This ‘’Pisoletti’’ porcelain figure, a captivating creation born from the collaborative brilliance of Massimo Giacon and Marcello Jori, stands as a mesmerizing testament to their combined artistic prowess within the distinguished project, "Happy Eternity Baby." Crafted for Alessi, this exquisite figurine captures a moment of serene tranquility as the flock rests in quiet bliss—a poignant reflection of the timeless ritual of counting sheep before falling into a peaceful slumber. With delicate precision and artistic finesse, Giacon and Jori have breathed life into this ‘’Pisoletti’’ figurine, infusing it with a sense of ethereal beauty. The sculpted porcelain form not only showcases the artists' mastery but also serves as a visual embodiment of the soothing calmness that precedes the realm of dreams. The collaboration between these acclaimed artists has resulted in a piece that transcends the boundaries of traditional design, inviting viewers to immerse themselves in the evocative narrative of the 'Happy Eternity Baby' collection. This ‘’Pisoletti’’ porcelain figure, with its intricate details and harmonious composition, stands as a testament to the enduring creativity and imaginative spirit of Massimo Giacon and Marcello Jori. Marcello Jori stated about the project: "Happy Eternity Baby” expresses the concept of the birth of eternity, of the eternal birthday, it is divine best wishes...” This ‘’Pisoletti’’ figure is in new condition and has never been used before. Delivered in original packaging. Dimensions: Height (cm): 4.00 Length (cm): 5.50 Width (cm): 5.50 About the designers: Massimo Giacon was born in Padua, Italy, in 1961, comic-strip artist and illustrator, a leading light in the renewal of Italian comic, he divides his time as a graphic artist, designer, musician and artist. Marcello Jori was born in 1951. He currently lives and works in Bologna. Having obtained his degree from DAMS (Drama, Art and Music Studies, Bologna), in 1977 Jori embarked on his career as an artist, exhibiting in national and foreign galleries and museums. In 1979, Jori painted himself on top of a ladder painting the fall of the angel, which marked a turning point in his artistic career. During this phase painting became central to his creative evolution. These were the years of the Scritture (Inscriptions), fluctuating words which were then caged in multicoloured Teatrini (Theatres), Cristalli (Crystals) and Gioie (Jewels) series, enchanted and kaleidoscopic geometric patterns.