Nr 83265621

Inte längre tillgänglig
De Zet (1975) - Kiss - Anitique (Bronze sculpture)
Budgivning avslutad
1 vecka sedan

De Zet (1975) - Kiss - Anitique (Bronze sculpture)

I was born on 1975. I’ve been engaged in sculpture since 1998. I would call myself a self-taught, though my work has been greatly influenced by an educator and sculptor, Jacek Kozłowski. Meeting him deserves to be called “the moment” of my life. In my work I attempt at displaying delicacy, fickleness, etherealness, and motion. Hence, perhaps, a number of my sculptures are disproportionably long – as they become apparently light thus, barely reaching the ground. I strive to avoid limiting myself to one manner of shaping the figures. I like experimenting with proportions and seeking for ever different way of deforming the reality. I think it’s vital for every sculpture to present a story. First, I have a subject and then I find some shape for it. I believe it’s partially connected with the fact that I’m a graduate from the Academy of Special Education. I co-operate with art galleries in Warsaw, Copenhagen, Bryrup (Denmark) and Arnhem (The Netherlands), Malmo(Sweden). Foundry: My own workshop Sculpture is signed with my initials We include certificate of authenticity with the sculpture.

Nr 83265621

Inte längre tillgänglig
De Zet (1975) - Kiss - Anitique (Bronze sculpture)

De Zet (1975) - Kiss - Anitique (Bronze sculpture)

I was born on 1975. I’ve been engaged in sculpture since 1998. I would call myself a self-taught, though my work has been greatly influenced by an educator and sculptor, Jacek Kozłowski. Meeting him deserves to be called “the moment” of my life.

In my work I attempt at displaying delicacy, fickleness, etherealness, and motion. Hence, perhaps, a number of my sculptures are disproportionably long – as they become apparently light thus, barely reaching the ground. I strive to avoid limiting myself to one manner of shaping the figures. I like experimenting with proportions and seeking for ever different way of deforming the reality.

I think it’s vital for every sculpture to present a story. First, I have a subject and then I find some shape for it. I believe it’s partially connected with the fact that I’m a graduate from the Academy of Special Education.

I co-operate with art galleries in Warsaw, Copenhagen, Bryrup (Denmark) and Arnhem (The Netherlands), Malmo(Sweden).

Foundry: My own workshop
Sculpture is signed with my initials
We include certificate of authenticity with the sculpture.

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