All OK and with very fast shipping.
Ver traducciónAntiguo Egipto Piedra caliza endurecida Escultura de una Reina. Período Ptolemaico 332-30 a.C. 36,5 cm H. Licencia de Exportación Española.
N.º 84870881
Sculpture of a Queen.
- Very Fine Piece -
Ptolemaic Period 332-30 BC.
Hardened limestone.
36.5 cm height.
PROVENANCE:
- Private collection, Belgium, acquired in the 1980s.
- Private collection, François Antonovich, Paris, France.
- Sold by judicial auction in 2022.
CONDITION: In a good general state of preservation, without restoration. There is a chip on the right plait and the end of the cornucopia is missing, as are the feet and the base of the sculpture.
DESCRIPTION:
A sculpture representing a queen of the Greek dynasty of the Ptolemies. During the domination of Egypt by the descendants of Alexander the Great, art underwent a period of change, incorporating classic elements of Egyptian iconography, while it still retained its roots and most essential elements intact.
The hieratic stance of the figure can be clearly appreciated, with the left leg forward as if in movement. The queen would have been positioned on a rectangular base from which a pillar would have risen to support the back of the figure. This was a typical element giving stability to Egyptian representations.
Her body, although without any decoration, is covered by a long-sleeved tunic closely fitting her body from the neck to the ankles. The technique of “panneggio bagnato”, wet drapery, has been used so that the clothing clings so closely that the outlines and details of female anatomy, such as the navel, can be seen to perfection.
The right arm hangs down by the side of the body with the fist closed, holding a ribbon, an Egyptian characteristic seen again and again since the Old Kingdom. The left arm, in contrast, is slightly bent and extended forward, holding a classical emblem, a cornucopia. This is decorated with floral and vegetal elements.
Her rather idealized face has almost spherical, wide-open eyes, a narrow nose with a wide bridge and small lips. Some similar pieces, like those conserved in the Metropolitan Museum of Art in New York, show a name inscribed in a cartouche. Others have faces which, while not definitive depictions of a real queen, bear a close relationship to coins of the period, thus making it possible to attribute a piece as a depiction of a certain person.
The hair or wig is styled in locks of different thicknesses and height which fall vertically.
Sculptures which represent queens of the period have enough specific character for them to be considered to form a class of its own within Ptolemaic art. They were destined to be placed in temples as offerings to the gods, but so that they could be seen by the public. Many examples of these have been found, and they have been rendered in a variety of materials such as marble, faience, granite, basalt and other dark stones. All of them are characterised by the same iconographic elements as can be seen here, with more or less variety in the details.
PUBLICATION: Lord of Truth. J. Bagot Arqueología. Barcelona. 2017. Fig 26.
PARALLELS:
Fig. 1 Statue of a Ptolemaic queen, possibly Cleopatra VII. Metropolitan Museum of Art, New York. Accession Number: 89.2.660
Fig. 2 Statue of Arsione II. Metropolitan Museum of Art, New York. Accession Number: 20.2.21.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
El vendedor y su historia
Sculpture of a Queen.
- Very Fine Piece -
Ptolemaic Period 332-30 BC.
Hardened limestone.
36.5 cm height.
PROVENANCE:
- Private collection, Belgium, acquired in the 1980s.
- Private collection, François Antonovich, Paris, France.
- Sold by judicial auction in 2022.
CONDITION: In a good general state of preservation, without restoration. There is a chip on the right plait and the end of the cornucopia is missing, as are the feet and the base of the sculpture.
DESCRIPTION:
A sculpture representing a queen of the Greek dynasty of the Ptolemies. During the domination of Egypt by the descendants of Alexander the Great, art underwent a period of change, incorporating classic elements of Egyptian iconography, while it still retained its roots and most essential elements intact.
The hieratic stance of the figure can be clearly appreciated, with the left leg forward as if in movement. The queen would have been positioned on a rectangular base from which a pillar would have risen to support the back of the figure. This was a typical element giving stability to Egyptian representations.
