This classical allegorical painting was executed ca. 1790 - 1800 and due to its identical composition, time of creation and good quality was attributed to the hand of French painter of Classicism , pupil of J.-L.David Anne-Louis Girodet de Roussy-Trioson (1767 - 1824). Very similar, perverse and larger Venus painting by this artist is in the Museum of Fine Arts in Leipzig (for image see Wikipedia under following link: http://www.the-athenaeum.org/art/full.php?ID=120327 In Greek mythology, DANAE was a princess of Argos, the daughter of King Acrisius of Argos and his wife Queen Eurydice. She was the mother of the hero Perseus by Zeus. When her father learned a prophecy that he was destined to be killed by a son of his daughter, he locked Danae away in a subterranean, bronze chamber. Her prison, however, was easily infiltrated by the god Zeus who impregnated her in the guise of a golden shower. She conceived and bore him a son named Perseus. As soon as her father learned of this, he placed Danae and the infant in a chest and set them afloat at sea. By the providence of the gods they drifted safely to the island of Seriphos, where the fisherman Diktys brought them ashore and offered welcomed them into his house. The author of our painting was born in 1767 in Montargis, received a substantial humanitarian education. After his father´s death in 1784, he joined the studio of Neoclassical genius Jacques-Louis David, and at the age of eighteen he was already one of his most gifted pupils. He won the Prix de Rome in 1789 for the composition "Joseph Recognized by His Brothers" and went to Italy for five years. There he experienced the influence of Italian Renaissance masters Correggio and Leonardo da Vinci.In 1793 in Italy, Girodet witnessed the siege and destruction of the French Academy in Rome, who had raised tricolor and invoked the fury of some of the local population. Girodet had only a narrow escape thanks to the help of a man who sat for him. Girodet left Rome for Naples, later visited Florence and Genoa, where he met Gros, and returned to France in 1795. At the Paris Salon of 1793 Girodet was represented by Endymion Asleep, which diverged from Neoclassical tradition and employed gentle nuances of illumination and color that anticipated the effects of Romantic art. This ‘transitional’ style between Neoclassicism and Romanticism is seen in many of Girodet’s works, e.g. Hippocrates Rejecting Artaxerxes’ Gifts (1793); Ossian Meeting Shadows of French Warriors (1802), The Burial of Atala (1808) et al. In 1808, Girodet became a member of the Légion d’Honneur.His attempts to abandon the monumental style in favor of the early Romantic themes that were then very popular in France aroused the sharp criticism of his teacher, J.-L. David.In 1812 Girodet inherited a fortune, and after that painted less, increasingly dedicating himself to illustrating books of Virgil, Racine, Bernardin de Saint Pierre and other authors, and to writing poems and verses and translating Greek and Roman authors. Literature in German: Thieme/Becker "Lexicon of artists from antique to contemporary" (in German), Leipzig, 1999; Friedrich von Boetticher "Malerwerke des 19 Jahrhunderts", Leipzig, 1892, in on-line: wikipedia Inscription: unsigned. Technique: oil on canvas. Luxuriousy old gold-plated frame. Measurements: unframed w 19 3/4" x h 24 " (50 x 61 cm), framed w 26" x h 30 1/4 " (66 x 77 cm). Condition: in good condition due to the age, original canvas,