編號 83207259

無法使用
Thonet - Josef Frank - 椅 - A63樓 - 山毛櫸
競投已結束
2 週前

Thonet - Josef Frank - 椅 - A63樓 - 山毛櫸

This chair, crafted in 1929 for Thonet-Mundus AG in Vienna, stands as a testament to the timeless elegance and innovative craftsmanship of the era. Constructed from bent solid beech and beech plywood, its dimensions—98 cm in height, 57.5 cm in width, and 56 cm in depth, with a seat height of 46 cm—speak to its functionality and comfort. Notably, this model was chosen for use in the Werkbund housing estate in Vienna, showcasing its suitability for modern living environments. Referenced in various publications, including the Thonet-Mundus factory catalogue of 1932 (no. A 63F), the work of N. Stritzler-Levine, and E. B. Ottillinger's exploration of Thonet furniture, this chair has left its mark on design history. Its inclusion in the Werkbund housing estate further solidifies its significance as a manifestation of the principles of the New Living movement. As showcased in the 2012 exhibition catalog "Werkbundsiedlung Wien 1932: Ein Manifest des Neuen Wohnens" from the Vienna Museum, this chair remains an iconic symbol of progressive design and functional beauty.

編號 83207259

無法使用
Thonet - Josef Frank - 椅 - A63樓 - 山毛櫸

Thonet - Josef Frank - 椅 - A63樓 - 山毛櫸

This chair, crafted in 1929 for Thonet-Mundus AG in Vienna, stands as a testament to the timeless elegance and innovative craftsmanship of the era. Constructed from bent solid beech and beech plywood, its dimensions—98 cm in height, 57.5 cm in width, and 56 cm in depth, with a seat height of 46 cm—speak to its functionality and comfort.

Notably, this model was chosen for use in the Werkbund housing estate in Vienna, showcasing its suitability for modern living environments. Referenced in various publications, including the Thonet-Mundus factory catalogue of 1932 (no. A 63F), the work of N. Stritzler-Levine, and E. B. Ottillinger's exploration of Thonet furniture, this chair has left its mark on design history.

Its inclusion in the Werkbund housing estate further solidifies its significance as a manifestation of the principles of the New Living movement. As showcased in the 2012 exhibition catalog "Werkbundsiedlung Wien 1932: Ein Manifest des Neuen Wohnens" from the Vienna Museum, this chair remains an iconic symbol of progressive design and functional beauty.

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