A Baule male figure, Ivory Coast, placed on an oval base, knees slightly bent, genitals hanging between the legs, both hands touching the stomach, the shoulders are mounted by a thick cylindric neck who carries a large oval head. The features are calm, relaxed, emphasized by the half closed eyes staring downwards, the hairdo is pulled back forming a conical shape. The figure is covered with scarifications on his body, face, neck stomach and back - sign of beauty and status in Baule culture; some wear throughout the sculpture, insect damage, sign of use, remnants of white patina around the eyes and hair, the goatee is cracked off. Certificate of provenance. “To articulate historians, the most consistent features of Baule art is a kind of peaceful containment. Faces tend to have downcast eyes and figures most often hold their ams against the body. […] Among their abundant art forms, the Baule people continue to place the greatest value on masks and figure sculptures, which remain the only sculptural art still widely used in Baule villages. While there is a difference between the Baule view of their objects and that of Western connoisseurs, there are points of agreement. Aesthetic appreciation is one: Baule artist, and individual owners of objects, certainly sometimes enjoy the beauty of these objects and the skill it took coproduce them. […] Ornaments above the face are chosen for their beauty and have no iconographic significance” p.141 Lit: Baule: African Art, Western Eyes. Susan M.Vogel 1997.