Tijs Dragtsma (1992) - Endurance Without End

04
napok
16
óra
51
perc
56
másodperc
Jelenlegi licit
€ 150
A licit nem érte el a minimálárat
Egidio Emiliano Bianco
Szakértő
Egidio Emiliano Bianco által kiválasztva

Művészettörténész alapdiplomával és művészeti és kulturális menedzseri mesterképzéssel rendelkezik.

Galéria becslés  € 3 500 - € 4 200
AT
150 €
AT
140 €
NL
130 €

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Tijs Dragtsma Endurance Without End című műve (Hollandia, 2026) eredeti, aláírt mixed media alkotás, 51 × 51 cm, kerettel együtt.

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HOLIDAY SHIPPING*

Endurance Without End is a contemporary artwork about perseverance, distance, and the courage to continue when the end is still far away.

A single figure walks a cracked path of light through absolute darkness. The body is bent, shaped by weight and exhaustion, yet still moving. The destination is visible. It is not close. That tension is what this work holds.

The image does not appear through paint or print. It emerges through controlled scratches in acrylic glass. As the light shifts, so does the figure. From one angle, the path blazes with clarity. From another, it retreats into the surface, almost disappearing. The viewer moves, and the work changes. The distance between presence and absence becomes part of the experience.

From across the room, it reads as a monumental composition, a single beam of light in boundless black. Standing closer, the surface reveals itself as a field of controlled surface damage, each mark a deliberate act of removal. No paint. No print. No ink. Only what has been taken away.

There is a symbolic resonance here that feels personal. The figure is not heroic in the way of triumph. It is heroic in the quieter, harder sense: continuing when the body says stop, when the end is visible but not yet reached. That particular kind of endurance has no dramatic gesture. It is simply one more step.

This work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.

"The path exists. The figure moves. That is enough."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into thousands of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light is what gives this work its life. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens, recedes, almost disappears into the darkness from which it came. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it retreats, leaving only a whisper of form. It is within that movement, between visibility and disappearance, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.

These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.

Thank you for your understanding.

HOLIDAY SHIPPING*

Endurance Without End is a contemporary artwork about perseverance, distance, and the courage to continue when the end is still far away.

A single figure walks a cracked path of light through absolute darkness. The body is bent, shaped by weight and exhaustion, yet still moving. The destination is visible. It is not close. That tension is what this work holds.

The image does not appear through paint or print. It emerges through controlled scratches in acrylic glass. As the light shifts, so does the figure. From one angle, the path blazes with clarity. From another, it retreats into the surface, almost disappearing. The viewer moves, and the work changes. The distance between presence and absence becomes part of the experience.

From across the room, it reads as a monumental composition, a single beam of light in boundless black. Standing closer, the surface reveals itself as a field of controlled surface damage, each mark a deliberate act of removal. No paint. No print. No ink. Only what has been taken away.

There is a symbolic resonance here that feels personal. The figure is not heroic in the way of triumph. It is heroic in the quieter, harder sense: continuing when the body says stop, when the end is visible but not yet reached. That particular kind of endurance has no dramatic gesture. It is simply one more step.

This work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.

"The path exists. The figure moves. That is enough."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into thousands of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light is what gives this work its life. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens, recedes, almost disappears into the darkness from which it came. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it retreats, leaving only a whisper of form. It is within that movement, between visibility and disappearance, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.

These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.

Thank you for your understanding.

Részletek

Művész
Tijs Dragtsma (1992)
Kerettel együtt eladó
Igen
Eladta
Közvetlenül a művésztől
Példány
Eredeti
Műalkotás címe
Endurance Without End
Technika
Vegyes technika
Aláírás
Szignált
Ország
Hollandia
Év
2026
Állapot
Kitűnő állapotú
Szín
Fehér, Fekete
Height
51 cm
Width
51 cm
Style
Kortárs
Korszak
2020+
HollandiaEllenőrzött
164
Eladott tárgyak
100%
protop

Hasonló tárgyak

Önnek ajánlott:

Modern és kortárs művészet