Kunst

Einrichtung und Dekoration

Schmuck und Edelsteine

Uhren, Schreibgeräte und Feuerzeuge

Mode

Münzen und Briefmarken

Comics und Animation

Oldtimer, Motorräder und Automobilia

Wein und Whisky

Asiatische Kunst und Stammeskunst

Sammelkarten

Spielzeug und Modelle

Archäologie und Naturkunde

Sport

Musik, Filme und Kameras

Bücher und historische Memorabilien

Die schönsten Objekte – präsentiert von {name}

Domenico de Donno

Errico Placido (Naples, 1909 - Portici, 1983). Oil on panel. Year 1960. In amazing condition. 
Still life sold to my family directly by the Neapolitan artist (Portici Bellavista) in the 60s.
This painting by Placido also reaches a very high level compared to the artist’s paintings, also chosen by him as a present. 

Placido, a painter of strong identity, can be placed with his works between the French experience of the Fauves and that of the German expressionists. His research, in fact, is detached from all sorts of links to the Neapolitan tradition, of which he retains only the propensity for certain themes, first of all the seashores and still lifes. He was an artist of particular speed.
 
"Landscapes and still lifes, clowns and figures still engage the painter from Portici, who has expanded his palette to new tonal ranges and tries to depict small familiar interiors, the micro-stages, the corners of the metropolis where a humanity without ambitions nestles and living their inglorious day with sincere affections. A very respectable artist who deserves the prestige he has."
GINO GRASSI

Placido has lived in Portici since he was a child. He painted for nearly half a century, and he was recognised since 1938 at the Sindacale d’Arte in Naples. He participated in many festivals and personal exhibitions throughout Italy. Placido and his works are positioned between the French experience of the Fauves and that of the German expressionists. His research is detached from all sorts of links to the Neapolitan tradition, of which he retains only the propensity for certain themes, first of all the seashores and still lifes.
In his almost always eventful, almost always uncertain life, which happened in a game of sensations and emotions, enthusiasms and disheartenments, he was nothing but a painter, a painter who lives with painting and of painting. He began many years ago with Luigi Crisconio in Portici. He was hardly a teenager, and followed the master in his strenuous wanderings through the Vesuvian countryside and the beaches of the Gulf of Naples, with long stops in the sun, in search of the reason. He came home tired, stunned but glad to have painted under Crisconio's guidance. He was born a painter. Crisconio, though so quick, so impetuous in painting, was often surprised by the fury with which his young student and friend made a landscape. From that time to the present day, Placido has painted thousands and thousands of paintings, wandering from one end of Italy to the other.
He himself dictated an epigram as an explanation of his painting: "I believe that painting is poetry of images, and I am happy to have offered her my existence, serene despite hardships, anxieties and burdens. I tried to understand at the time crumbs of life; to record the echo of the sea; to seize the vast breath of my land; to exalt the toil of the humble; to comfort the pain of my people." 
These are blunt words, free of any rhetorical encrusting, which, like a confession, shed light around a man and a type of painting. Around a man who uses painting to evoke the constant object of his love: Naples. Placido Errico, in fact, must be counted among the most punctual interpreters of Naples, of a landscape where the Mediterranean brightness seems to be constantly wrecked in melancholy, and of the people of Naples, seemingly smiling and boisterous but in fact full of that same melancholy. Placido's painting shows itself as thoughtful and painful, completely open to the deep and hidden senses that reality reveals to the artist. Painting understood as a "necessary" gesture because, painted after painting, it corresponds to an inner need matured in the silent conversation that the artist sets with the world around him every day and from which he draws life. The value that characterises Placido's work originates from the artist's own ability to match a particular moment of reality with a moment of his spirit, and therefore to give the image the most intimate and intense experience. Also in Placido presses a painful suffering, a subtle sadness that oxidises the sky and the sea, the sense of transience of things, the inevitable flow of existence towards an irreparable fall. 
The multiple effigies of the Neapolitan reality pass through the gaze of the observer: figures of young women in whom hope seems to vanish in the breath of a presentiment of pain or figures of adult women on whom the faded signs of rare joys and too many sufferings are cruelly deposited. Also figures of poor actors, of raging clowns, of melancholy Pulcinella who still try for one last show to give a fictitious laugh in exchange for a squat of bread and a bowl of soup. Placido probes the Neapolitan reality with peculiar frequency, perhaps in the memory of personal vicissitudes that transform his adherence to those protagonists into a tender act of love. CARLO BARBIERI
[...] Placido is essentially a sincere observer of nature and things familiar to his eyes exercised in the experience of form and tone, which is the intimate foundation of that. Each of his inspiring motifs of the sea, the countryside, the flowers finds a simple and immediate response in his robust technique, which allows him to easily realise the intense vision of a landscape or an environmental figure, which breathes into his own atmosphere. Therefore his subjects are pictorially real, he possesses the primary requirement of the painter, the only one who positively authorises such qualification. ALFREDO SCHETTINI

