Sculpture of Bes in pantheistic form as an apotropaic god

Ancient Egypt, Third Intermediate Period - Late Period, 1070 - 323 B.C.

MATERIAL: Marble

DIMENSIONS: 12.2 cm high withput stand.

PROVENANCE:
Private collection, Mr. G. C., Paris, France.
From the inventory of the judicially dissolved Parisian gallery "La Reine Margot", inventory number 9904.

CONDITION: Good state of conservation, although it shows a reconstruction of the lower part of the figure from the ankles to the base, the dividing line can be seen perfectly.

DESCRIPTION:

Sculpture of a multiple or pantheistic god formed from different elements of several gods. The body of the god Bes is clearly shown, with the head of a tripartite wigged ram, as shown from the two sides under the horns and from the rear of the animal's head. And the area of ​​the back is covered by the back of the falcon. The god in an upright position follows the statuary models and is presented on a rectangular base. In the upper part of the head there is a circular hole, made with all the intention, for the embedding of a crown, probably a solar disk, in relation to the god Ra, produced in another material, possibly gold or bronze.

This pantheistic Bes sculpture combines the attributes and powers of various gods, becoming the universal protector. This amulet is a syncretic of the gods Bes, Amón and Horus. Bes is the watchman of human beings in their daily lives and while they sleep. A pygmy genie-god, grotesque or terrifying in appearance, with his hands resting on his knees. He is the apotropaic god of the home, the one who repels demons and appeases angry deities. He can be represented, as in this case, in hybrid form with various deities. The horned ram's head represents the incarnation of Amun, the creator and regenerator who concentrates all powers. Falcon wings symbolize Horus, the son of Osiris and Isis, the divinity of the regeneration cycle and the victory of the positive forces of the universe over harmful influences.

Apotropaic magical rituals were practiced throughout the ancient Near East and in Ancient Egypt. The fearsome deities were invoked through rituals to protect people from evil spirits. In Ancient Egypt, these rituals performed in the home (not in state temples) were embodied by the deity who personified magic, Heka. The two deities most frequently invoked in these rituals were the hippopotamus goddess of fertility, Taueret, and the lion demon, Bes, who developed from the apotropaic dwarf demon god, Aha, literally meaning "fighter". Magical objects were often used in these rituals to facilitate communication with the gods and thus gain their protection; such as the apotropaic band of ivory with engraved images of these protective deities, small stelae of Horus as a child dominating the forces of evil represented by snakes, crocodiles and scorpions, and pantheistic sculptures with the body of Bes.

Notes:

The Seller can prove that the lot was obtained legally , provenance statement seen by Catawiki.
Important information. The seller guarantees that he is entitled to ship this lot.
The seller will take care that any necessary permits will be arranged.
The seller will inform the buyer about this if this takes more than a few days.
#alienscollection

賣家的故事

古代藝術畫廊 - 位於巴塞羅那的考古學,擁有超過 15 年的經驗。擅長古典藝術、埃及藝術、亞洲藝術和前哥倫佈時期藝術。它保證其所有作品的真實性。它參加了西班牙最重要的藝術博覽會,例如 Feriarte,以及國外的博覽會,BRAFA、Parcours des Mondes、Cultures Brussels。 所有作品均附有西班牙文化部頒發的出口許可證。 我們可以通過 DHL Express 或 Direct Art Transport 快速發貨。
由Google翻譯翻譯

Sculpture of Bes in pantheistic form as an apotropaic god

Ancient Egypt, Third Intermediate Period - Late Period, 1070 - 323 B.C.

MATERIAL: Marble

DIMENSIONS: 12.2 cm high withput stand.

PROVENANCE:
Private collection, Mr. G. C., Paris, France.
From the inventory of the judicially dissolved Parisian gallery "La Reine Margot", inventory number 9904.

CONDITION: Good state of conservation, although it shows a reconstruction of the lower part of the figure from the ankles to the base, the dividing line can be seen perfectly.

DESCRIPTION:

Sculpture of a multiple or pantheistic god formed from different elements of several gods. The body of the god Bes is clearly shown, with the head of a tripartite wigged ram, as shown from the two sides under the horns and from the rear of the animal's head. And the area of ​​the back is covered by the back of the falcon. The god in an upright position follows the statuary models and is presented on a rectangular base. In the upper part of the head there is a circular hole, made with all the intention, for the embedding of a crown, probably a solar disk, in relation to the god Ra, produced in another material, possibly gold or bronze.

This pantheistic Bes sculpture combines the attributes and powers of various gods, becoming the universal protector. This amulet is a syncretic of the gods Bes, Amón and Horus. Bes is the watchman of human beings in their daily lives and while they sleep. A pygmy genie-god, grotesque or terrifying in appearance, with his hands resting on his knees. He is the apotropaic god of the home, the one who repels demons and appeases angry deities. He can be represented, as in this case, in hybrid form with various deities. The horned ram's head represents the incarnation of Amun, the creator and regenerator who concentrates all powers. Falcon wings symbolize Horus, the son of Osiris and Isis, the divinity of the regeneration cycle and the victory of the positive forces of the universe over harmful influences.

Apotropaic magical rituals were practiced throughout the ancient Near East and in Ancient Egypt. The fearsome deities were invoked through rituals to protect people from evil spirits. In Ancient Egypt, these rituals performed in the home (not in state temples) were embodied by the deity who personified magic, Heka. The two deities most frequently invoked in these rituals were the hippopotamus goddess of fertility, Taueret, and the lion demon, Bes, who developed from the apotropaic dwarf demon god, Aha, literally meaning "fighter". Magical objects were often used in these rituals to facilitate communication with the gods and thus gain their protection; such as the apotropaic band of ivory with engraved images of these protective deities, small stelae of Horus as a child dominating the forces of evil represented by snakes, crocodiles and scorpions, and pantheistic sculptures with the body of Bes.

Notes:

The Seller can prove that the lot was obtained legally , provenance statement seen by Catawiki.
Important information. The seller guarantees that he is entitled to ship this lot.
The seller will take care that any necessary permits will be arranged.
The seller will inform the buyer about this if this takes more than a few days.
#alienscollection

賣家的故事

古代藝術畫廊 - 位於巴塞羅那的考古學,擁有超過 15 年的經驗。擅長古典藝術、埃及藝術、亞洲藝術和前哥倫佈時期藝術。它保證其所有作品的真實性。它參加了西班牙最重要的藝術博覽會,例如 Feriarte,以及國外的博覽會,BRAFA、Parcours des Mondes、Cultures Brussels。 所有作品均附有西班牙文化部頒發的出口許可證。 我們可以通過 DHL Express 或 Direct Art Transport 快速發貨。
由Google翻譯翻譯
文化
古埃及
Name of object
貝斯的泛神論形式的雕塑作為辟邪之神。 12.2 公分高。
世紀/時間框架
Third Intermediate Period - Late Period, 1070 - 323 B.C.
種源
私人收藏
原產國
不明
材質
狀態

2078 個評價 (在過去的12個月有751 條評論)
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2078 個評價 (在過去的12個月有751 條評論)
  1. 745
  2. 6
  3. 0

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賣家保證並能證明該物品是合法取得的。 Catawiki 通知賣家,他們必須提供其居住國法律要求的文件。 賣家保證並有權出售/出口此物品。 賣家將向買家提供有關該物品的所有已知來源的資訊。 賣家確保已/將安排任何必要的許可證明。 賣家將立即通知買家有關獲得此類許可時的任何延誤。