No. 83088853

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Signed; Arman, Henry Martin - Arman. Or Four and Twenty Blackbirds Baked in a pie. Or Why Settle for Less When you can Settle for - 1973
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€ 33
4 weeks ago

Signed; Arman, Henry Martin - Arman. Or Four and Twenty Blackbirds Baked in a pie. Or Why Settle for Less When you can Settle for - 1973

ARMAN : Texte par Henry Martin . Or Four and Twenty Blackbirds Baked in a pie - Or Why Settle for Less When you can Settle for More. Harry. N. Abrams, New-York/Pierre Holay, Paris 1973. 200 pp., (texte en anglais), 28x30cm. In 4°. Pleine reliure toilée orange de l'éditeur, sous jaquette à rabats illustrée. Frottements d'usage (sans gravité) sur les bordures de la jacquette, reliure toilée en bon état, intérieur propre et frais. 178 illustrations dont 49 en couleurs. Texte imprimé en langue anglaise. Exemplaire complet de sa plaquette (16 pp.) rédigée en Français par Pierre Restany. Ouvrage orné sur la page de faux titre, d'un PETIT DESSIN ORIGINAL d'ARMAN, signé par l'artiste "violon mobile" et authentifié par son sceau (timbre humide de l'artiste) .

No. 83088853

Sold
Signed; Arman, Henry Martin - Arman. Or Four and Twenty Blackbirds Baked in a pie. Or Why Settle for Less When you can Settle for - 1973

Signed; Arman, Henry Martin - Arman. Or Four and Twenty Blackbirds Baked in a pie. Or Why Settle for Less When you can Settle for - 1973

ARMAN : Texte par Henry Martin . Or Four and Twenty Blackbirds Baked in a pie - Or Why Settle for Less When you can Settle for More. Harry. N. Abrams, New-York/Pierre Holay, Paris 1973.
200 pp., (texte en anglais), 28x30cm.
In 4°. Pleine reliure toilée orange de l'éditeur, sous jaquette à rabats illustrée. Frottements d'usage (sans gravité) sur les bordures de la jacquette, reliure toilée en bon état, intérieur propre et frais.
178 illustrations dont 49 en couleurs. Texte imprimé en langue anglaise. Exemplaire complet de sa plaquette (16 pp.) rédigée en Français par Pierre Restany. Ouvrage orné sur la page de faux titre, d'un PETIT DESSIN ORIGINAL d'ARMAN, signé par l'artiste "violon mobile" et authentifié par son sceau (timbre humide de l'artiste) .

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