Magnifique témoin du passé, envoyé avec tous les justificatifs, impeccable. Encore une fois très satisfait, un grand merci
查看翻譯伊比利亞 青銅色 男人的奉獻。西元前4世紀-2世紀。 5.2 公分高。西班牙出口許可證。
編號 84870769
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Man votive offering.
Iberian
4th -2nd century BC
Bronze
Height 5,2 cm 9,4 cm as mounted.
PROVENANCE:Private collection, Windsor, Conneticut (USA). Before in a collection fo Mr. Lewis, New York, 1991. Acquired to Atlantis Antiquities, New York, 3rd May 1991.
DOCUMENTS: Including export license from the Ministry of Culture in Spain.
CONDITION: Good condition, intact.
DESCRIPTION:
Iberian bronze round bronze votive tablet depicting a male figure in a standing position, with his legs together and his arms folded over his chest, without his elbows protruding from his profile due to the extreme synthesis of his design. The man wears a tunic with a belt and a hemispherical helmet with a wig cover, indicating that he was probably a warrior. The face is synthetic, with small eyes worked with circular incisions, a straight nose and a half-open mouth.
In the National Archaeological Museum there are several votive offerings with this same type of male figure standing, dressed, with his arms outstretched on either side of his body or in a similar position, as is the case with two examples from the collection of Carlos Walter Heiss (figs. 1 and 2).
The name Iberian refers to the human groups that inhabited the Mediterranean and southern areas of the Iberian Peninsula between the 4th century BC and the Romanisation of the area, until the 1st century BC. The Iberian culture therefore extended over a wide area stretching from Andalusia to Languedoc in southern France. It was a creative, advanced civilisation, sustained by a society organised around fortified hilltop cities, strongly hierarchical and linked by trade with the Greeks and Phoenicians.
The Iberians developed their own art, with a marked personality and, at the same time, permeable to Eastern influences, especially those of classical and Hellenistic Greece. Indissolubly linked to religion, Iberian art is related to funerary beliefs and the development of sanctuaries, which had a dual function as a sacred place and as a border marker. The interpretation of the works of art found in Iberian necropolises and sanctuaries allows us to learn about the beliefs of this people, their legends and even the personal religiosity of individuals.
Particularly noteworthy are the votive offerings, one of the most characteristic manifestations of Iberian culture, generally made in lost-wax bronze, although they have also been preserved in stone and terracotta. These are small statuettes, around 10 cm in height (the largest are no more than 25 cm), commissioned by high-ranking figures to be offered in the sanctuaries in exchange for protection, well-being, health or prosperity. In fact, most of them have been found in the cave sanctuaries of Despeñaperros, Sierra Morena and Castellar, in Jaén, as well as in La Luz, Murcia. Although they are a very heterogeneous group, they are generally stylised images of men or women in a reverential attitude, with exaggerated features or sexual organs (in the case of those related to fertility), although there are also known votive offerings representing horsemen, horses and other animals and also parts of the body, the latter related to the healing of illnesses or specific limbs.
BIBLIOGRAPHY:
- ARANEGUI GASCÓ, C. Los íberos ayer y hoy. Arqueologías y culturas. Marcial Pons Historia. 2017.
- BERMEJO TRIADO, J. Breve historia de los íberos. Nowtilus. 2010.
- PRADOS TORREIRA, L. Exvotos ibéricos de bronce del Museo Arqueológico Nacional. Ministerio de Cultura. 1992.
- QUESADA SANZ, F. “Los íberos y la cultura ibérica”, en CELESTINO PÉREZ, S., coord., La protohistoria en la Península Ibérica. Akal. 2017.
- RUEDA GALÁN, C.; HERRANZ SÁNCHEZ, A.B.; BELLÓN RUIZ, J.P., coord. Exvotos íberos. Paisajes sagrados, peregrinaciones y ritos. Universidad de Jaén. 2021.
- RUIZ, A.; MOLINOS, M. Los íberos. Análisis arqueológico de un proceso histórico. Grijalbo. 1993.
