Mysterious & controversial studio ceramic vase from 1930s-1970s, Germany Unfortunately, after truly making every effort to research the source of this fabulous unique atelier handcrafted object of desire, approaching experts and institutions, I have several opinions, that lead to various conclusions. Therefore I can only describe the two theories that seem to be most likely, yet the mystery remains unsolved - if you have any lead, you are welcome to contribute! Theory 1.: Walter Popp, born in 1909 in Germany, was a prominent figure in the world of ceramic art. He was not only an accomplished artist but also a dedicated teacher who left a lasting impact on the next generation of artists, including Fritz Vehring, Heidi Kippenberg, Dieter Crumbiegel, Ante Brueggemenn, Conrad Quillmann, and many others. One of Popp's distinctive techniques was the practice of joining separately thrown ceramic pieces together. This approach allowed artists to create entirely new forms, breaking away from the constraints of single-thrown pieces. The vase in question, with its use of montage techniques, aligns with this hallmark of Popp's work. Another interesting aspect of Popp's artistry was his inclination to defy convention by turning functional forms like cups and bowls upside down for non-functional artistic purposes. This departure from functionality showcased his dedication to pushing the boundaries of traditional ceramics into the realm of pure artistic expression. The concept of "glaze counter to the form" is indeed intriguing. Fritz Vehring's observation that it served to "destroy" the form and your speculation about it representing an encounter between creation and destruction, possibly influenced by the aftermath of WWII, adds depth to the interpretation of this vase. While this is a speculative theory, it underscores the potential psychological nuances that can be present in the work of artists influenced by historical events. In summary, while it's challenging to definitively attribute this vase to Walter Popp or one of his students, the evidence suggests a connection to his innovative techniques and artistic philosophy. Describing it as exhibiting "Walter Popp influence or characteristics" is a fair assessment. This artwork serves as a testament to the enduring impact of Popp's teaching and his role in shaping the direction of ceramic art in the mid-20th century. *** Theory 2.: Introduction: During the 1930s in Germany, the Bauhaus design movement and German pottery were flourishing. Handcrafted and individually designed, ceramic objects from this period showcase the unique artistic vision of the craftsmen of the time. This text explores a specific ceramic vase from the 1930s, highlighting its distinctive features, craftsmanship, and aesthetic characteristics. Description: The ceramic vase in question is an exquisite example of studio work from the Bauhaus era. Standing at 35 cm tall and measuring 20 cm at its widest point, this vase boasts a rounded shape with two rings encircling its body, leading to a conical opening at the top. Its proportions exemplify the principles of functional design and harmonious aesthetics that were highly valued during the time. The vase is colored in a delicate pistachio green hue, providing a soft and serene backdrop for the intricate abstract strokes adorning its surface. These strokes of colour are predominantly executed in black and brown, adding a contrasting and visually striking element to the overall design. The artist's choice of colors is reminiscent of the earthy tones often associated with the Bauhaus movement, evoking a sense of simplicity and organic beauty. Craftsmanship: Handcrafted with meticulous attention to detail, this ceramic vase is a testament to the skill and expertise of the artist who created it. The process of its creation would have involved shaping and molding the clay by hand, carefully forming the rounded body and adding the distinct rings. The conical opening at the top would have been meticulously crafted to ensure both functionality and visual appeal. The surface of the vase bears evidence of the artist's hand-painted technique. Each abstract brush stroke demonstrates a unique composition and arrangement, suggesting an individual design rather than mass production. The skillful brushstrokes and attention to detail indicate the artist's mastery of their craft, resulting in a vase that is both visually captivating and technically refined. Bauhaus Influence: The design language of this ceramic vase is deeply influenced by the principles of the Bauhaus movement. Founded in 1919 in Germany, the Bauhaus emphasized the integration of art, craft, and technology. This philosophy can be seen in the vase's functional form, where every aspect, from its shape to its opening, serves a purpose. The abstract colour strokes on the vase reflect the Bauhaus emphasis on experimentation and innovation. By employing geometric and organic shapes, the artist challenges traditional decorative motifs, embracing a more abstract and expressive approach. This departure from traditional ornamental styles aligns with the Bauhaus's mission to redefine the relationship between art and craftsmanship. Conclusion: This ceramic vase from 1920s-1930s Germany stands as a remarkable testament to the Bauhaus era and German pottery craftsmanship. Its handcrafted nature, individual design, and meticulous attention to detail make it a valuable artifact of the time. The vase's rounded shape, unique rings, and conical opening, combined with the colored pistachio green and abstract drawings in black and brown, exemplify the fusion of art and functionality that defined the Bauhaus movement. It serves as a timeless reminder of the creativity and innovative spirit that emerged during this influential period in design history. --- Check out my profile for much more retro vases! Please pay attention that shipping costs are determined over the app function I try to describe all the items as accurately and as honestly as possible, and I always include photos of the actual items. There can be naturally occurring manufacturer's defects, slight surface scratching, or wear consistent with normal use. Any condition outside normal vintage wear, like chips or cracks or serious defaults, will be noted and/or clearly visible on the photos. 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