Nr. 84324905

Már nem érhető el.
Guanacaste, Nicoya, Costa Rica Terrakotta Tlaloc Censer. Kr.e. 300 - Kr.u. 300. 34 cm H. Spanyol kiviteli engedély.
A licitálás lezárult
5 nappal ezelőtt

Guanacaste, Nicoya, Costa Rica Terrakotta Tlaloc Censer. Kr.e. 300 - Kr.u. 300. 34 cm H. Spanyol kiviteli engedély.

Tlaloc Censer CULTURE: Guanacaste - Nicoya, Costa Rica PERIOD: 300 BC - 300 AD MATERIAL: Terracotta DIMENSIONS: 34 cm H. PROVENANCE: Private collection Florida, United States. 1960-1970 CONDITION: It presents restorations of break lines on the legs as well as on the headdress. DESCRIPTION: The Nicoya people lived on the Pacific coast and the Nicoya Peninsula, in what is now northwest Costa Rica. The rocky coastline here has just two bays but is rich in marine animals. The zone also offers wild fruit such as papaya and other resources such as wood and honey. The Nicoya ceramic style is polychromatic and features the use of incisions and white and/or yellow painted geometric motifs over polished red slip. The most frequent forms are vase-shaped vessels with high, hollow bases, animal-shaped, globular or mammal-shaped vessels, and three-legged plates. Stylized painted jaguar motifs are also featured, as are pipes with a two-headed lizard. Serpents are another animal found frequently in Nicoyan art, especially in relation to fertility cults. The pantheon of Mexican deities is represented in images in red, blue, orange, sepia rose, black and grey paint. Pastillaje was another decorative technique they used. The stone statues the Nicoyans made feature naked men sitting with legs bent, elbows resting on the knees, holding an object near the mouth. The Nicoyan’s monumental sculptures are called “alter ego” because they are supposed to carry part of the individual they represent. These have a human-like form with a mammal or reptile on its back or head. Three-legged grinding stones with a hanging panel that joins the front leg have also been found, with half-human-half-animal figures. The underside of their grinding stones bear decorations that are meant to be visible when the stone is placed against the wall. Notes: - The piece includes authenticity certificate. - The piece includes Spanish Export License. - The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki. THE MINISTRY OF CULTURE FROM SPAIN ASKS ALL SELLERS FOR INVOICES, IMPORT LICENSES AND ALL THE DOCUMENTATION ABLE TO PROVE THE LEGALITY OF EACH ITEM BEFORE PROVIDING AN IMPORT OR EXPORT LICENSE.

Nr. 84324905

Már nem érhető el.
Guanacaste, Nicoya, Costa Rica Terrakotta Tlaloc Censer. Kr.e. 300 - Kr.u. 300. 34 cm H. Spanyol kiviteli engedély.

Guanacaste, Nicoya, Costa Rica Terrakotta Tlaloc Censer. Kr.e. 300 - Kr.u. 300. 34 cm H. Spanyol kiviteli engedély.

Tlaloc Censer

CULTURE: Guanacaste - Nicoya, Costa Rica

PERIOD: 300 BC - 300 AD

MATERIAL: Terracotta

DIMENSIONS: 34 cm H.

PROVENANCE: Private collection Florida, United States. 1960-1970

CONDITION: It presents restorations of break lines on the legs as well as on the headdress.

DESCRIPTION:

The Nicoya people lived on the Pacific coast and the Nicoya Peninsula, in what is now northwest Costa Rica. The rocky coastline here has just two bays but is rich in marine animals. The zone also offers wild fruit such as papaya and other resources such as wood and honey.

The Nicoya ceramic style is polychromatic and features the use of incisions and white and/or yellow painted geometric motifs over polished red slip. The most frequent forms are vase-shaped vessels with high, hollow bases, animal-shaped, globular or mammal-shaped vessels, and three-legged plates. Stylized painted jaguar motifs are also featured, as are pipes with a two-headed lizard. Serpents are another animal found frequently in Nicoyan art, especially in relation to fertility cults. The pantheon of Mexican deities is represented in images in red, blue, orange, sepia rose, black and grey paint. Pastillaje was another decorative technique they used. The stone statues the Nicoyans made feature naked men sitting with legs bent, elbows resting on the knees, holding an object near the mouth. The Nicoyan’s monumental sculptures are called “alter ego” because they are supposed to carry part of the individual they represent. These have a human-like form with a mammal or reptile on its back or head. Three-legged grinding stones with a hanging panel that joins the front leg have also been found, with half-human-half-animal figures. The underside of their grinding stones bear decorations that are meant to be visible when the stone is placed against the wall.



Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
THE MINISTRY OF CULTURE FROM SPAIN ASKS ALL SELLERS FOR INVOICES, IMPORT LICENSES AND ALL THE DOCUMENTATION ABLE TO PROVE THE LEGALITY OF EACH ITEM BEFORE PROVIDING AN IMPORT OR EXPORT LICENSE.

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