'Nanking in China' 大清南京府市坊 - From "Collection of Scenic Places in Foreign Lands" - 1862 - Utagawa Yoshitora (act. ca. 1836-1887) - 日本 - 江戶時代晚期

由Giovanni Bottero精選

Original woodblock print triptych - Utagawa Yoshitora (act. ca. 1836-1887) -"Nanking in China" Taisei Nankinfu shi bō 大清南京府市坊, From "Collection of Scenic Places in Foreign Lands" Bankoku meisho zukushi no uchi 万国名勝尽競之内 - Japan -1862(Bunkyu 2 period) See Harvard Art Museums: https://harvardartmuseums.org/collections/object/320319 The people in Nanjing are drawn.At the end of the Edo period, many foreigners came to Japan. Therefore, many were drawn in Ukiyo-e.There were many ukiyo-e artists who drawn foreigners, and Yoshitora was one of them.This ukiyo-e has a repair in the place where it is torn. Utagawa Yoshitora is name ‘Yoshitorae'”芳虎画”in his signature. Some stains and toning, small holes. (memo) He joined Utagawa school master Kuniyoshi’s studio and become one of the master’s students. he took on Utagawa as a surname, and also used the surname Ichi Mousai(一猛斎),Mousai(孟斎),NishikichoEuro(錦朝楼),as an art name, and also used his birth surname as an art name in his career.

編號 81590735

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'Nanking in China' 大清南京府市坊 - From "Collection of Scenic Places in Foreign Lands" - 1862 - Utagawa Yoshitora (act. ca. 1836-1887) - 日本 - 江戶時代晚期

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Original woodblock print triptych - Utagawa Yoshitora (act. ca. 1836-1887) -"Nanking in China" Taisei Nankinfu shi bō 大清南京府市坊, From "Collection of Scenic Places in Foreign Lands" Bankoku meisho zukushi no uchi 万国名勝尽競之内 - Japan -1862(Bunkyu 2 period)

See Harvard Art Museums: https://harvardartmuseums.org/collections/object/320319

The people in Nanjing are drawn.At the end of the Edo period, many foreigners came to Japan.
Therefore, many were drawn in Ukiyo-e.There were many ukiyo-e artists who drawn foreigners, and Yoshitora was one of them.This ukiyo-e has a repair in the place where it is torn.

Utagawa Yoshitora is name ‘Yoshitorae'”芳虎画”in his signature.

Some stains and toning, small holes.

(memo)
He joined Utagawa school master Kuniyoshi’s studio and become one of the master’s students.
he took on Utagawa as a surname, and also used the surname Ichi Mousai(一猛斎),Mousai(孟斎),NishikichoEuro(錦朝楼),as an art name, and also used his birth surname as an art name in his career.