原創木版畫三聯畫 - 紙 - Utagawa Yoshikazu (act. 1848-1870) - 'Yoritomo kô Fuji no mikari no zu' 頼朝公富士之御狩ノ図 (Lord Yoritomo's Hunt at Mount Fuji) - 日本 - 1859（安政 6）

由Giovanni Bottero精選

Original woodblock print triptych - Paper - Utagawa Yoshikazu (act. 1848-1870) - 'Yoritomo kô Fuji no mikari no zu' 頼朝公富士之御狩ノ図 (Lord Yoritomo's Hunt at Mount Fuji) - Japan - 1859 (Ansei 6) As it is an old one, it has dirt, holes, and faded parts. See Museum of Fine Arts, Boston: https://collections.mfa.org/objects/462235 A disciple of Kuniyoshi Utagawa. His name is Jirokichi次郎吉 (or Jirobei次郎兵衛), and the surnames of Utagawa are used surname Ichijusai(一寿斎)Syunsai(春斎), Ichikawa(一川), and Ichikawasai(一川斎,). His drawing period was from around Kaei(嘉永) to around 1870, and he drew battle paintings, warrior paintings, bird-and-flower paintings, and Kusazoshi illustrations. After the opening of Yokohama Port, he became interested in the lifestyles of foreigners. Therefore, he draws many pictures of foreigners. In the first year of Bunkyu (1861), when there was no railroad in Japan, he drew the “Americakoku Kisya ourai(亜墨利加国蒸気車往来)” and the “Tōkyō han’ei-sha ōrai no zu'(東京繁栄車往来之図)” in 1897. He drawing a train.

編號 84043987

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原創木版畫三聯畫 - 紙 - Utagawa Yoshikazu (act. 1848-1870) - 'Yoritomo kô Fuji no mikari no zu' 頼朝公富士之御狩ノ図 (Lord Yoritomo's Hunt at Mount Fuji) - 日本 - 1859（安政 6）

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Original woodblock print triptych - Paper - Utagawa Yoshikazu (act. 1848-1870) - 'Yoritomo kô Fuji no mikari no zu' 頼朝公富士之御狩ノ図 (Lord Yoritomo's Hunt at Mount Fuji) - Japan - 1859 (Ansei 6)

As it is an old one, it has dirt, holes, and faded parts.

See Museum of Fine Arts, Boston: https://collections.mfa.org/objects/462235

A disciple of Kuniyoshi Utagawa. His name is Jirokichi次郎吉 (or Jirobei次郎兵衛), and the surnames of Utagawa are used surname Ichijusai(一寿斎)Syunsai(春斎), Ichikawa(一川), and Ichikawasai(一川斎,). His drawing period was from around Kaei(嘉永) to around 1870, and he drew battle paintings, warrior paintings, bird-and-flower paintings, and Kusazoshi illustrations.
After the opening of Yokohama Port, he became interested in the lifestyles of foreigners.
Therefore, he draws many pictures of foreigners. In the first year of Bunkyu (1861), when there was no railroad in Japan, he drew the “Americakoku Kisya ourai(亜墨利加国蒸気車往来)” and the “Tōkyō han’ei-sha ōrai no zu'(東京繁栄車往来之図)” in 1897. He drawing a train.