Courtesan Matsushima 松島 of the Matsubaya 松葉屋内 - 'Yūkun hana mitate' 遊君花見立 - Keisai Eisen (1790-1848) - 日本 - 江戶時代(1600-1868)
編號 81638159
‘Ukie Kameido Tenjin shachi no zu' 浮絵 亀戸天神社池之図 (Perspective Picture of The Grounds at Kameido Tenjin - Sawa Sekkyō 沢雪嶠 (fl 1804-18) - 日本 - 江戶時代中期
編號 81638159
‘Ukie Kameido Tenjin shachi no zu' 浮絵 亀戸天神社池之図 (Perspective Picture of The Grounds at Kameido Tenjin - Sawa Sekkyō 沢雪嶠 (fl 1804-18) - 日本 - 江戶時代中期
Original woodblock print – Paper – Sawa Sekkyo 沢雪嶠(1804?-1818?) – ‘Ukie Kameido Tenjin shachi no zu' 浮絵 亀戸天神社池之図 (Perspective Picture of The Grounds at Kameido Tenjin Shrine) - Japan - ca 1804-18
Teacher lineage unknown. His name is unknown. My name is Yukitake. His painting style belongs to the lineage of Torin Tsutsumi, and he is considered to be a member of the Tsutsumi school. He lived around the Bunka period (1804-1818) and is known for his landscape paintings of flowers and birds, which use perspective in large horizontal patterned frames. His Uki-e prints have floral designs arranged in their frames. He was good at painting in ink prints or indigo prints. His works include ``Ryogoku Fireworks'' and ``Ueno Cherry Blossom View'' [1], but his paintings are uninteresting and are somewhat inferior to the works of pure ukiyo-e artists. All of these works were Yamadaya versions of Nakahashi Hirokoji.
Other well-known works include ``Ryōgoku Yusho'' and ``Return to Teppōzu,'' which are horizontal small-sized works depicting famous places in Edo.