Öl auf Tafel - Handsigniert - 1960

Errico Placido - Fiori campo

Klassische Kunst

Mindestpreis

Kein Mindestpreis

Sofortkauf

Enddatum

Montag

Mittwoch

Donnerstag

Dienstag

morgen

Sonntag

30 September

27 September

28 September

29 September

1 Oktober

Budget

Standort

Italien

Spanien

Niederlande

Frankreich

Belgien

Österreich

Deutschland

Vereinigtes Königreich

Polen

Ukraine

Ungarn

Schweiz

Litauen

Luxemburg

Norwegen

Rumänien

Andorra

Bulgarien

Dänemark

Irland

Portugal

Liechtenstein

Slowakei

Türkei

Objekt

Gemälde

Zeichnung

Kunstwerk

Miniaturgemälde

Mixed-Media-Kunstwerk

Kunstdruck

Statue

Miniaturporträt

Herkunftsland

Europa

Russland

Kongo

Unbekannt

Philippinen

Indonesien

Israel

Mexiko

Peru

Material

Bronze

Patinierte Bronze

Zustand

Guter Zustand

exzellenter Zustand

Angemessener Zustand

Muss restauriert werden

Periode

1850-1900

2020 und ff.

1950-1960

1960-1970

1970-1980

1940-1950

1800-1850

1930-1940

1920-1930

1980-1990

1900-1910

1910-1920

1750–1800

1700–1750

1650–1700

1990-2000

1600–1650

2010–2020

2000-2010

1800-1899

1400–1450

1920-1929

1910-1919

1700 und früher

1550–1600

Thema

Landschaft

Meereslandschaft

Weibliche Figuren

Portrait

Weibliches Porträt

Stillleben

Blumenstillleben

Stadtansicht

Tiere/Wildtiere

Figuren

Natur

Pflanzen und Blumen

Religion

Tierporträt

Stadtszene

Männliches Porträt

Tagesszene

Innenszene

Speisen und Getränke

Reisen

Kinderporträt

Musik

Mythologie

Sommerszene

Stil

Impressionismus

Realismus

Post-Impressionismus

Klassik

Art Deco

Romantik

Zeitgenössisch

Barock

Expressionismus

Hager Schule

Neoklassizismus

Abstrakt

Moderne

Italienische Renaissance

Luminismus

Art Nouveau

Historismus

Kubismus

Biedermeier

Fauvismus

Naive Kunst

Sozialer Realismus

Neoimpressionismus

Surrealismus

Renaissance

Technik

Öl auf Leinwand

Öl auf Holztafel

Öl auf Steintafel

Wasserfarbe

Acryl auf Leinwand

Öl auf Karton

Pastell

Aquarell auf Papier

Öl auf Kupfer

Mixed Media auf Papier

Öl auf Masonit

Mixed Media

Gouache

Öl auf Papier

Bleistiftzeichnung

Holzkohle

Acryl auf Tafel

Acryl auf Holz

Handbemalt

Bleistift auf Papier

Dye-Transfer Verfahren

Mixed Media auf Karton

Mixed Media auf Leinwand

Kohle auf Papier

Unterschrift

Handsigniert

Nicht signiert

Signiert in der Platte

Auf der Rückseite signiert

Datiert

Künstlerstempel

Paraphiert

Monogrammiert

Klassische Kunst

Dieses Objekt ist leider nicht mehr verfügbar, aber es gibt noch viel zu entdecken

Errico Placido - Fiori campo

2632 Objekte

Verwandte Kollektionen

Cookies

Klassische Kunst

Dieses Objekt ist leider nicht mehr verfügbar, aber es gibt noch viel zu entdecken

Errico Placido - Fiori campo

2632 Objekte

Verwandte Kollektionen