- TARRADELL, M. Arte ibérico. Polígrafa. 1968.
- VV.AA. Revista de Estudios Ibéricos. Universidad Autónoma de Madrid. 1994-1998.
PARALLELS:
Fig. 1 Male ex-voto. Spain, 4th-1st century BC. Bronze. National Archaeological Museum, Madrid, inv. 1942/100/16.
Fig. 2 Male ex-voto. Spain, 4th-1st century BC. Bronze. National Archaeological Museum, Madrid, inv. 1942/100/17.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
THE MINISTRY OF CULTURE FROM SPAIN ASKS ALL SELLERS FOR INVOICES OR OTHER DOCUMENTATION ABLE TO PROVE THE LEGALITY OF EACH ITEM BEFORE PROVIDING AN IMPORT OR EXPORT LICENSE.
賣家的故事
Man votive offering.
Iberian
4th -2nd century BC
Bronze
Height 5,2 cm 9,4 cm as mounted.
PROVENANCE:Private collection, Windsor, Conneticut (USA). Before in a collection fo Mr. Lewis, New York, 1991. Acquired to Atlantis Antiquities, New York, 3rd May 1991.
DOCUMENTS: Including export license from the Ministry of Culture in Spain.
CONDITION: Good condition, intact.
DESCRIPTION:
Iberian bronze round bronze votive tablet depicting a male figure in a standing position, with his legs together and his arms folded over his chest, without his elbows protruding from his profile due to the extreme synthesis of his design. The man wears a tunic with a belt and a hemispherical helmet with a wig cover, indicating that he was probably a warrior. The face is synthetic, with small eyes worked with circular incisions, a straight nose and a half-open mouth.
In the National Archaeological Museum there are several votive offerings with this same type of male figure standing, dressed, with his arms outstretched on either side of his body or in a similar position, as is the case with two examples from the collection of Carlos Walter Heiss (figs. 1 and 2).
The name Iberian refers to the human groups that inhabited the Mediterranean and southern areas of the Iberian Peninsula between the 4th century BC and the Romanisation of the area, until the 1st century BC. The Iberian culture therefore extended over a wide area stretching from Andalusia to Languedoc in southern France. It was a creative, advanced civilisation, sustained by a society organised around fortified hilltop cities, strongly hierarchical and linked by trade with the Greeks and Phoenicians.
The Iberians developed their own art, with a marked personality and, at the same time, permeable to Eastern influences, especially those of classical and Hellenistic Greece. Indissolubly linked to religion, Iberian art is related to funerary beliefs and the development of sanctuaries, which had a dual function as a sacred place and as a border marker. The interpretation of the works of art found in Iberian necropolises and sanctuaries allows us to learn about the beliefs of this people, their legends and even the personal religiosity of individuals.
Particularly noteworthy are the votive offerings, one of the most characteristic manifestations of Iberian culture, generally made in lost-wax bronze, although they have also been preserved in stone and terracotta. These are small statuettes, around 10 cm in height (the largest are no more than 25 cm), commissioned by high-ranking figures to be offered in the sanctuaries in exchange for protection, well-being, health or prosperity. In fact, most of them have been found in the cave sanctuaries of Despeñaperros, Sierra Morena and Castellar, in Jaén, as well as in La Luz, Murcia. Although they are a very heterogeneous group, they are generally stylised images of men or women in a reverential attitude, with exaggerated features or sexual organs (in the case of those related to fertility), although there are also known votive offerings representing horsemen, horses and other animals and also parts of the body, the latter related to the healing of illnesses or specific limbs.
BIBLIOGRAPHY:
- ARANEGUI GASCÓ, C. Los íberos ayer y hoy. Arqueologías y culturas. Marcial Pons Historia. 2017.
- BERMEJO TRIADO, J. Breve historia de los íberos. Nowtilus. 2010.
- PRADOS TORREIRA, L. Exvotos ibéricos de bronce del Museo Arqueológico Nacional. Ministerio de Cultura. 1992.
- QUESADA SANZ, F. “Los íberos y la cultura ibérica”, en CELESTINO PÉREZ, S., coord., La protohistoria en la Península Ibérica. Akal. 2017.
