Egon Schiele (1890-1918), after - Selbstbildnis (1913)





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Egon Schiele (után), Önkép (1913), lithografia, limitált kiadás, alapon aláírva, 34 × 24 cm, Ausztria, expresszionizmus, portré, időszak 1910–1920, nyomtatási év 1951.
Leírás az eladótól
Egon Schiele
"Self-portrait, 1913"
From Otto Benesch Mappe:
Egon Schiele als Zeichner, 1951
Lichtdruck, Blattgröße je ca. 340x 240 mm
After Egon Schiele. Provenance: kis példányszámú nyomtatás Bécsben az Osztrák Állami Nyomdában (Staatsdruckerei Österreich) kiváló minőségű papírra a 1940-es évek végén / az 1950-es évek elején.
This rare print, which demonstrates Schiele's distinctive style, is very well preserved.
Please see pictures for details about its exact condition.
International shipping, tracking number, insurance. Will be very carefully and securely packed.
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.
Egon Schiele
"Self-portrait, 1913"
From Otto Benesch Mappe:
Egon Schiele als Zeichner, 1951
Lichtdruck, Blattgröße je ca. 340x 240 mm
After Egon Schiele. Provenance: kis példányszámú nyomtatás Bécsben az Osztrák Állami Nyomdában (Staatsdruckerei Österreich) kiváló minőségű papírra a 1940-es évek végén / az 1950-es évek elején.
This rare print, which demonstrates Schiele's distinctive style, is very well preserved.
Please see pictures for details about its exact condition.
International shipping, tracking number, insurance. Will be very carefully and securely packed.
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.

