發貨。
由Google翻譯翻譯文化
伊比利亞
Name of object
埃克斯沃托。西元前4-3世紀。 6 公分高。
世紀/時間框架
4th - 3rd century BC
種源
私人收藏
原產國
不明
材質
青銅色
狀態
很好
