100% Original and rare propaganda poster 1st of May Very rare but phenomenon in propaganda poster art from the socialist area. lithography Historical background Balogh was much influenced by József Fogas Katalin Balogh is a distinguished poster artist renowned for her captivating and evocative works that blend artistic flair with cultural commentary. Born in Hungary in 1956, Balogh's journey into the world of art began at a young age, nurtured by a passion for visual storytelling and a keen eye for detail. Her early exposure to the rich tapestry of Hungarian culture, coupled with formal training at the Hungarian Academy of Fine Arts, laid the foundation for her distinctive style and thematic exploration. Balogh's posters are characterized by bold colors, intricate designs, and a profound narrative depth that transcends language barriers. Drawing inspiration from Hungarian folklore, history, and social issues, her creations resonate with viewers on both aesthetic and intellectual levels. Whether she's depicting a whimsical scene from a folk tale or addressing pressing societal issues, Balogh's work captivates audiences with its thought-provoking imagery and emotional resonance. Investing in Katalin Balogh's original posters offers more than just aesthetic enjoyment; it provides a tangible connection to a rich artistic tradition and a visionary talent. As a renowned artist with international acclaim, Balogh's works are highly sought after by collectors and art enthusiasts alike. The rarity of her original pieces adds to their allure, making them valuable additions to any art collection. Moreover, Balogh's posters possess enduring relevance and cultural significance, ensuring their continued appeal and potential for appreciation in value over time. As her reputation and influence continue to grow, owning an original Balogh poster becomes not only a testament to one's appreciation for fine art but also a shrewd investment in a piece of cultural heritage. In conclusion, Katalin Balogh's remarkable career as a poster artist is marked by a profound artistic vision, technical mastery, and thematic depth. Investing in her original posters not only grants access to her exquisite craftsmanship but also represents a meaningful connection to Hungarian culture and a promising financial opportunity. As Balogh's legacy continues to unfold, her original works stand as timeless treasures worth cherishing and preserving for generations to come. — Fogas József, the late father of the person mentioned, was an outstanding boxer in the 1920s and 30s. A few years after graduating, he successfully applied to the Applied Graphics Department of the Hungarian College of Applied Arts, specializing in typography and graphic design. He graduated as a designer artist in 1974. In 1970, he won a political poster competition, and his winning artwork could be seen on the streets. From 1970, he participated every two years in the Warsaw Biennale. As a result, Andy Warhol noticed his work in 1974 and invited him to an American exhibition. However, he couldn't attend because, according to the regulations at the time, he would have needed permission from the Hungarian National Bank to send his works, which he didn't receive. He regularly designed book covers (for Magvető and Örkény series), film posters (Partisans, Love in the War), company logos, emblems (Bútorért), and took part in designing graphics for almost all Hungarian and foreign exhibitions organized by HUNGEXPO. He was a member of the Hungarian Days in Hamburg held in 1982, for which the emblem was a cube in the shape of a hay bale (one of his professors at the college was Ernő Rubik). He was also part of the award-winning design collective for the OMÉK Exhibition and Fair. The emblem he designed for OMÉK served as the logo for the fair for many years. He worked in Plovdiv (hunting fair), Paris, Nitra, České Budějovice, London, Copenhagen, Kiel, Moscow, Klagenfurt, and Odessa. His last foreign assignment was in Salzburg in November 1985 — Traditionally, 1 May is the date of the European spring festival of May Day. In 1889, the Marxist International Socialist Congress met in Paris and established the Second International as a successor to the earlier International Workingmen's Association. They adopted a resolution for a "great international demonstration" in support of working-class demands for the eight-hour day. The 1 May date was chosen by the American Federation of Labor to commemorate a general strike in the United States, which had begun on 1 May 1886 and culminated in the Haymarket affair four days later. The demonstration subsequently became a yearly event.[5] The 1904 Sixth Conference of the Second International, called on "all Social Democratic Party organisations and trade unions of all countries to demonstrate energetically on the First of May for the legal establishment of the eight-hour day, for the class demands of the proletariat, and for universal peace".[6] The 1st of May, or first Monday in May, is a national public holiday in many countries, in most cases as "International Workers' Day" or a similar name. Some countries celebrate a Labour Day on other dates significant to them, such as the United States and Canada, which celebrate Labor Day on the first Monday of September.[7] In 1955, the Catholic Church dedicated 1 May to "Saint Joseph the Worker". Saint Joseph is the patron saint of workers and craftsmen, among others On 21 April 1856, Australian stonemasons in Victoria undertook a mass stoppage as part of the eight-hour workday movement.[10] It became a yearly commemoration, inspiring American workers to have their first stoppage.[11] 1 May was chosen to be International Workers' Day to commemorate the 1886 Haymarket affair in Chicago.[12] In that year beginning on 1 May, there was a general strike for the eight-hour workday. On 4 May, the police acted to disperse a public assembly in support of the strike when an unidentified person threw a bomb. The police responded by firing on the workers. The event led to the deaths of seven police officers and at least four civilians; sixty police officers were injured, as were one hundred and fifteen civilians.[13][14] Hundreds of labour leaders and sympathizers were later rounded-up and four were executed by hanging, after a trial that was seen as a miscarriage of justice.[15][nb 1] The following day on 5 May, in Milwaukee, Wisconsin, the state militia fired on a crowd of strikers killing seven, including a schoolboy and a man feeding chickens in his yard.[17] In 1889, the first meeting of the Second International was held in Paris, following a proposal by Raymond Lavigne [fr] that called for international demonstrations on the 1890 anniversary of the Chicago protests.[5] On 1 May 1890, the call encouraged May Day demonstrations took place in the United States and most countries in Europe.[18] Demonstrations were also held in Chile and Peru.[18] May Day was formally recognized as an annual event at the International's second congress in 1891.