Nr. 83344289

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English school (XVII-XVIII) - Queen Catherine of Braganza
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English school (XVII-XVIII) - Queen Catherine of Braganza

Very fine old master miniature of Queen Catherine of Braganza Catherine of Braganza's life is a compelling mix of heroism and valuable contributions. As a Portuguese princess who married King Charles II, she helped bring stability to England after a turbulent era. Her unwavering support for her husband, despite being a Catholic in a predominantly Protestant nation, exemplifies her heroism. Moreover, her introduction of tea-drinking to the English court left a lasting cultural impact and brought about positive changes in English social customs, making her a source of inspiration and her legacy truly remarkable. The borough Queens in New York city was named in her honour. Provenance: Private collection USA, (believed to be by Joan Carlile) Dimensions: Oil on copper: ca. 8*6,5cm With frame: 15*12,5cm Good condition with uneven varnish and some wear in the background of the portrait. Likely 17th or 18th century

Nr. 83344289

Solgt
English school (XVII-XVIII) - Queen Catherine of Braganza

English school (XVII-XVIII) - Queen Catherine of Braganza

Very fine old master miniature of Queen Catherine of Braganza

Catherine of Braganza's life is a compelling mix of heroism and valuable contributions. As a Portuguese princess who married King Charles II, she helped bring stability to England after a turbulent era. Her unwavering support for her husband, despite being a Catholic in a predominantly Protestant nation, exemplifies her heroism. Moreover, her introduction of tea-drinking to the English court left a lasting cultural impact and brought about positive changes in English social customs, making her a source of inspiration and her legacy truly remarkable. The borough Queens in New York city was named in her honour.

Provenance: Private collection USA, (believed to be by Joan Carlile)

Dimensions:
Oil on copper: ca. 8*6,5cm
With frame: 15*12,5cm

Good condition with uneven varnish and some wear in the background of the portrait.

Likely 17th or 18th century

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