Alkuperäiset puupainokset - Paperi - Kubota Beisen (1852-1906) - 'Dōjōji' 道成寺 - Japani - 1901 (Meiji 34)
Nro. 83619647
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Alkuperäiset puupainokset - Paperi - Toyohara Yoshu Chikanobu (1838-1912) - 'Clearing storm at Takinogawa' 瀧の川乃晴嵐 - From series 'Eight Views of Tokyo Au Courant' 今様東京八 - Japani - 1888 (Meiji 21)
Original woodblock print triptych - Paper - Woman - Toyohara Yoshu Chikanobu (1838-1912) - ”Takinogawa seiran”滝野川晴嵐From series 'Imayou Tokyo hakkei' 今様東京八景(Tokyo famous modern famous eight view) - Japan - 1888 (Meiji 21)
Toyohara Chikanobu (豊原周延), better known to his contemporaries as Yōshū Chikanobu (楊洲周延), was a prolific woodblock artist of Japan’s Meiji period.
Chikanobu signed his artwork “Yōshū Chikanobu”(楊洲周延). This was his “art name”. The artist’s “real name” was Hashimoto Naoyoshi (橋本直義); and it was published in his obituary.
Many of his earliest works were signed “studio of Yōshū Chikanobu” (楊洲齋周延) Yōshū-sai Chikanobu; a small number of his early creations were simply signed “Yōshū” (楊洲). At least one triptych from 1879 exists signed “Yōshū Naoyoshi” (楊洲直義).
No works have surfaced that are signed either “Toyohara Chikanobu” or “Hashimoto Chikanobu”.
When it comes to works around this time, he has established his own style of painting, and you can see how it looks in women’s kimonos and how to draw the contours of their faces.
Nro. 83619647
Myyty
Alkuperäiset puupainokset - Paperi - Toyohara Yoshu Chikanobu (1838-1912) - 'Clearing storm at Takinogawa' 瀧の川乃晴嵐 - From series 'Eight Views of Tokyo Au Courant' 今様東京八 - Japani - 1888 (Meiji 21)
Original woodblock print triptych - Paper - Woman - Toyohara Yoshu Chikanobu (1838-1912) - ”Takinogawa seiran”滝野川晴嵐From series 'Imayou Tokyo hakkei' 今様東京八景(Tokyo famous modern famous eight view) - Japan - 1888 (Meiji 21)
Toyohara Chikanobu (豊原周延), better known to his contemporaries as Yōshū Chikanobu (楊洲周延), was a prolific woodblock artist of Japan’s Meiji period.
Chikanobu signed his artwork “Yōshū Chikanobu”(楊洲周延). This was his “art name”. The artist’s “real name” was Hashimoto Naoyoshi (橋本直義); and it was published in his obituary.
Many of his earliest works were signed “studio of Yōshū Chikanobu” (楊洲齋周延) Yōshū-sai Chikanobu; a small number of his early creations were simply signed “Yōshū” (楊洲). At least one triptych from 1879 exists signed “Yōshū Naoyoshi” (楊洲直義).
No works have surfaced that are signed either “Toyohara Chikanobu” or “Hashimoto Chikanobu”.
When it comes to works around this time, he has established his own style of painting, and you can see how it looks in women’s kimonos and how to draw the contours of their faces.
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