Her body, although without any decoration, is covered by a long-sleeved tunic closely fitting her body from the neck to the ankles. The technique of “panneggio bagnato”, wet drapery, has been used so that the clothing clings so closely that the outlines and details of female anatomy, such as the navel, can be seen to perfection.
The right arm hangs down by the side of the body with the fist closed, holding a ribbon, an Egyptian characteristic seen again and again since the Old Kingdom. The left arm, in contrast, is slightly bent and extended forward, holding a classical emblem, a cornucopia. This is decorated with floral and vegetal elements.
Her rather idealized face has almost spherical, wide-open eyes, a narrow nose with a wide bridge and small lips. Some similar pieces, like those conserved in the Metropolitan Museum of Art in New York, show a name inscribed in a cartouche. Others have faces which, while not definitive depictions of a real queen, bear a close relationship to coins of the period, thus making it possible to attribute a piece as a depiction of a certain person.
The hair or wig is styled in locks of different thicknesses and height which fall vertically.
Sculptures which represent queens of the period have enough specific character for them to be considered to form a class of its own within Ptolemaic art. They were destined to be placed in temples as offerings to the gods, but so that they could be seen by the public. Many examples of these have been found, and they have been rendered in a variety of materials such as marble, faience, granite, basalt and other dark stones. All of them are characterised by the same iconographic elements as can be seen here, with more or less variety in the details.
PUBLICATION: Lord of Truth. J. Bagot Arqueología. Barcelona. 2017. Fig 26.
PARALLELS:
Fig. 1 Statue of a Ptolemaic queen, possibly Cleopatra VII. Metropolitan Museum of Art, New York. Accession Number: 89.2.660
Fig. 2 Statue of Arsione II. Metropolitan Museum of Art, New York. Accession Number: 20.2.21.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
El vendedor y su historia
- 744
- 6
- 0
Prachtig schilderij. Zo blij mee. Zeer nette verkoper en zeer snelle levering.
Ver traducciónperfect ! very fast and high quality delivery !
Ver traducciónAll well! Thanks.
Ver traducciónVendeur très professionnel, top +++×
Ver traducciónPhotos trop contrastées pour bien percevoir les défauts, mais ces défauts étaient visibles pour autant. Le "Bon état" est trompeur. Sinon, envoi rapide et correctement emballé. Frais de port exagérés.
Ver traducciónGreat communication, delivery and product. Came with a well made certificate of authenticity and good packaging. Overall very happy with the purchase! Delivery is a bit expensive, but I recommend it
Ver traducciónMagnifique témoin du passé, envoyé avec tous les justificatifs, impeccable. Encore une fois très satisfait, un grand merci
Ver traducciónThank you for the Special offer and the fast shipping of this excellent piece of art!
Ver traducciónvery good description of the object, very good price for this rare item,. Fast sending (has been at my place 2 days after buying!). Definitely would buy again.
Ver traducciónSehr schön
Ver traducciónAs described, perfect logistic
Ver traduccióngreat seller, everything came as should with certificate of authenticity
Ver traducciónExceptionally well packaged, description aligned with positing received
Ver traducciónReally precious, but without sound...
Ver traducciónPainting well packed and rapidly sent!
Ver traducciónsempre grande rapidità e professionalità
Ver traducciónparfait bien reçu, merci
Ver traducciónVery satisfied with the small Greek Lekythos. As always (we have already bought several items from Bagot), the object was wrapped and sent immediately and with the greatest care.
Ver traducciónPerfect, excellent condition, good packaging, the parcel arrived without any problems… all is perfect as usual. Thank you very much and wait for an other nice piece like this one. Gilles.
Ver traducción+++ Top vendeur professionnel comme d'habitude
Ver traducciónEmbora o custo de transporte esteja acima da média foi, realmente, muito bem executado e em embalagem cuidada. Expeditos e profissionais. Recomendo
Ver traducciónSnel en correct en goed verpakt verzonden
Ver traducciónoggetto bellissimo, fedele alla descrizione, venditore affidabile
Ver traducciónVery nice piece and fast delivery
Ver traducción- 744
- 6
- 0
All OK and with very fast shipping.
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