- RUEDA GALÁN, C.; HERRANZ SÁNCHEZ, A.B.; BELLÓN RUIZ, J.P., coord. Exvotos íberos. Paisajes sagrados, peregrinaciones y ritos. Universidad de Jaén. 2021.
- RUIZ, A.; MOLINOS, M. Los íberos. Análisis arqueológico de un proceso histórico. Grijalbo. 1993.
- TARRADELL, M. Arte ibérico. Polígrafa. 1968.
- VV.AA. Revista de Estudios Ibéricos. Universidad Autónoma de Madrid. 1994-1998.
PARALLELS:
Fig. 1 Male ex-voto. Spain, 4th-1st century BC. Bronze. National Archaeological Museum, Madrid, inv. 1942/100/16.
Fig. 2 Male ex-voto. Spain, 4th-1st century BC. Bronze. National Archaeological Museum, Madrid, inv. 1942/100/17.
Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
THE MINISTRY OF CULTURE FROM SPAIN ASKS ALL SELLERS FOR INVOICES OR OTHER DOCUMENTATION ABLE TO PROVE THE LEGALITY OF EACH ITEM BEFORE PROVIDING AN IMPORT OR EXPORT LICENSE.
賣家的故事
- 747
- 6
- 0
Thank you for the Special offer and the fast shipping of this excellent piece of art!
查看翻譯very good description of the object, very good price for this rare item,. Fast sending (has been at my place 2 days after buying!). Definitely would buy again.
查看翻譯Sehr schön
查看翻譯As described, perfect logistic
查看翻譯great seller, everything came as should with certificate of authenticity
查看翻譯Exceptionally well packaged, description aligned with positing received
查看翻譯Really precious, but without sound...
查看翻譯Painting well packed and rapidly sent!
查看翻譯sempre grande rapidità e professionalità
查看翻譯parfait bien reçu, merci
查看翻譯Very satisfied with the small Greek Lekythos. As always (we have already bought several items from Bagot), the object was wrapped and sent immediately and with the greatest care.
查看翻譯Perfect, excellent condition, good packaging, the parcel arrived without any problems… all is perfect as usual. Thank you very much and wait for an other nice piece like this one. Gilles.
查看翻譯+++ Top vendeur professionnel comme d'habitude
查看翻譯Embora o custo de transporte esteja acima da média foi, realmente, muito bem executado e em embalagem cuidada. Expeditos e profissionais. Recomendo
查看翻譯Snel en correct en goed verpakt verzonden
查看翻譯oggetto bellissimo, fedele alla descrizione, venditore affidabile
查看翻譯Very nice piece and fast delivery
查看翻譯Everything ok, top seller! Thank you again!
查看翻譯very beautiful and fast shipping!thank you!
查看翻譯Excelent, very good piece++++
查看翻譯Vendedor increíble muy buenos he comprado muchas veces todo perfecto. Muchas gracias
查看翻譯pas de problème ; merci beaucoup
查看翻譯tres rapide conforme hope next +++
查看翻譯Sehr schön! Vielen Dank!
查看翻譯- 747
- 6
- 0
Magnifique témoin du passé, envoyé avec tous les justificatifs, impeccable. Encore une fois très satisfait, un grand merci
查看翻譯免責聲明
賣家保證並能證明該物品是合法取得的。 Catawiki 通知賣家,他們必須提供其居住國法律要求的文件。 賣家保證並有權出售/出口此物品。 賣家將向買家提供有關該物品的所有已知來源的資訊。 賣家確保已/將安排任何必要的許可證明。 賣家將立即通知買家有關獲得此類許可時的任何延誤。
賣家保證並能證明該物品是合法取得的。 Catawiki 通知賣家,他們必須提供其居住國法律要求的文件。 賣家保證並有權出售/出口此物品。 賣家將向買家提供有關該物品的所有已知來源的資訊。 賣家確保已/將安排任何必要的許可證明。 賣家將立即通知買家有關獲得此類許可時的任何延誤。