编号 83936515

已不存在
Richard Dean Tuttle - A Sunny Day & Mei Mei Berssenbrugge , 1991
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2周前

Richard Dean Tuttle - A Sunny Day & Mei Mei Berssenbrugge , 1991

Two lithographs of Richard Tuttle’s in a beautiful hand made frame. His multifaceted oeuvre offers subtle studies in scale, line, and material juxtaposition. Tuttle, whose practice spans painting, drawing, printmaking, sculpture, bookmaking, and installation, started his career in the orbit of Pop art and Minimalism. His artmaking soon expanded beyond these movements as the artist explored how different media could interact. Tuttle’s “Wire” pieces comprise a line drawn on a wall, a wire, and a shadow; altogether they form a three-dimensional work. His “Constructed” paintings are assemblages that bridge the gap between nocanvas and sculpture. Much of Tuttle’s work makes use of wood, tin, wire, tape, balloons, and other features that extend beyond traditional frames. Tuttle has exhibited in New York, London, Paris, Zürich, Berlin, Tokyo, and Milan. His work has sold for up to seven figures on the secondary market and belongs in the collections of the Art Institute of Chicago, the Centre Pompidou, the Hirshhorn Museum and Sculpture Garden, the Los Angeles County Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art, and the Tate.

编号 83936515

已不存在
Richard Dean Tuttle - A Sunny Day & Mei Mei Berssenbrugge , 1991

Richard Dean Tuttle - A Sunny Day & Mei Mei Berssenbrugge , 1991

Two lithographs of Richard Tuttle’s in a beautiful hand made frame. His multifaceted oeuvre offers subtle studies in scale, line, and material juxtaposition. Tuttle, whose practice spans painting, drawing, printmaking, sculpture, bookmaking, and installation, started his career in the orbit of Pop art and Minimalism. His artmaking soon expanded beyond these movements as the artist explored how different media could interact. Tuttle’s “Wire” pieces comprise a line drawn on a wall, a wire, and a shadow; altogether they form a three-dimensional work. His “Constructed” paintings are assemblages that bridge the gap between nocanvas and sculpture. Much of Tuttle’s work makes use of wood, tin, wire, tape, balloons, and other features that extend beyond traditional frames. Tuttle has exhibited in New York, London, Paris, Zürich, Berlin, Tokyo, and Milan. His work has sold for up to seven figures on the secondary market and belongs in the collections of the Art Institute of Chicago, the Centre Pompidou, the Hirshhorn Museum and Sculpture Garden, the Los Angeles County Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art, and the Tate.

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