Nr 83220161

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André Lanskoy (1902-1976) - Abstract composition
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André Lanskoy (1902-1976) - Abstract composition

André Lanskoy - Abstract composition on green background Original color lithograph on Fabriano paper Signed and numbered e.a. (Épreuve d’artiste). EA edition - print made in addition to the current numbered edition. These prints, excluding numbering, are reserved for the use of the artist. Published by Ed. d'Arte Graphique International, France, 1974 Total dimensions 95 x 65 cm. Lithograph 68 x 44 cm. In very good condition. Ship worldwide with tracking and insured shipping. ** André Lanskoy (1902 – 1976) was a Russian painter and printmaker who worked in France. He is associated with the School of Paris and Tachisme, an abstract painting movement that began during the 1940s. After 1942, he painted only abstract works. The interaction of form and color became the major theme running through his oeuvre: "Even though every brushstroke represents for itself a transformed reality, it receives its true meaning in the context of surrounding shades of color." In 1944, Lanskoy exhibited at the Jeanne Bucher Gallery in Paris where he met Nicolas de Staël. In 1948, he showed at the Louis Carré Gallery and in 1951 at the Galerie Jacques Dubourg. The Tooth and Sons Gallery showed his work in 1953 and The Loeb Gallery in New York City followed in 1959.

Nr 83220161

Inte längre tillgänglig
André Lanskoy (1902-1976) - Abstract composition

André Lanskoy (1902-1976) - Abstract composition

André Lanskoy - Abstract composition on green background
Original color lithograph on Fabriano paper

Signed and numbered e.a. (Épreuve d’artiste). EA edition - print made in addition to the current numbered edition. These prints, excluding numbering, are reserved for the use of the artist.

Published by Ed. d'Arte Graphique International, France, 1974

Total dimensions 95 x 65 cm.
Lithograph 68 x 44 cm.

In very good condition.
Ship worldwide with tracking and insured shipping.

**
André Lanskoy (1902 – 1976) was a Russian painter and printmaker who worked in France. He is associated with the School of Paris and Tachisme, an abstract painting movement that began during the 1940s.
After 1942, he painted only abstract works. The interaction of form and color became the major theme running through his oeuvre: "Even though every brushstroke represents for itself a transformed reality, it receives its true meaning in the context of surrounding shades of color." In 1944, Lanskoy exhibited at the Jeanne Bucher Gallery in Paris where he met Nicolas de Staël. In 1948, he showed at the Louis Carré Gallery and in 1951 at the Galerie Jacques Dubourg. The Tooth and Sons Gallery showed his work in 1953 and The Loeb Gallery in New York City followed in 1959.

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