"Weird Times #24" presents a captivating scene of an abstract composition, which originally was inspired by a still-life. The artistic style deftly merges elements of abstraction with a touch of realism, resulting in a captivating balance between chaos and clarity. While embracing abstraction, the depiction maintains a sense of recognizable form, offering viewers an intriguing blend of fluidity and structure. The work is painted with Oil, acrylic and egg based Tempera. Important Note: The artwork will be shipped rolled without wooden frame. A Certificate of Authenticity is included. Further Information: I am living and working in Cologne, Germany. I share my painting process on Instagram and studied Painting at Alanus University. (Master of fine arts, degree in 2017). www.hannahbielecki.de Instagram: hannah_bielecki „Hannah Bielecki paints, draws, cuts, irritates… she presents color fields just to cover them up in transparency within the next second. She creates narration and objects in abstraction to tell a story that can only grow in the beholders eye and perception. The color palette she uses is somewhere between a dark reverie and neon bright drama, which she enlightens with points of light. She uses a lot of color but is never arbitrary. The paintings are appear dynamic, but nothing happens by accident. the viewer is challenged to fathom the painting. The eye doesn’t get a chance to rest. As soon as you have grasped the composition, colour, motive, you are attracted by a hidden layer, which in turn eludes all views and calls everything previously recognized into question." (Lisa Schorr, Galerie Haus zum Stein) Exhibitions: Solo Show: 2024: (planned) Kunstverein Husum und Umgebung 2021: "inferno", Galerie Haus zum Stein. Group Shows: 2023: "Susanna & Du", Wallraf-Richartz-Museum Köln 2022: "The new Artist II", Boomer Gallery (London, United Kingdom) 2019: “Boxing Day”, Gallery 104 (New York, USA) 2018: “Willkommen zu Hause”, VHS (Bonn, Deutschland) 2017: “Deutschlandstipendiaten”, Alanus Hochschule (Alfter, Deutschland) 2016: “lose enden”, Kunstverein Wesseling (Wesseling, Deutschland). 2016: “Web 2.0. Do it for the process”, Alanus Hochschule (Alfter, Deutschland) 2015: “Erinnerungsorte”, (ehemaliges) Kinderheim Sülz , (Köln, Deutschland). 2015: “unter den Tellerrand”, Kunstverein Wesseling (Wesseling, Deutschland) 2014: “Dramat Wolnosci ”, Montelupich Gefängnis (Krakau, Polen). 2013: “Kunst im Brennpunkt”, Frauenmuseum (Bonn, Deutschland). 2012: “Kunst im Brennpunkt”, Alqud’s University (Westbank, Israel). 2011: “appassionato II”, Cima Norma (Dangio, Torre; Schweiz).