Stefanie Schneider - Dancer VI (Stay)
Nr. 83571175
Már nem érhető el.
A licitálás lezárult
2 héttel ezelőtt
Stefanie Schneider - Days of Heaven IV (Stefanie Schneider)
Original photograph by German artist Stefanie Schneider (*1968)
Renée's Dream no. 4 (Days of Heaven) - 2005
part of the 29 Palms, CA project
This is part of the larger size of this combination.
36 x 32 cm,
Edition 13/100.
Archival C-Print based on the original Polaroid.
Certificate and signature label.
Artist inventory 8090.
Not mounted.
The last image shows the complete piece.
Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven storylines and a cast of phantasmic characters.
Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Nr. 83571175
Már nem érhető el.
Stefanie Schneider - Days of Heaven IV (Stefanie Schneider)
Original photograph by German artist Stefanie Schneider (*1968)
Renée's Dream no. 4 (Days of Heaven) - 2005
part of the 29 Palms, CA project
This is part of the larger size of this combination.
36 x 32 cm,
Edition 13/100.
Archival C-Print based on the original Polaroid.
Certificate and signature label.
Artist inventory 8090.
Not mounted.
The last image shows the complete piece.
Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven storylines and a cast of phantasmic characters.
Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
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