編號 84172841

無法使用
墨西哥西部科利馬州 Terracotta 水獺形狀的容器。西元前200年- 西元200年。有西班牙進口許可證。 23 公分長。
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墨西哥西部科利馬州 Terracotta 水獺形狀的容器。西元前200年- 西元200年。有西班牙進口許可證。 23 公分長。

Vessel in the shape of an otter CULTURE: Colima, Western Mexico PERIOD: 200 B.C. - 200 AD MATERIAL: Terracotta DIMENSIONS: 23 cm L. PROVENANCE: Private collection of Isadore and Nancy Marderr, Philadelphia, USA. 1960-1970. With spanish import license. CONDITION: Intact. DESCRIPTION: The Colima people lived in northwest Mexico, in a rugged, low-lying coastal region carved by valleys, each with its own ecology and a warm, humid climate. Little is known about their modes of subsistence, as most of the information we have comes from artifacts from private collections and from the excavation of cemeteries, not residential sites, which usually provide this kind of information. We do know that they practiced irrigation farming, which allowed them to live in large groups in relatively independent villages and urban centers. Colima ceramics display a wide variety of figures and shapes, but little variation in technique. Most pieces have a burnished red finish and some are decorated with orange or white incisions. Molded figures are common, especially of plants, animals (especially dogs) and seashells. Human representations typically feature dwarfs and hunchbacks more than others, and few female forms. Many of these figures have “coffee-bean” eyes and are dressed in finely detailed traditional attire. Little is known of Colima stonework; only a few pieces such as mace heads, small masks and figurines have been found. These people also practiced basketweaving and weaving, and used metallurgy to make objects such as needles, axes, rattles, nose rings and ear ornaments. Little is known about the Colima’s social order, but shamans or priests may have occupied positions of social importance. The existence of figurines resembling warriors as well as prisoners with hands tied points to the ceremonial importance of war in this pre-Columbian society. The vast majority of ceramic pieces that have been ascribed to this culture are grave goods found in the tombs of individuals of high social rank. The Colima buried their dead in family tombs up to 30 meters deep, some with multiple chambers. The bodies were accompanied by a wide variety of grave goods, including ceramic statuettes of armed men, which served as symbolic guardians. Ceramic sculptures of dogs were another common grave good, and were believed to be the emissaries of Xolotl, the god of death. The history of the Colima people is not well known, but, like many Mesoamerican cultures, the Colima displayed some stylistic elements that links them with the ancient Olmecs. Notes: - The piece includes authenticity certificate. - The piece includes Spanish Export License. - The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki. THE MINISTRY OF CULTURE FROM SPAIN ASKS ALL SELLERS FOR INVOICES, IMPORT LICENSES AND ALL THE DOCUMENTATION ABLE TO PROVE THE LEGALITY OF EACH ITEM BEFORE PROVIDING AN IMPORT OR EXPORT LICENSE.

編號 84172841

無法使用
墨西哥西部科利馬州 Terracotta 水獺形狀的容器。西元前200年- 西元200年。有西班牙進口許可證。 23 公分長。

墨西哥西部科利馬州 Terracotta 水獺形狀的容器。西元前200年- 西元200年。有西班牙進口許可證。 23 公分長。

Vessel in the shape of an otter

CULTURE: Colima, Western Mexico

PERIOD: 200 B.C. - 200 AD

MATERIAL: Terracotta

DIMENSIONS: 23 cm L.

PROVENANCE: Private collection of Isadore and Nancy Marderr, Philadelphia, USA. 1960-1970. With spanish import license.

CONDITION: Intact.

DESCRIPTION:

The Colima people lived in northwest Mexico, in a rugged, low-lying coastal region carved by valleys, each with its own ecology and a warm, humid climate.

Little is known about their modes of subsistence, as most of the information we have comes from artifacts from private collections and from the excavation of cemeteries, not residential sites, which usually provide this kind of information. We do know that they practiced irrigation farming, which allowed them to live in large groups in relatively independent villages and urban centers.

Colima ceramics display a wide variety of figures and shapes, but little variation in technique. Most pieces have a burnished red finish and some are decorated with orange or white incisions. Molded figures are common, especially of plants, animals (especially dogs) and seashells. Human representations typically feature dwarfs and hunchbacks more than others, and few female forms. Many of these figures have “coffee-bean” eyes and are dressed in finely detailed traditional attire. Little is known of Colima stonework; only a few pieces such as mace heads, small masks and figurines have been found. These people also practiced basketweaving and weaving, and used metallurgy to make objects such as needles, axes, rattles, nose rings and ear ornaments.

Little is known about the Colima’s social order, but shamans or priests may have occupied positions of social importance. The existence of figurines resembling warriors as well as prisoners with hands tied points to the ceremonial importance of war in this pre-Columbian society.

The vast majority of ceramic pieces that have been ascribed to this culture are grave goods found in the tombs of individuals of high social rank. The Colima buried their dead in family tombs up to 30 meters deep, some with multiple chambers. The bodies were accompanied by a wide variety of grave goods, including ceramic statuettes of armed men, which served as symbolic guardians. Ceramic sculptures of dogs were another common grave good, and were believed to be the emissaries of Xolotl, the god of death.

The history of the Colima people is not well known, but, like many Mesoamerican cultures, the Colima displayed some stylistic elements that links them with the ancient Olmecs.


Notes:
- The piece includes authenticity certificate.
- The piece includes Spanish Export License.
- The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.
THE MINISTRY OF CULTURE FROM SPAIN ASKS ALL SELLERS FOR INVOICES, IMPORT LICENSES AND ALL THE DOCUMENTATION ABLE TO PROVE THE LEGALITY OF EACH ITEM BEFORE PROVIDING AN IMPORT OR EXPORT LICENSE.

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