Statue of the god Imhotep

- very rare -

CULTURE: Ancient Egypt

PERIOD: Late Period, 664 - 332 BC.

MATERIAL: Solid Bronze

DIMENSIONS: 2.6 cm height and 6 cm height with the stand.

PROVENANCE: Private collection, Paris, France. Collected since 60's-70's.

CONDITION: Intact.

DESCRIPTION:

Hero and god of medicine, Asclepios was worshiped in Greece and later in Rome under the name of Aesculapius. He was the son of Apollo and Coronis, and the father of Hygía (goddess of hygiene), Yaso (goddess of recovery from illness), Aceso (goddess of the healing process), Aegle (goddess of good health) and Panacea (goddess of healing). universal remedy). Likewise, his figure was associated with the Roman-Etruscan god Vediovis and the Egyptian Imhotep. According to mythological narratives, Aesculapius received his first medical teachings from his father, Apollo, although he was later instructed in the art of medicine by the centaur Chiron, and received secret knowledge from a serpent, a sacred animal in Greece and associated with to wisdom, healing and resurrection. Other versions narrate that, when he was ordered to bring Glaucus back to life, he was confined in a secret prison. There a snake climbed up his staff and the god, lost in thought, unconsciously hit the staff on the ground and killed the animal. A second snake then appeared, carrying a grass in its mouth; he placed it on the head of his dead sister and she was resurrected. Seeing this, Asclepios used the same plant to bring Glaucus back from the dead.

During his lifetime, Aesculapius became the most renowned physician, surpassing not only Chiron but also his own father, the divine Apollo, and was thereby awarded the power to bring the dead back to life. Hades, irritated to see that many of his subjects were taken from him, complained to his brother Zeus. Other sources explain instead that the King of Olympus was concerned that he teach the art of resurrection to other human beings. In any case, Zeus ended the life of Aesculapius with one of his fearsome thunderbolts, although, thanks to the intervention of Apollo, he finally granted him divinity and gave him a place on Olympus.

The rod of Aesculapius, the main iconographic attribute of the god, is one of the motifs of Classical Antiquity whose symbolism endures to this day. Although the serpent has a radically opposite meaning in Western Christian culture, for the Greeks it was a healing animal; its ability to shed its skin symbolized eternity and the restoration of life and health. The Rod of Asclepius is today a symbol of the medical profession on five continents, as well as of the World Health Organization.

The cult of Asclepius/Aesculapius dates back to Hellenistic Greece, and by the 5th century B.C. we already find it fully established, with the city of Epidaurus as its main center, although there were also important sanctuaries dedicated to the god on the island of Cos, Thessaly and Pergamon. In the year 420 B.C. A sanctuary was dedicated to him in Athens, located in the southern part of the Acropolis, next to a fountain. The sick believed that they could recover by sleeping in these temples, which in fact combined the functions of sanctuary and hospital and in which the Asclepius snakes (Zamenis longissimus) lived freely and were respected as sacred animals. His cult was continued by the Romans, and in fact Ovid, in his Metamorphoses, relates that during the plague epidemic of 293 B.C. Rome sent an embassy to Epidaurus to bring back Aesculapius, the only one capable of saving the city. The god then appeared in the form of a serpent and jumped into the sea.


Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

Ιστορία πωλητή

Πινακοθήκη Αρχαίας Τέχνης - Αρχαιολογίας με έδρα τη Βαρκελώνη με περισσότερα από δεκαπέντε χρόνια εμπειρίας. Εξειδικεύεται στην κλασική τέχνη, την αιγυπτιακή τέχνη, την ασιατική τέχνη και την προκολομβιανή τέχνη. Εγγυάται την αυθεντικότητα όλων των κομματιών του. Συμμετέχει στα σημαντικότερα art fairs της Ισπανίας, όπως το Feriarte, καθώς και σε εκθέσεις του εξωτερικού, BRAFA, Parcours des Mondes, Cultures Brussels. Όλα τα κομμάτια αποστέλλονται με Άδεια Εξαγωγής που εκδίδεται από το Υπουργείο Πολιτισμού της Ισπανίας. Αποστέλλουμε γρήγορα μέσω DHL Express ή Direct Art Transport.
Μετάφραση από Google Μετάφραση

Statue of the god Imhotep

- very rare -

CULTURE: Ancient Egypt

PERIOD: Late Period, 664 - 332 BC.

MATERIAL: Solid Bronze

DIMENSIONS: 2.6 cm height and 6 cm height with the stand.

PROVENANCE: Private collection, Paris, France. Collected since 60's-70's.

CONDITION: Intact.

DESCRIPTION:

Hero and god of medicine, Asclepios was worshiped in Greece and later in Rome under the name of Aesculapius. He was the son of Apollo and Coronis, and the father of Hygía (goddess of hygiene), Yaso (goddess of recovery from illness), Aceso (goddess of the healing process), Aegle (goddess of good health) and Panacea (goddess of healing). universal remedy). Likewise, his figure was associated with the Roman-Etruscan god Vediovis and the Egyptian Imhotep. According to mythological narratives, Aesculapius received his first medical teachings from his father, Apollo, although he was later instructed in the art of medicine by the centaur Chiron, and received secret knowledge from a serpent, a sacred animal in Greece and associated with to wisdom, healing and resurrection. Other versions narrate that, when he was ordered to bring Glaucus back to life, he was confined in a secret prison. There a snake climbed up his staff and the god, lost in thought, unconsciously hit the staff on the ground and killed the animal. A second snake then appeared, carrying a grass in its mouth; he placed it on the head of his dead sister and she was resurrected. Seeing this, Asclepios used the same plant to bring Glaucus back from the dead.