[19][20] Subsequently, the May Day riots of 1894 occurred. The International Socialist Congress, Amsterdam 1904 called on "all Social Democratic Party organisations and trade unions of all countries to demonstrate energetically on the First of May for the legal establishment of the 8-hour day, for the class demands of the proletariat, and for universal peace."[6] The congress made it "mandatory upon the proletarian organisations of all countries to stop work on 1 May, wherever it is possible without injury to the workers."[6] In the United States and Canada, a September holiday, called Labor or Labour Day, was first proposed in the 1880s. In 1882, Matthew Maguire, a machinist, first proposed a Labor Day holiday on the first Monday of September[nb 2] while serving as secretary of the Central Labor Union (CLU) of New York.[21] Others argue that it was first proposed by Peter J. McGuire of the American Federation of Labor in May 1882,[22] after witnessing the annual labour festival held in Toronto, Canada.[23] In 1887, Oregon was the first state of the United States to make it an official public holiday. By the time it became an official federal holiday in 1894, thirty US states officially celebrated Labor Day.[22] Thus by 1887 in North America, Labour Day was an established, official holiday but in September,[24] not on 1 May. A 1 May rally in Bucharest in 1967 May Day has been a focal point for demonstrations by various socialist, communist and anarchist groups since the Second International. May Day is one of the most important holidays in communist countries such as China, Vietnam, Cuba, Laos, North Korea, and the former Soviet Union countries. May Day celebrations in these countries typically feature elaborate workforce parades, including displays of military hardware and soldiers. In 1955, the Catholic Church dedicated 1 May to "Saint Joseph the Worker". Saint Joseph is the patron saint of workers and craftsmen, among others.[8][9] Today, the majority of countries around the world celebrate a workers' day on 1 May. Soviet Union and Eastern Bloc under socialist governments Edit May Day rally in Moscow, 1 May 1960 Eastern Bloc countries such as the Soviet Union and most countries of central and eastern Europe that were under the rule of Marxist–Leninist governments held official May Day celebrations in every town and city, during which party leaders greeted the crowds. Workers carried banners with political slogans and many companies decorated their company cars. The biggest celebration of 1 May usually occurred in the capital of a particular socialist country and usually included a military display and the presence of the president and the secretary general of the party. During the Cold War, May Day became the occasion for large military parades in Red Square by the Soviet Union and attended by the top leaders of the Kremlin, especially the Politburo, atop Lenin's Mausoleum. It became an enduring symbol of that period. In Poland, since 1982, party leaders led the official parades. In Hungary, May Day was officially celebrated under the communist rule, and remains a public holiday. Traditionally, the day was marked by dancing around designated "May trees".[25] Some factories in socialist countries were named in honour of International Workers' Day, such as 1 Maja Coal Mine in Wodzisław Śląski, Poland. In East Germany, the holiday was officially known as Internationaler Kampf- und Feiertag der Werktätigen für Frieden und Sozialismus ("International Day of the Struggle and Celebration of the Workers for Peace and Socialism"); similar names were used in other Eastern Bloc countries. — About Hungarian Poster Art Hungarian poster art has long been celebrated for its unique and captivating style, making it a significant cultural and artistic movement in the world. From the late 19th century to the present day, Hungarian poster art has left an indelible mark on the global art scene, with its innovative techniques, bold designs, and powerful messages. One of the highlights of Hungarian poster art is its ability to seamlessly blend various artistic styles and influences. The movement drew inspiration from a wide range of sources, including Art Nouveau, Constructivism, and Surrealism, resulting in a diverse and eclectic body of work. Artists such as Mihály Bíró, József Bottlik, and István Irsai pushed the boundaries of traditional poster design, experimenting with typography, color, and composition to create visually striking and thought-provoking pieces. Another notable aspect of Hungarian poster art is its emphasis on storytelling and narrative. Unlike many other countries' posters, which primarily served as advertising tools, Hungarian posters often conveyed a deeper meaning or social commentary. They were not just meant to sell products but also to engage viewers intellectually and emotionally. This storytelling approach allowed Hungarian poster art to transcend its commercial purpose and become a powerful medium for social and political expression. The importance of Hungarian poster art in the world cannot be overstated. During the early 20th century, Hungary was at the forefront of graphic design, and its posters gained international recognition and acclaim. The Budapest School, a group of Hungarian artists, revolutionized the field with their avant-garde approach, influencing poster art movements across Europe and beyond. Their innovative techniques and artistic vision set new standards for poster design, inspiring generations of artists worldwide. Furthermore, Hungarian poster art played a crucial role in shaping public opinion and mobilizing society. In times of political turmoil and social change, posters became a powerful tool for propaganda and activism. During World War II and the Hungarian Revolution of 1956, posters were used to rally support, convey messages of resistance, and document historical events. The ability of Hungarian artists to capture the spirit of the times and communicate complex ideas through visual imagery made their posters an integral part of the nation's cultural and political identity. Today, Hungarian poster art continues to thrive, with contemporary artists carrying on the legacy of their predecessors. The Hungarian Poster Museum in Budapest showcases the rich history and evolution of this art form, attracting visitors from around the world. The enduring appeal and influence of Hungarian poster art can be seen in the works of renowned artists like Tibor Helényi and István Orosz, who have successfully merged traditional techniques with modern aesthetics. In conclusion, Hungarian poster art stands as a testament to the country's artistic prowess and cultural heritage. Its unique style, emphasis on storytelling, and ability to provoke thought and emotion have made it an important and influential movement in the world. From its early beginnings to the present day, Hungarian poster art continues to captivate audiences and inspire artists, leaving an indelible mark on the global art scene. - Please note that our company was founded in 1994 and it is internationally trackable. Invoice is available upon request. 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