During his lifetime, Aesculapius became the most renowned physician, surpassing not only Chiron but also his own father, the divine Apollo, and was thereby awarded the power to bring the dead back to life. Hades, irritated to see that many of his subjects were taken from him, complained to his brother Zeus. Other sources explain instead that the King of Olympus was concerned that he teach the art of resurrection to other human beings. In any case, Zeus ended the life of Aesculapius with one of his fearsome thunderbolts, although, thanks to the intervention of Apollo, he finally granted him divinity and gave him a place on Olympus.

The rod of Aesculapius, the main iconographic attribute of the god, is one of the motifs of Classical Antiquity whose symbolism endures to this day. Although the serpent has a radically opposite meaning in Western Christian culture, for the Greeks it was a healing animal; its ability to shed its skin symbolized eternity and the restoration of life and health. The Rod of Asclepius is today a symbol of the medical profession on five continents, as well as of the World Health Organization.

The cult of Asclepius/Aesculapius dates back to Hellenistic Greece, and by the 5th century B.C. we already find it fully established, with the city of Epidaurus as its main center, although there were also important sanctuaries dedicated to the god on the island of Cos, Thessaly and Pergamon. In the year 420 B.C. A sanctuary was dedicated to him in Athens, located in the southern part of the Acropolis, next to a fountain. The sick believed that they could recover by sleeping in these temples, which in fact combined the functions of sanctuary and hospital and in which the Asclepius snakes (Zamenis longissimus) lived freely and were respected as sacred animals. His cult was continued by the Romans, and in fact Ovid, in his Metamorphoses, relates that during the plague epidemic of 293 B.C. Rome sent an embassy to Epidaurus to bring back Aesculapius, the only one capable of saving the city. The god then appeared in the form of a serpent and jumped into the sea.


Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

Ιστορία πωλητή

Πινακοθήκη Αρχαίας Τέχνης - Αρχαιολογίας με έδρα τη Βαρκελώνη με περισσότερα από δεκαπέντε χρόνια εμπειρίας. Εξειδικεύεται στην κλασική τέχνη, την αιγυπτιακή τέχνη, την ασιατική τέχνη και την προκολομβιανή τέχνη. Εγγυάται την αυθεντικότητα όλων των κομματιών του. Συμμετέχει στα σημαντικότερα art fairs της Ισπανίας, όπως το Feriarte, καθώς και σε εκθέσεις του εξωτερικού, BRAFA, Parcours des Mondes, Cultures Brussels. Όλα τα κομμάτια αποστέλλονται με Άδεια Εξαγωγής που εκδίδεται από το Υπουργείο Πολιτισμού της Ισπανίας. Αποστέλλουμε γρήγορα μέσω DHL Express ή Direct Art Transport.
Μετάφραση από Google Μετάφραση
Πολιτισμός
Αρχαία Αιγυπτιακή
Name of object
Άγαλμα του θεού Imhotep. Ύστερη Περίοδος, 664 - 332 π.Χ. 2,6 cm Υ.
Αιώνες/χρονική περίοδος
Late Period 664-332 B.C .
Provenance
Ιδιωτική συλλογή
Χώρα
Άγνωστη
Υλικό
Μπρούντζος
Κατάσταση
Καλή

2104 αξιολογήσεις (753 τους τελευταίους 12 μήνες)
  1. 746
  2. 7
  3. 0

Es una maravilla de moneda, donde se le nota los pasos de los años y me encanta. Servido muy rápido y bien empaquetado. Con su certificación. Qué más se puede pedir?

Προβολή μετάφρασης
user-80677cb61840

Photos trop contrastées pour bien percevoir les défauts, mais ces défauts étaient visibles pour autant. Le "Bon état" est trompeur. Sinon, envoi rapide et correctement emballé. Frais de port exagérés.

Προβολή μετάφρασης
user-f296769

Great communication, delivery and product. Came with a well made certificate of authenticity and good packaging. Overall very happy with the purchase! Delivery is a bit expensive, but I recommend it

Προβολή μετάφρασης
user-c736719174d8

Magnifique témoin du passé, envoyé avec tous les justificatifs, impeccable. Encore une fois très satisfait, un grand merci

Προβολή μετάφρασης
user-6f64011fed06

very good description of the object, very good price for this rare item,. Fast sending (has been at my place 2 days after buying!). Definitely would buy again.

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user-1f43cec94a8a

Very satisfied with the small Greek Lekythos. As always (we have already bought several items from Bagot), the object was wrapped and sent immediately and with the greatest care.

Προβολή μετάφρασης
user-8d5f4840dfce

Perfect, excellent condition, good packaging, the parcel arrived without any problems… all is perfect as usual. Thank you very much and wait for an other nice piece like this one. Gilles.

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user-51ff767
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2104 αξιολογήσεις (753 τους τελευταίους 12 μήνες)
  1. 746
  2. 7
  3. 0

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